I was first exposed to Western literature when working as a teenage farm worker in the jungle of south Yunnan decades ago and have kept my interest alive ever since. As an undergraduate at Peking University, I majored in English and American language and literature before I switched to the study of Chinese archaeology and history at the graduate level. Over the last three decades and more, I have been teaching Chinese and World history and doing research on Chinese history at a US university. In addition to dozens of articles, I have published several books both in English and Chinese, all on premodern China with a focus on the Sui-Tang period.
This book examines the exotics imported into China during the Tang Dynasty (A.D. 618-907) and depicts their influence on Chinese life. During the three centuries of Tang came into the land the natives of almost every nation of Asia, all bringing exotic wares either as gifts or as goods to be sold. Ivory, rare woods, drugs, diamonds, magicians, dancing girls—the author covers all classes of unusual imports, their places of origin, their lore,their effect on fashion, dwellings, diet, painting, sculpture, music, and poetry.
This book is for students of Tang culture and laymen interested in the same topic. Its author Edward Schafer was an eminent American sinologist.
In the seventh century the kingdom of Samarkand sent formal gifts of fancy yellow peaches, large as goose eggs and with a color like gold, to the Chinese court at Ch'ang-an. What kind of fruit these golden peaches really were cannot now be guessed, but they have the glamour of mystery, and they symbolize all the exotic things longed for, and unknown things hoped for, by the people of the T'ang empire. This book examines the exotics imported into China during the T'ang Dynasty (A.D. 618-907), and depicts their influence on Chinese life. Into the land during the three centuries…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Carroll’s debut novel has earned considerable praise for its quiet, elegant prose and the affecting realism of its characters: a young introverted American wholly at home in the small backwater college in Hunan Province where he teaches English and builds an aeolian harp, the awkward female student who tries to befriend him, and the choleric old misanthrope of an American with a crippled leg, who joins the school and inadvertently proceeds to disrupt their lives. What makes the novel work is its dramatic irony – the chemical reactions that ensue when three peculiar and hapless personalities combine and threaten to blow up into almost Greek-tragedy proportions, and only the reader understands why. A handful of memorable subplots and minor characters flesh out the tale.
Everybody wants to think they're the only foreigner living in China.
Up to the Mountains and Down to the Countryside tells the story of two American English teachers in rural China. Daniel, a young college graduate, is enjoying his seemingly idyllic life in the small town of Ningyuan when Thomas, an entitled deadbeat content to pass the rest of his days in Asia skating by on the fact that he's white, arrives at his high school. The two men take an instant dislike to each other, and in the ensuing battle of wills tensions build to a showdown, with one…
I’m a historian of modern China in the department of Chinese at the University of Oxford. I started off working on the twentieth century but have been drawn back into the Qing dynasty. It’s such an interesting and important period and one that British students often don’t know much about!
I loved this little book because, in just a short space, it takes you into what it was like to live through the Taiping Rebellion, one of the most important events in China’s nineteenth century, and it does it through the eyes of a child. It’s an amazing viewpoint, and the stories are dramatic.
The introduction, which explains all the background, and translation by Xiaofei Tian, who is a well-known poet in Chinese as well as a professor at Harvard, is also beautifully written.
"From the cry of a tiny insect, one can hear the sound of a vast world..." So begins Zhang Daye's preface to The World of a Tiny Insect, his haunting memoir of war and its aftermath. In 1861, when China's devastating Taiping rebellion began, Zhang was seven years old. The Taiping rebel army occupied Shaoxing, his hometown, and for the next two years, he hid from Taiping soldiers, local bandits, and imperial troops and witnessed gruesome scenes of violence and death. He lost friends and family and nearly died himself from starvation, illness, and encounters with soldiers on a rampage.…
A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.
A nobody-concubine rises to become Empress of China, making her way through the rituals and backstabbing of the imperial court. This is the closest to my own books and I loved the detail and the insights into the latter part of the Qing era, as well as the feeling of time running out for the imperial way of life.
To rescue her family from poverty and avoid marrying her slope-shouldered cousin, seventeen-year-old Orchid competes to be one of the Emperor's wives. When she is chosen as a lower-ranking concubine she enters the erotically charged and ritualised Forbidden City. But beneath its immaculate facade lie whispers of murders and ghosts, and the thousands of concubines will stoop to any lengths to bear the Emperor's son. Orchid trains herself in the art of pleasuring a man, bribes her way into the royal bed, and seduces the monarch, drawing the attention of dangerous foes. Little does she know that China will collapse…
During the later Cold War, I grew up in neutral and peaceful Switzerland. My German mother’s family lived apart in divided Germany. I knew as a child that I would become a historian because I wanted to find out what had happened to my mother’s home and why there was a Cold War in the first place. My father’s service as a Swiss Red Cross delegate in Korea after 1953 raised my interest in East Asia. After learning Russian and Chinese, I wrote my first book on The Sino-Soviet Split. When I was finishing the book, I resolved to reinvent myself as a global historian, which is why I wrote my second book as a reinterpretation of the global Cold War as a series of parallel regional Cold Wars in Asia, the Middle East, and Europe.
Migration in the Time of Revolution pushes the international history of the 20th century into a new and exciting direction. Using the Chinese diaspora in Indonesia as a lens, Taomo Zhou elevates citizens to agents in international relations. On the basis of Chinese archival research and oral history, she explores how Indonesians of Chinese descent lastingly influenced the diplomatic relations between their home country and divided China during the Cold War.
Migration in the Time of Revolution examines how two of the world's most populous countries interacted between 1945 and 1967, when the concept of citizenship was contested, political loyalty was in question, identity was fluid, and the boundaries of political mobilization were blurred. Taomo Zhou asks probing questions of this important period in the histories of the People's Republic of China and Indonesia. What was it like to be a youth in search of an ancestral homeland that one had never set foot in, or an economic refugee whose expertise in private business became undesirable in one's new home in…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
The daughter of Taiwanese immigrants, Tam is on the phone with her husband when he is killed in traffic. Their last conversation is about the little boy they were going to adopt from China. Mia, an undocumented Chinese immigrant with an American-born daughter, tells the other half of the story. Reading about Chinese orphanages in the 90s—and now—was heartbreaking. It was also moving because of the way some nannies cared for the abandoned children. In Chinese mythology, the red thread of fate unites through love. Drawing from the author’s Taiwanese culture and her experience adopting her son from China, this is a story about love: between parents and children, friends who help each other, caretakers and orphans—and even unexpected romance.
In the wake of a tragedy and fueled by guilt from a secret she's kept for years, a woman discovers how delicate the thread that binds family is in this powerful novel by Lyn Liao Butler.
Two days before Tam and Tony Kwan receive their letter of acceptance for the son they are adopting from China, Tony and his estranged cousin Mia are killed unexpectedly in an accident. A shell-shocked Tam learns she is named the guardian to Mia’s five-year-old daughter, Angela. With no other family around, Tam has no choice but to agree to take in the girl she…
I am a chef, author, and consultant, living and working primarily in New York City, best known for my restaurant, Chanterelle, which I owned and operated for 30 years. Chanterelle was much loved and highly regarded, receiving numerous accolades including 4 James Beard Foundation awards and 2 four-star reviews from the New York Times. I also wrote 2 cookbooks, Chanterelle, the Story and Recipes of a Restaurant Classic, and Staff Meals from Chanterelle. Though my first love is French cuisine, I have had a long-standing affair with Asian, primarily Chinese food. I love cooking Chinese for myself, friends, and family, and have also incorporated elements of the cuisine into my professional cooking.
An intimate and unique celebration of Chinese culture and food, expounded through an in-depth contemplation of the wok, one of the world’s most versatile cooking tools. Young teaches us how to choose a wok, how to care for it, and how to use it in myriad ways, not just for stir fry.
Award-winning author Grace Young celebrates and demystifies the art of wok cooking for the Western home cook.
When Grace Young was a child, her father instilled in her a lasting appreciation of wok hay, the highly prized but elusive taste that food achieves when properly stir-fried in a wok. As an adult, Young aspired to create that taste in her own kitchen.
Grace Young's quest to master wok cooking led her throughout the United States, Hong Kong, and mainland China. Along with award-winning photographer Alan Richardson, Young sought the advice of home cooks, professional chefs, and esteemed culinary teachers like…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
A great deal has been written about the Jewish refugees who flooded into Shanghai during World War II, but that’s not the case with the story of the wealthy Sephardic Jewish families who arrived in the early days of opium trading and built fabulous fortunes. In Last Kings of Shanghai, Pulitzer Prize winning journalist Jonathan Kaufman weaves the epic tale of the Sassoons and the Kadoories, stretching from Baghdad to Shanghai to London and Hong Kong. It’s a story of business acumen and political intrigue, of wartime survival and the choices that saw one family perpetuate its wealth and influence in China, and the other fade into history.
"In vivid detail... examines the little-known history of two extraordinary dynasties."--The Boston Globe
"Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history."--LA Review of Books
An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist
The Sassoons and the Kadoories stood astride Chinese business and politics for more than one hundred seventy-five years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and…
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
Oral history as a literary form is relatively new in China. When asked why he wrote the book, Mr. Feng replied that it was because of his guilt as a survivor and as a witness. The Cultural Revolution has devastated and scarred generation after generation in China, yet most people are silent about their personal experiences. Feng conducted numerous interviews with ordinary people who had lived through that period and wrote these intimate stories in the collection. Every voice is different and deeply personal; together, they portray one of the most disturbing and tumultuous times in Chinese history.
Ten Years of Madness is a groundbreaking book that draws some parallels to Studs Terkel's "Working" in that it portrays a wide cross section of the Chinese people, but with a harrowing twist: how they survived the disastrous Great Proletariat Cultural Revolution of 1966-1976. Families were destroyed; an entire generation of artists and intellectuals was lost. These oral histories, expertly conducted and arranged by noted writer and cultural critic Feng Jicai, are essential in preserving the memory of those who survived and those who did not survive China's most calamitous period in its modern history.
