I have always been fascinated with the macabre and things that go bump in the night. My parents took me to see my first horror movie when I was a month old. It was the 1974 version of It’s Alive. I have been a horror lover ever since. I read my first Stephen King novel, Pet Semetary, at age nine. Then I moved on to Salem’s Lot and The Shining, devouring all three books before I was ten. I have had experiences of things moving in my bedroom when I am the only one there. I believe in the things that go bump in the night.
We all know King is the master of horror. Most of his books are novels of one story but I love his short stories. They are fast-paced and leave you wondering what lurks around the corner. King talks about struggling as a writer and barely making it in the beginning. He sold his stories to men’s magazines to make ends meet when he was first starting out. It gives hope to us who feel like we will never make it.
'A gripping and satisfyingly scary' (Sunday Telegraph) bumper collection of RIVETING, DARK STORIES from the No. 1 bestselling master of the form, now with a stunning new cover look.
Just after sunset, as darkness grips the imagination, is the time when you feel the unexpected creep into the every day. As familiar journeys take a different turn, ordinary objects assume extraordinary powers.
A blind intruder visits a dying man - and saves his life, with a kiss.
A woman receives a phone call from her husband. Her late husband.
In the emotional aftermath of her baby's sudden death, Emily starts…
I became enthusiastic about the history of the Baltics when my dissertation advisor persuaded me to use my language training in German and Russian to test the American Frontier Theory in the Baltic region. None of the various theories were applicable, but I earned a Ph.D. anyway. Later I taught in Italy, Yugoslavia, Estonia, and the Czech Republic. I've written a number of books and won a Fulbright Hays grant, the Dr. Arthur Puksow Foundation prize, the Vitols Prize, and others. I retired in 2017 after fifty-one years of university and college teaching, but I would still be teaching if my hearing had not deteriorated to the point that I could not make out what shy students were saying.
The Germans and Poles moved into a land inhabited by flourishing native tribes that have previously been understood only through the observations of German and Polish chroniclers.
Pluskowski shows that the native peoples had a sophisticated local economy that was hardly changed by the German conquerors. That is, wherever the Teutonic Order and its associated bishops and abbots brought in German or Dutch colonists, the farming practices reflected those of the immigrants’ homelands; however, the three-field system required farmers to work together, while the original inhabitants preferred to retain individual farms worked on the two-field system. The three-field system produced more food, but the Native Prussians valued their freedom more.
This is a very detailed study, with abundant information on what people ate, how they lived, and how they were buried.
The Archaeology of the Prussian Crusade explores the archaeology and material culture of the crusade against the Prussian tribes in the 13th century, and the subsequent society created by the Teutonic Order which lasted into the 16th century. It provides the first synthesis of the material culture of a unique crusading society created in the south-eastern Baltic region over the course of the 13th century. It encompasses the full range of archaeological data, from standing buildings through to artefacts and ecofacts, integrated with written and artistic sources. The work is sub-divided into broadly chronological themes, beginning with a historical outline,…
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
I have a weakness for eccentric characters raging at the world while trying to find a place in it. Allie, the protagonist, leaves America for Honduras, where he tries to create an alternate universe, free from what he views as the ills of America. I read this book while living in the Caribbean and Allie’s pronouncements about imperialism and materialism, though clearly paranoid, contained, I felt, a germ of truth. The ebullient characters, the restless energy, and the dark humour, all characteristics of the novelist’s later books, are on full display here.
Winner of the Stanford Dolman Lifetime Contribution to Travel Writing Award 2020
The Mosquito Coast - winner of the James Tait Black Memorial Prize - is a breathtaking novel about fanaticism and a futile search for utopia from bestseller Paul Theroux.
Allie Fox is going to re-create the world. Abominating the cops, crooks, junkies and scavengers of modern America, he abandons civilisation and takes the family to live in the Honduran jungle. There his tortured, messianic genius keeps them alive, his hoarse tirades harrying them through a diseased and dirty Eden towards unimaginable darkness.
I'm a specialist of ancient Egyptian social history, who against the better judgment of (practically all) her colleagues uses the ancient past to make the present understandable. If we don’t fetishize the ancient Egyptians as separate and magical, they have something to teach us, whispering to us from the past through papyri, temples, and archaeological sites. After all, Egyptian history is 3000 years plus in its time span, an astounding data set of a people using same approximate language, government system, religion, and culture. Some of us look hungrily to replicate that kind of lasting and divine power. I am obsessed with power—how it works, why we are helpless to it, and who gets exploited by it. The ancient Egyptian kings effectively packaged their power not only as necessary, but as moral and good, ancient marketing that continues to work on our minds.
I am recommending this volume because it shocked me with its ability to nestle humans into the world as an integral part of the natural world, not separate from it, not rulers over it, but clever animals that need the Earth more than the Earth needs us. It helps me to undercut the manufactured power of the divinely ordained rulers from ancient Egypt.
New insights into the microbiome, epigenetics, and cognition are radically challenging our very idea of what it means to be 'human', while an explosion of neo-materialist thinking in the humanities has fostered a renewed appreciation of the formative powers of a dynamic material environment. The Matter of History brings these scientific and humanistic ideas together to develop a bold, new post-anthropocentric understanding of the past, one that reveals how powerful organisms and things help to create humans in all their dimensions, biological, social, and cultural. Timothy J. LeCain combines cutting-edge theory and detailed empirical analysis to explain the extraordinary late-nineteenth…
As an archaeologist, I love prehistoric things and what can I learn from them about the people that made them and left them behind. I study ancient Maya commoners in what is now modern Guatemala. Their material remains are humble but include depictions and symbols normally found in the palaces of Maya kings and queens. First I wondered and then I studied how the title-giving war owl fell into the hands of Maya commoners. By approaching this process as innovation, I discuss creativity in the past and cultural changes that result from it.
I admit that modern technology and its products are fascinating; marveling at a smartphone makes me realize, though, that I have for the most part no clue how to repair and even less so how to make it. This is not only my dilemma – Langlands discusses the challenges of making things with your own hands. His book inspired me to ask my students to collect clay, make pottery, and fire it in a course I teach. Apart from the DIY aspect, I was enthralled by his discussion of crafting as a state of being engaged. You have to know your skills and your resources very well to make a great pot!
Faced with an endless supply of mass-manufactured products, we find ourselves nostalgic for goods bearing the mark of authenticity-hand-made tools, local brews, and other objects produced by human hands. Archaeologist and medieval historian Alexander Langlands reaches as far back as the Neolithic period to recover our lost sense of craft, combining deep history with detailed scientific analyses and his own experiences making traditional crafts. Craft brims with vivid storytelling, rich descriptions of natural landscape, and delightful surprises that will convince us to introduce more craft into our lives.
I found this book very useful for my career. It is a great resource for stimulating topics and readings for college courses, from the relationship between literature and revolution to that with ecology, animality, the economy, biopolitics, infrastructure, and new media.
It can also be used as a textbook to teach a Latin American critical theory course, as the expert collaborations in this unique volume also provide valuable information on the state of the discipline of Latin American literature and culture, with all its tensions and disagreements. More specifically, they elaborate on the applicability of the most significant, cutting-edge trends and theoretical approaches (postcolonial, decolonial, infrapolitical, sociological, new materialism, sound studies, transpacific studies, ecocriticism, cosmopolitanism, the affective turn, among others) to the Latin American literature and culture produced over the last 121 years.
The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms brings together a team of expert contributors in this critical and innovative volume.
Highlighting key trends within the discipline, as well as cutting-edge viewpoints that revise and redefine traditional debates and approaches, readers will come away with an understanding of the complexity of twenty-first-century Latin American cultural production and with a renovated and eminently contemporary understanding of twentieth-century literature and culture.
This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.
I’m an entrepreneur, chef, homeschooler, and third-generation farmer living in the northern Catskill mountains. With that many passions, I had to remove all other distractions from my life so that I could put my attention on what mattered most. My writing has been featured in The New York Times, National Public Radio, and national television. During the growing season, I broadcast The Hearth of Sap Bush Hollow podcast, chronicles and lessons from a life tied to family, community, and the land. You can also taste my cooking by coming to my restaurant, Sap Bush Cafe, on Saturdays, 9-2 (I’m too busy living the good life to be open the other days).
Very few of us are going on a quest for a minimalist existence only to do nothing. We will continue to contribute our gifts to the world. The question then becomes, how do we contribute without falling victim to the chaos and stress once more? That’s where Charnas’ book comes into play. As a chef, I have to do this all the time. I walk into my cafe and must be able to meet the many and myriad demands of hungry customers with order and presence of mind without crumbling under the pressures. Then I need to walk away, back into my life in the forests and fields and leave the pressure behind.
Despite my minimalist, anti-consumerist life, there are pressures of work. This is the system that enables me to navigate them. And when fresh chaos rains down (as it inevitably does, no matter how much I embrace a…
Chefs across the globe have honed an incredible system for working with efficiency called "mise-en-place." In this book, Dan Charnas reveals how to use those principles in any kind of work, outside the kitchen. Culled from dozens of interviews with culinary professionals and business executives, Work Clean offers a simple system and elegant metaphor for organizing one's life and accomplishing one's work. Work Clean spells out the 10 major principles of mise-en-place or "putting in place" for chefs and nonchefs alike: 1) preparation is prime; 2) arranging spaces; 3) cleaning as you go; 4) making-the first moves; 5) Finishing actions…
In my childhood in the 1960s, girls still read novels like Jane Eyre and Black Beauty, and one of my grandmothers was a Victorian herself, born in Scotland in the 1880s, so my connection to that time feels organic. Even today, a new Victorian novel is my idea of vacation reading. Victorian writers looked deeply into the hearts of their imagined characters, leaving us with a vivid record of a world that is now gone. These novels help us understand the past with all its flaws and problems, giving us a way to think about how far we have come, perhaps, even, how much farther we need to go.
Gissing is forgotten now because he was a realist working in romantic times. Fiction writers were the rock stars of Victorian England. New Grub Street explores the other side of the coin: the vast number of struggling writers who hankered after the fame and fortune that was never to be theirs. At the heart of the story are two friends, the pragmatic materialist Jasper Milvain and the talented but idealistic Edward Reardon. The modest success of one novel prompts Readon to marry, saddling him with an overwhelming financial burden that crushes his talent. Milvain values money over everything else in life at a time when everything else in life depends on money. I found Gissing’s hard-boiled novel touching because, without flinching, he shows the inner conflicts of people trapped by circumstance.
'Because one book had a sort of success he imagined his struggles were over.'
Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of critical acclaim for his fourth novel, he has married the refined Amy Yule. But the brilliant future Amy expected has evaded her husband. The catastrophe of the Reardon's failing marriage is set among the rising and falling fortunes of novelists, journalists, and scholars who labour 'in the valley of the shadow of books'.
George Gissing's New Grub Street was written at breakneck speed in the autumn of…
I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outsideof society.
I discovered Wilson’s seminal book when I was in college.
It would not be an exaggeration to say that The Outsider changed my life. Before I read it I had no idea who I was or where I belonged. I was not a joiner. I wasn’t affected by peer pressure. As a consequence I felt alone and at sea.
At once, I recognized myself in The Outsider.
Wilson could have been writing about me. Suddenly, I understood who I was, why I reacted to certain things the way I did, and what my place in the world was and would be. There is no more desolate feeling of being alone and misunderstood in the world.
Wilson’s book gave me a sense of belonging. Who could ask for anything more?
The classic study of alienation, creativity and the modern mind 'Excitingly written, with a sense of revelation' GUARDIAN
THE OUTSIDER was an instant literary sensation when it was first published in 1956, thrusting its youthful author into the front rank of contemporary writers and thinkers. Wilson rationalised the psychological dislocation so characteristic of Western creative thinking into a coherent theory of alienation, and defined those affected by it as a type: the outsider. Through the works and lives of various artists, including Kafka, Camus, Hemingway, Hesse, Lawrence, Van Gogh, Shaw, Nietzsche and Dostoevsky, Wilson explored the psyche of the outsider,…
I'm a historian of slavery and the Atlantic slave trade who was trained with a PhD in History and a PhD in Art History, and who's interested in how slavery is memorialized in the public space as well as in the visual and material culture of slavery. I was born and raised in Brazil, the country where the largest number of enslaved Africans were introduced in the era of the Atlantic slave trade and that still today is the country with the largest Black population after Nigeria, the most populous African country. I believe that studying the history of the Atlantic slave trade and slavery helps us to remedy the legacies of anti-Black racism today.
Objects intended to protect African men and women and their descendants were also part of the rich material culture of the Atlantic slave trade.
In this book, art historian Matthew Rarey explores the history of mandinga pouches, small amulets containing a variety of items such as Islamic prayers, herbs, shells, and hair. The book shows that these items were not at all insignificant things, but rather tangible traces of the histories of men, women, and children who were forcibly transported to the Americas and whose trajectories linked European, African, and American spiritual and material worlds.
In Insignificant Things Matthew Francis Rarey traces the history of the African-associated amulets that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world from the seventeenth to the nineteenth centuries. Often considered visually benign by white Europeans, these amulet pouches, commonly known as "mandingas," were used across Africa, Brazil, and Portugal and contained myriad objects, from herbs and Islamic prayers to shells and coins. Drawing on Arabic-language narratives from the West African Sahel, the archives of the Portuguese Inquisition, sixteenth- and seventeenth-century European travel and merchant accounts of the West African Coast, and early…
