The most recommended books about slavery

Williams was one of the most creative and engaging moral philosophers of the 20th century. He was a student at Oxford of E.R. Dodds. While Dodds reminded his readers of how strange the Greeks are to us, in terms of their religious practices, Williams reminds us that the Greeks are also very like us in the moral problems they confronted. Rejecting the idea that modern people have given up on “shame” in favor of “guilt,” Williams showed that we still share the same concerns as the conflicted characters of Greek tragedy – like them, for good and for ill, we gain our sense of ourselves and our moral worth from the reactions of the those around us. 

This one might seem an odd pick at first. I thought so too when a friend gave me a copy. I was surprised there was an Anne McCaffery book I hadn’t read!

This book belongs on the list for its beautiful depiction of what love and community can do for a group of mismatched outcasts, refugees on a dangerous planet—a collection of peoples all very different from one another working together to survive.

Their destiny was to become a cohesive extended family despite all their differences, and to become empowered individuals at the same time. There’s a steamy romance, too. So that’s always yummy. It goes to show that when destiny calls, the love that answers can be with a voice of multitudes.

This beautifully written history focuses on another nineteenth-century Black New Yorker who defies expectations and deserves our attention. Like Educated for Freedom and Black Gotham, White’s story places us in historical moments surrounding the 1827 law ending slavery in New York State. White puts us on the vibrant, noisy, streets of the city, inviting us to see both hope and defiance in how Black people dressed, how they walked down the street, and what they did at the theater. At the center of this history emerges James Hewlett, a man whose life is worthy of at least one feature film, but has remained largely unknown outside of specialists in the field. Hewlett was a Black Shakespearean actor who insisted on his right to interpret Shakespeare for himself and for the community, even as white tastemakers sought to keep the bard’s words to themselves.

Sue Peabody’s book on the death of the “free soil principle” in France is a milestone in legal history. Beginning in 1315, when Louis X signed the letters patent that forever associated the words French and France with the eradication of slavery, anyone who was bonded or a serf was supposedly “free” when stepping foot in France. This tenet began to fall apart in 1716, when the then Regent created a loophole for slaveowners returning to France with their enslaved servants. Peabody takes us deep into the legality (and illegality) of slavery on French soil as well as several illustrative court cases. There are No Slaves in France is a model of how archive-extracted research can be woven into a riveting and revealing story. A must-read for anyone interested in the relationship between mercantilism, race, and the legal statutes that created and legislated different categories of people.  

Peter Garnsey was my PhD supervisor and he is a generous soul with a love of big topics. This book gives an overview of the many ways in which the ancients thought about slavery. It is true that there was no Roman abolition movement, but many ancient writers thought deeply about slavery and the issues involved. Sometimes they justified it, other times they criticised it, but throughout slavery was seen as unavoidable. The Christians called their God “dominus” just as slaves would have done their master.

Out of the House of Bondage destroys the myth of the Southern plantation mistress as a delicate, gentle being presiding over a household maintained by passive, devoted, enslaved women.

A professor of history and law at Duke University, Thavolia Glymph scoured female slaveholders’ diaries and enslaved and freed people’s narratives to expose the mistresses’ use of violence – cowhide whippings, “until she was just a piece of living raw meat”; burning with hot irons, “hot enough to take off flesh”; beating to death a crying baby – and enslaved women’s resistance, perceived then and described later as laziness, misbehavior, and insubordination.

Glymph’s uncovering of abuse upsets a familiar false narrative, dismantling previous scholarship and exposing white women’s use of violence to assert power. A seeker of missing voices and lost stories, I am deeply interested in what has been ignored, misinterpreted, or omitted.

As a big sci-fi fan, I often loved exploring the idea of what would happen if the human race ever met aliens. In Galax-Arena, three children are kidnapped and forced to perform death-defying circus stunts in order to entertain their captors. Not only does the story contain some riveting descriptions of acrobatic feats and tricks, the story explores fascinating concepts of slavery, trust, and what it means to be a child in comparison to an adult. 

Like the thousands of other readers who’d been haunted by Harriet Jacobs’ 1861 autobiography Incidents in the Life of a Slave Girl when it resurfaced during the civil rights era, I had questions.  Were the horrific events of her enslavement and escape really true?  Did Jacobs herself write the book, or was it the work of the white abolitionist she identified as her “editor”? In this biography, we’re given answers based on the documentary evidence Jean Yellin unearthed over 30 years of research. We learn that Jacobs’ stranger-than-fiction slavery narrative is factually accurate and that it was the work of Jacobs herself. In our present age of exploded myths, there’s something breathtaking about that discovery, and about Yellin’s masterful rendition of the life of an icon of Black female resistance.

This Trinidadian writer crosses religious, ethnic, and gender lines to show us the history of slavery in Haiti, Jamaica, Trinidad, Barbados, and Guyana. Adam Avatar reincarnates in different centuries and continents as an Amerindian, a Spanish conquistador, a Portuguese slaver, a Yoruba slave, a female pirate, and a female stick fighter in nineteenth-century Trinidad. To tell his engrossing story, Baldeosingh writes in several historical Englishes, crossing language boundaries, demonstrating how language has changed over time. Along the way, I learned about the different phases of slavery, from the view of the slavers and enslaved. The story invites comparison to indenture, apartheid, and Jim Crow. It was a difficult read, horrific at times. But so was slavery.  

I have read this book more than once and each time have found myself pulled into the life of the main character, a Chinese contract laborer, and his story, which spans several generations, set across the late nineteenth and twentieth centuries. The novel features an Afro-Chino Cuban family and shows how they become deeply part of Cuba. It also shows how the descendants of the mixed-race couple face trials in New York City and Vietnam, depicting complexities of race, gender, family, and heritage with beautiful, painful detail and emotion.