I opened my first history book in school at 6 and have been fascinated by how people lived since then. I found the evolution of furniture, interiors, decorations, exteriors, and everything that relates to how we live of the utmost importance if we want to know who we are and why. I am the son of antique dealers, growing up in France, so furniture is my principal domain of expertise, but I always put it in relation to the epoch they are from and the people who used them. I became the go-to of Martha Stewart for antiques and furniture restoration and have been featured in TV shows and magazines regularly.
I am fascinated by why things are the way they are, and I love that this book follows the evolution of interiors.
I learned so much about rooms, furniture, and decor; I was surprised, entertained, and educated. I love reference books and the combination of erudition and humor that this book contains makes it a classic about the way we live.
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lost—or have experienced great loss. They band together in an attempt to save Jane Austen’s home from destruction. I loved getting to experience the story from each of the character’s perspectives, and the author’s prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.
'A wonderful book, a wonderful read' Karen Joy Fowler, bestselling author of The Jane Austen Book Club
Only a few months after the end of the Second World War, a new battle is beginning in the little village of Chawton. Once the final home of Jane Austen, the Chawton estate is dwindling, and the last piece of Austen's heritage is at risk of being sold to the highest bidder...
Drawn together by their love of her novels, eight very different people - from a local farmer to a glamorous film star - must unite to attempt something…
It’s about a woman who traveled to Taos, New Mexico, in the early part of the 20th Century and made it her home for the rest of her life.
It wonderfully describes the landscape and light of New Mexico and shows why it became such a draw for later artists and writers. This is an excellent history and autobiography.
In 1917 Mabel Sterne, patron of the arts and spokeswoman for the New York avant-garde, came to the Southwest seeking a new life. This autobiographical account, long out-of-print, of her first few months in New Mexico is a remarkable description of an Easterner's journey to the American West. It is also a great story of personal and philosophical transformation. The geography of New Mexico and the culture of the Pueblo Indians opened a new world for Mabel. She settled in Taos immediately and lived there the rest of her life. Much of this book describes her growing fascination with Antonio…
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
In December 1970, a group of acclaimed American culinary experts met in Provence, where Julia Child had a holiday house, planning to celebrate Christmas together. Joining them were food writer Richard Olney and novelists Sybille Bedford and Eda Lord, all living relatively close. Barr, Fisher's grandnephew relies on her journal and letters to recreate their sumptuous tables in delectable detail. Alas, hopes for a joyous gathering of friends soured as egos clashed and petty rivalries intervened; MFK left abruptly and spent Christmas alone in Avignon. What interests me is how these authorities on French cuisine engaged with the French, the relationship between the 'French' cooking they portrayed and the food of the French, and their response to the changes creeping into France post-1968.
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later…
I’ve always been fascinated by history and the sense of place. That has led to a career in Egyptology, but I’ve come to realise that that fascination has been a part of my other interests whether it be Arsenal Football Club, rock music, or cycle touring. I’ve had the opportunity to travel a lot in recent years. My horizons have broadened, and I’ve come to appreciate the natural environment and man’s place in it more and more. None of the books on my list were chosen because of this – I read them because I thought I would enjoy them, but there’s a common theme linking them all – places, people, interactions.
This book is about a historic house in rural Suffolk in the East of England, which the author inherited from the artist John Nash. Blythe has himself made a career of writing about various aspects of the local landscape and how it, and the ways in which people have made their lives in the English countryside, have changed. The yeoman’s house itself, ‘Bottengoms’, was built in the 16th century, adapted, fell into ruin, and was then restored, and continues to be maintained to this day. It incorporates a garden and is set into the archetypally English countryside of Suffolk. Blythe’s gentle prose conveys a sense of sadness at the old ways of the traditional agricultural economy that have been lost, but in maintaining his beautiful house and sharing its story he is helping to keep some aspect of those ways, and that landscape, alive.
What happens in an old farmhouse when the farmers have left? Perhaps only a poet-historian-storyteller can say. These traditional work centres were established centuries ago, sometimes in the village street, often far away in their own fields. But the pattern of the toil was the same. This quietly vanished a few years ago. Ronald Blythe describes the going of it in his celebrated Akenfield. Some years before this his friend John Nash had rescued an already abandoned farmhouse in the Stour Valley from total dereliction. It was called Bottengoms. Nobody knows why. John Nash called himself an Artist-Plantsman. Behind both…
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
Family is not just a metaphor- it resides in a physical place, and that place is home. I found this book extremely valuable because it takes an anthropological approach to the meaning of home, exploring the sociological, historical, and even scientific reasons why home is so fundamental to the human condition. The image of a hearth stands out most from this book: that the most fundamental way for humans to make food - fire - created the foundation for viewing home as a place that is crucial to our nourishment and flourishing. This basic aspect of human survival led to a space of protection, peace, comfort, and security- a home. And where there is home, there is family.
As the adage goes, home is where the heart is. This may seem self-explanatory, but none of our close primate cousins have anything like homes. Whether we live in an igloo or in Buckingham Palace, the fact that Homo sapiens create homes is one of the greatest puzzles of our evolution. In Home , neuroanthropologist John S. Allen marshals evidence from evolutionary anthropology, neuroscience, the study of emotion, and modern sociology to argue that the home is one of the most important cognitive, technological, and cultural products of our species' evolution. It is because we have homes,relatively secure against whatever…
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
Another profound critique of “civilized” values. Thoreau is like Plato in that he always drills down to bedrock truth: What is it that makes for a good life? Individually and collectively?
Be prepared for longueurs. Those who want a pithier critique along more contemporary lines might enjoy the works of the late Ivan Illich, especially Tools for Conviviality.
Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience.
In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you…
While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
No book list on any aspect of southern France would be complete without one of Peter Mayle’s many books on his travels and adventures in Provence.
His initial best seller is a grand introduction to the many small villages, customs, foods, and peoples who maintain the traditional aspects of the unique lifestyle to be found there, which in some places reflects hundreds of years with little change.
I have found in my travels that because this area of France was spared the ravages of the two World Wars, any trip to the region puts the visitor in touch with this remarkable past in a way few other European locales can. I often found myself wrapped up in the incredible history that surrounded me everywhere I went in the region, leading to my own attempt at expressing some of it.
I’ve learned that Peter Mayle, through his books, is like having…
A personal description of Provencal life as seen through the eyes of the author and his wife when they move into an old farmhouse at the foot of the Luberon mountains between Avignon and Aix. The bestselling work of non-fiction in paperback of 1991 in the UK.
Emily Dickinson’s
Gardening Life adds new growth to familiar portraits of the iconic poet.
Eccentric she surely was. But a more complete picture of her emerges from this
book than from any Dickinson biography I’ve paged through.
McDowell allows
Dickinson’s life story, actions, words, and writing to provide biographical
insights through a lens of gardening activities and household chores. Dickinson’s
love of gardens and plants is well known. She engaged in the hobby year-round. Like
plants need sunlight and air to survive, so did the woman who emerges from
these pages. She becomes less the housebound recluse hiding in her bedroom, and
more a real person engaging with the world on her own terms.
"A visual treat as well as a literary one...for gardeners and garden lovers, connoisseurs of botanical illustration, and those who seek a deeper understanding of the life and work of Emily Dickinson." -The Wall Street Journal Emily Dickinson was a keen observer of the natural world, but less well known is the fact that she was also an avid gardener-sending fresh bouquets to friends, including pressed flowers in her letters, and studying botany at Amherst Academy and Mount Holyoke. At her family home, she tended both a small glass conservatory and a flower garden. In Emily Dickinson's Gardening Life, award-winning…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. My own work has focused on race and social science, mobility and inequality, and sound and media, all as ways of grappling with colonial legacies and their impact on the daily lives of people who live in this region.
Her withering critiques of tourists might make you mad if you’ve ever been one, but read until the end. While the book spares no one in its scathing view of Antigua’s colonial past and corrupt present, it is the evocative, precise prose and the insistence on a shared humanity that will remain with you long after the sting fades.
From the author of AT THE BOTTOM OF THE RIVER and ANNIE JOHN, a novel set in Antigua, where the idyllic tourist facade hides a colonial legacy of corruption, remedial social investment, and disenfranchised local culture. First published in 1988.
