The most recommended village books

This is the first book in The Huxtables family series. The author blends wit, charm, and family foibles just as easily as does Georgette Heyer. The banter between the siblings is a joy to read. Even when fortune comes their way in the unexpected elevation of one family member who inherits an earldom, the characters stay true to themselves. 

An absolute classic, this book has had two subsequent editions since its first publication in 1957, each with a new foreword and epilogue. It depicts the pre-Peter Mayle Provence, primitive and resourceful, naïve and worldly wise, generous and hard-working, that Wylie discovered when he spent a year observing life in the village of Roussillon (disguised as Peyrane) in 1950-51. A typical Provençal village, Peyrane—population just over 300, one café-tabac, one hotel, two general stores, and one butcher—was still largely self-sufficient in terms of food, many families owning chickens and rabbits and cultivating a garden. Wylie writes with humour, warmth, and genuine affection for its inhabitants; I loved his account of the firemen's banquet, the attention to detail in the planning process, the banquet itself, and the post-banquet meditations.

Set in a small English village by an ancient forest, this book is unlike any story I have ever read. 

And after reading it, you’ll probably never look at forests the same way again. 

Masterfully written, filled with intricate immersive descriptions, The Forest takes you on a wild ride, dark and rather spooky at times. The ancient forests reveals its old tales and legends to the main characters, and we get to watch the story of an old curse unfold along with them. The curse that affected generations. The story that is full of secrets, betrayal, countless, heartbreaking moments; yet at the same time, the light of hope and faith shines through, all the way to the beautiful tear-jerking ending.

Much like my own themes, Pastures Nouveaux is not only about starting over in the country, but having the courage to look at your relationship in the eye.

Rosie is engaged to a horrible columnist, Mark. And she keeps making excuses for him; he’s stressed, he’s unhappy, he’s on a deadline, etc. But he never shows her any great amount of genuine affection. It’s like he’s given up on them. And, perhaps, so has Rosie, who has chosen to ‘live with it’.

And when they move to the country village, Eight Mile Bottom, things take a turn for the worst, as nothing could be further from what they had expected from this move. Or is this the best thing that’s ever happened to Rosie?

Don Reardon crafts a tale of utter isolation and deprivation. Set in a remote Alaskan village that is suddenly and remorselessly struck with a virulent and deadly strain of influenza or some other similar malady. Quarantined from the rest of Alaska and the world, most of the inhabitants die from the illness leaving the survivors the grim, brutal task of surviving by whatever means possible. With no food coming into the village and winter firmly set upon them, living or dying becomes a question of what people are willing to do for and to one another.

This book was written by one of the few Americans, who lived in Iran during the revolution, and helped inspire and inform my own monograph on the rural politics of the country. Based on years of painstaking ethnographic fieldwork and in-depth interviews, this anthropological work traces the sociopolitical transformations that transpired in an Iranian village located outside the city of Shiraz before and after the Iranian Revolution. The book demonstrates the increasingly blurry boundaries between rural and urban geographies and identities as the country modernized, and the opportunities and challenges behind this process. While previous scholarship contends that villagers refrained from supporting or participating in the revolution, this book paints a more nuanced and complex picture by showing that some in fact did while others did not and explains why this was the case.   

Sharon Srock introduces us to Garfield, a small town in Oklahoma. Callie is the first woman we meet, along with her friends who have a Bible study with a different variety of cheesecake every week. While Srock may not be as well-known as Karen Kingsbury, she writes such emotion in her pages that I cannot put the books down once I pick them up. This author is amazing as she has created twenty books (and counting) from this one small town, with the characters intertwining with each other’s lives. Each with their own storylines (nothing cookie cutter about her) and each their own voice. Truly remarkable and definitely a favorite of mine.  

Christopher Davenport, who later became a Foreign Service Officer with the U. S. Department of State and served in various countries including Vietnam, Guatemala, Tajikistan, and Georgia, was a Peace Corps volunteer in 1994. In Papua New Guinea’s Eastern Highlands, he was placed with a local family in a village of subsistence farmers. Except when attending classes in town (a hike and a long car ride away) with other Peace Corps volunteers scattered through the area, he worked, attended village gatherings, ate, and slept with his host family who treated him like an adopted son. The Tin Can Crucible—the title refers to the ingenuity of the local people—tells an honest, unsettling, and thoughtful story about what happened when the rhythm of this peaceful life was shattered by an accusation of witchcraft and examines the moral and ethical ambiguities and complexities of the role of philanthropy and the well-meant intentions… show more.

A family tragedy leads a young family to seek an old home in a peaceful seaside village in the UK. There is a reason the house is vacant… it’s haunted. I was chilled reading this book. James Herbert is a master of suspense and does a great job of tying past events to the present. 

I enjoyed how the spirits of the past interacted with the current homeowners. It was scary and believable!

Another perfectly realised novel, in which the ancient traditions of an isolated English village are lovingly resurrected and described – before being savagely undermined by enclosure. Harvest has both a murder and plenty of mystery but it’s really about desperation in the face of unstoppable, inhuman change. Crace writes prose as if it's poetry, most movingly about the villagers’ bewilderment and fury in the face of incomprehensible threats – and the sheer speed at which an entire way of life can disappear. It’s enough to make you wonder what, if anything, will remain of our most cherished traditions.