The most recommended books about Mexico

I was immediately hooked by Dr. John Womack's Zapata when I read it in graduate school. His combined storytelling and scholarship abilities are precisely what made me fall in love with history. Furthermore, this book inspired me to write Pancho Villa to complement the narrative of the revolution. Because, while Pancho Villa is the revolutionary leader fighting for the rights of mixed-race working class of the Mexican north, Zapata is the revolutionary leader committed to restoring the dignity and the ancestral lands of the indigenous population of the Mexican south. Here, Womack masterfully weaves Zapata's life with the Mexican Revolution. An unquestionably classic, this book is a praised scholarly work that reads like a novel.

This is a unique cultural exploration of how Halloween is celebrated as the ‘Day of the Dead.’ Until the movie Coco came out by Disney, I had no idea of the practices associated with ancestral remembrance. The story engenders curiosity in young readers through the protagonist who goes on a journey to follow a young girl as she explains this celebration through her culture’s lens. A fun read for children aged 3-5. Empowers children to explore cultural diversity with curiosity and without fear.

I wish that I knew Nichols’ secret recipe for making me laugh out loud and cry at the same time. These are characters you want to kiss, shake, shoot, and make love to (sometimes all at once).

The plot mixes petty larceny and terrible crimes, guerilla warfare, dangerous pigs, a great deal of alcohol, a little sex, and injustices that seem even more relevant now than when the book was written. 

Tragedy? Comedy? Depends on your point of view. If you’ve seen the movie, you have seen only about a tenth of the book. So, read it! 

In the 1940s, a young American woman named Mariana Yampolsky came to Mexico to study and never looked back. Throughout the 1960s, she wandered around the country taking shots of the rural and indigenous people she met. Her lens conveyed the poorest aspects of Mexican culture with empathy and artistry that no other photographers of the time demonstrated. Inexplicably, for all its vast and varied geography, ethnicities, and societal classes, rivaling even China in terms of its photogenic diversity, there are very few photography books on Mexico, making The Edge of Time a timeless literary benchmark.

I grew up, like many other Yucatecans, convinced by my family and friends that Yucatecan cuisine is one of the best in the world, and it took many years and an anthropology degree for me to see this as a form of ethnocentrism.

Ayora-Diaz examines and deconstructs this belief, deep-seated in Yucatecans' minds, through his sophisticated study of Yucatecan regionalism through the lens of food and gastronomy.

The author proposes that what is now understood and acknowledged as “Yucatecan food” has been created out of three converging threads: home kitchens, recipe books, and restaurants. Through food, Yucatecans have carved a regionalism almost in opposition to a “Mexican” identity.

Weaving theory, ethnography, and food anecdotes, this book will leave you hungry, wanting to try all the food in Yucatan.

An art teacher recommended this book to me when I wanted to learn more about sketchbook journaling. What better way to learn than to page through the field notes and illustrations from the diaries and journals of 70 famous world travelers and adventurers! For each of these daring men and women, there is a brief introduction followed by a visual treasure trove of sketches, original diary pages, and watercolor paintings. This book will remind you of what exploration and encountering wildlife and other cultures were like before cameras and cell phones.

Frances “Fanny” Calderón de la Barca offers a rare first-person account of mid-nineteenth-century Mexico through a series of letters she wrote between 1839 and 1842. Calderón was an upper-class Scottish woman who was married to Spain’s ambassador to Mexico, and her views of Mexico’s people and customs certainly reflect her privilege. She was also a splendid writer with an attention to detail that few other English-language sources from this era offer. While she is often cited for her commentary on Mexico’s turbulent politics in the mid-nineteenth century, the book is equally fascinating for her descriptions of the sights, sounds, and foods that she encountered in and around Mexico City. 

This is a beautifully written and inventive fantasy novel, based on Mayan mythology and set in the Jazz Age in Mexico.

A spunky Cinderella-esque heroine is forced to accompany the deposed God of the Dead on his quest to regain his throne, and slowly realizes that his quest offers her a chance to escape her tiny village and experience the world she’s only dreamt of seeing. She comes into her own as she pits her wits against a variety of human and inhuman opponents.

I loved it so much, I re-read it as soon as I finished.

It’s not your typical romance. It’s dark, twisted, gritty, and full of – Damn! I love the bad boys with an ounce of good deep inside. I love women who can come from nothing and are not easily swayed and dominated. The drama pulls you in so deep you feel as if you are there, you can smell it, feel it, and see it all happening right in front of you. Even better you’re the character. 

This is always the first one that leaps to mind for me when I’m thinking of a relentlessly paced novel that is nonetheless extremely well written. It’s a simple yet relatable premise, which to me makes it all the more horrifying. Smith is a master of economy here, as he keeps the plot moving (with no chapter breaks!) throughout, yet his style is a fairly literary one and he develops the characters well.