I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Zenna Henderson's entire The People series is worth reading, including the original short stories. These were all published at a time when very few female sci-fi authors were published. There is also a film that is fairly faithful to the books. Her creativity, her understanding the experience of immigrants and those who are “different,” and her depictions of the ways humans and immigrants are likely to re/act are timeless, offering stellar insights into our modern-day experiences. Sci-fi authors would do well to read all her books to learn how to do world-building, draw parallels between non-human species and humans, and analogize modern dilemmas as speculative fiction plots.
I have a strong, if contrarian, interest in modern history, Asian history in particular. I have published more than a dozen articles and book reviews on the subject, and I have taught courses on modern Asian history (China, Japan, Vietnam, India) at New York University, where I have been a professor since 1968. A brief history of my somewhat unusual academic career may be found in a 50-page memoir published via Amazon in 2020 together with an appendix containing a sampling of my short writings. It is titled Moss Roberts: A Journey to the East. The memoir but not the appendix is free via Researchgate. In addition, I have studied (and taught) the Chinese language for more than half a century, and published translations of classical works of literature and philosophy.
This eloquent autobiography was written in the mid-1930s while the author was jailed by the British. It offers a detailed and convincing account of the experience of India’s people under the regime of British imperialism, and is relevant to other countries under foreign occupation, but also to US society because of its emphasis on religious conflict.
I grew up in western Pennsylvania where my dad loved history and always tried to stop at any battlefield or historic sign that happened to be within his field of vision. My mom was a passionate researcher of our family ancestry and I spent our childhood looking in cemeteries for specific names and gravestones. When I was ten years old, we joined a living history reenactment group that portrayed everyday life in the 1750s, and I was immediately hooked. I began researching about our group known as “Captain William Trent’s Company” and after almost thirty years of living and breathing summer weekends at 18th Century historic sites, the pages of Pittsburgh’s Lost Outpost: Captain Trent’s Fort came to life. I picked these five books because I want future readers to be transported like I was when I first read them.
When I first found this gem at a colonial market fair, I was just overjoyed to read about a figure who fought with young George Washington at the beginning of the French and Indian War. When I began reading it, it exceeded all expectations. Here was a surprise adventure saga that kept me involved until the very last page. The best part was it is all true! I remember reading it and saying, wow this story should be made into a movie.
I studied the history of sub-Saharan Africa at the University of Cambridge. Study revealed to me how complicated was the region and how contested the history of a place and people could be. I'm a white man with a love for southern African history. There are white Africans. The history of the continent is their history too. But the preponderance of records were created by white writers, until relatively recently, and this always threatened to obscure the Black experience, Black actions, Black history. In Shaka Zulu, I found a character who wasn't reacting, on the whole, to external actions, but forging a Black empire, a Zulu empire, as the result of internal forces and experiences.
This was the first book I read on Shaka Zulu.The cover of the paperback version was enough to entice a curious twelve-year-old! More than that, it was my father’s book and had clearly meant something to him. But most of all, it tells the incredible story of an outcast who built an empire only to be assassinated by his own brother! Ritter recounts the myths and facts that surround Shaka, never shying away from the limitations of his evidence but painting a compelling biography.
I recommend this book as a happy medium between two extremes. It is unlike those works vilifying Shaka as a monstrous tyrant directly and indirectly responsible for a trail of death across almost a third of Africa. But it is equally different from those that sanctify Shaka as the leonine warrior-king who forged a nation that wields power to this day. There will always be…
I started reading sci-fi in 1962 with 1957's Miss Pickerell Goes to Mars and have loved it ever since. I became a sci-fi writer with my first three books in utopian speculative fiction, The Spanner Series. Unfortunately, I stalled out due to a TBI, a cross-country move, and other distractions, but I do plan to continue with the other 7 volumes in my utopian speculative fiction series some day. The writers in my “best of” list are some of my lifelong inspirations, so I hope newer readers can enjoy and learn from their works as much as I have.
Wilhelm is credited with having the best writing that inhabits “speculative fiction” (Robert Heinlein's coined term in 1947). I agree with that wholeheartedly, even though many others have contributed. She has dozens of novels, including mystery, suspense, and speculative sci-fi, but start with this book. Each story is unique and they don't actually connect in any way except that she put them all into this book, so I can't summarize them. Please read them all: every single one is a gem and an amazing example of great sci-fi writing.
Contents: Unbirthday Party (1968) Baby, You Were Great (1967) When the Moon Was Red (1960) Sirloin and White Wine (1968) Perchance to Dream (1968) How Many Miles to Babylon? (1968) The Downstairs Room (1968) Countdown (1968) The Plausible Improbable (1968) The Feel of Desperation (1964) A Time to Keep (1962) The Most Beautiful Woman in the World (1968) The Planners (1968) Windsong (1968) The stories range from speculative fiction, to science fiction, to fantasy. “The Planners” (1968) was a Nebula winner, for example.
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
This gazetteer for monarch-aholics is the work of the witty and waspish Kenneth Rose (1924-2014), the royal biographer whose insights have set the standard for the rest of us. Embedded in the heart of the Establishment, Rose had the ability to skewer its every weakness. Duchesses, Diana, Dimbleby (Richard) and Charlotte, George V’s pet parrot – all are here, bearing out the words of Queen Elizabeth II’s non-royal grandmother, Cecilia Bowes-Lyon: "As far as I can see, some people have to be fed royalty like sea-lions fish."
Since the publication of my first book in 1988, my emphasis has always been on history as “story.” That is, the stories of men and women in past centuries with whom we share a common humanity but who faced challenges very different from our own. My goal is to bring their stories to as wide an audience as possible. Whether they describe Newfoundland fisherman in the 17th-century North Atlantic, expatriate Irish men and women in 18th-century Bordeaux, or colonial New Yorkers defying British authority on the eve of the American Revolution, the common theme is the impact of trade and the sea on the lives of ordinary people.
Sailors — among my favorite books — is a vivid account of the lives of English merchant seamen in the 17th and 18th centuries. These were the years when England rose to dominance in global commerce and became the greatest naval power in the world. Acclaimed historian Peter Earle explores every aspect of the sailor's life: conditions of service, wealth and possessions, life aboard ship, the perils of the sea, discipline and punishment, sickness, desertion, mutiny and mortality, and the role of the sailor in times of war. Evocative, scholarly, and colorful, this story of England's "bravest and boldest" reveals how life on the waves was not all storms and conflict, tyranny and revolt, but also one of comradeship, adventure, and love of the sea.
A social and economic history of the lives of English merchant sailors in the 17th and 18th centuries, when England dominated the world in commerce and power. Drawn from primary documents and diaries, all aspects are examined, including conditions of service, discipline, mortality and war.
Spies are everywhere across the panorama of fictional tropes, in fantasy, science fiction, horror, and historical fiction. Spies are like salt. No matter the genre, drop a little espionage into the mix, and it tastes better. There’s an inherent complexity to a spy, a dichotomy baked into the profession, simultaneously a criminal and an agent of the government. A spy could be a one-man-army, a smooth-talker, or someone inside your computer network, but no matter who they really are, they’re never who they seem. The spy plays with identity, loyalty, and integrity in ways that the worst of us do but is safely compartmentalized in fiction for our enjoyment.
If you’ve chafed at the limitations of scale by these suggestions, this is the book for you.
All the stories on this list, including my own, take pains to couch the supernatural in such a way that the political, social, and economical natural orders are not threatened by the introduction of speculative elements. Not in Summerland.
Their pseudo-science real, Victorian spiritualists find a way to the afterlife and back. Within decades the strange, alien city on the other side is flooded with the principles of industry, commerce, and espionage.
Taking place between the World Wars, the existence of Summerland, and the technologies that unfold from its discovery change the landscape of pre-World War II Europe, but not the inevitability of human nature.
"It reads like John Le Carré if Le Carré ate a ton of acid before writing Tinker Tailor Soldier Spy..." —NPR on Summerland
From Hannu Rajaniemi, one of the most exciting science fiction writers in the last decade, comes an awe-inspiring account of the afterlife and what happens when it spills over into the world of the living
Loss is a thing of the past. Murder is obsolete. Death is just the beginning.
In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for…
For 23 years I was lucky enough to work in the 18th century. Well, as close as is possible for someone born in the 20th century. That happened because I was a staff historian at the Fortress of Louisbourg, where I passed many hours studying a million pages of documentation and over 500 maps and plans of the long-ago society. That research allowed me to write many books and articles—for both academics and the general public—about the onetime French stronghold and bustling seaport. I found the work fascinating, and I credit my time at the Fortress of Louisbourg for making me the historian and writer I became.
Not many history books remain in print — and highly useful — more than a century after publication. Yet this book by John Stewart McLennan, first published in 1918, is one. His narrative of the rise and fall of Louisbourg remains a compelling and fact-based history that continues to satisfy many readers, especially those primarily interested in Louisbourg as a pawn in the game of imperial struggle between France and Great Britain. To be sure, McLennan’s book is light on the social, cultural, and religious history of Louisbourg, but there are lots of other authors who have explored those themes in more recent decades.
Louisbourg, From Its Foundation To Its Fall, 1713-1758 has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
I re-read this in the wake of writing an introduction and afterword to a forthcoming edition of Julian Maclaren-Ross’s humorous yet melancholy Memoirs of the Forties, which could be described as a 1940s Withnail & I.
First published in 1944, The Stuff To Give The Troops collects his often very brief short stories about his far-from-heroic experiences as a conscript in the British army during World War II. They’re written in a conversational style that still feels fresh and modern. So too does their jaundiced tone, which prefigures M*A*S*H and Catch-22.
You can see why these stories quickly established him as a rising star whose admirers included George Orwell, Evelyn Waugh, and Graham Greene.
