As a fine arts major alumnus of Lake Forest College and Illinois Wesleyan University, I have written a variety of works, fiction and non, throughout my professional life. My preferred literary escape became the genre of British Mystery. I learned much from reading Martha Grimes in the 1990s. Her use of interplay between a character’s internal psychic landscape and the surrounding one interested me. As a mystery writer, I employ what I think of as light brushstrokes of the cozy genre while aiming for some depth of prose. A Lark Ascending has been described as an engaging escape from today.
The year is 1837 and Liberty is a fiercely independent young woman. The story begins with her crossing the Channel to find her father, only to discover that he had recently been killed in a duel. In the course of investigating what had happened, she comes upon a plot that involves treason, with the potential to spark another civil war.
What I love about Peacock’s work is her use of imagery in echoing a character’s psyche or situation. Horse lovers will enjoy Liberty’s relationship with her horse and her growing friendship with her good-hearted stable hand. I have not yet put my finger on it, but for some reason, I feel a hint of Edgar Allen Poe when I read her books.
A remarkable debut novel rich in atmosphere, color, and suspense, Caro Peacock's A Foreign Affair is an irresistible blend of history, adventure, and ingenious invention that brings an extraordinary new writer—and a truly endearing and unforgettable heroine—to the literary stage.
The year is 1837. Queen Victoria, barely eighteen, has just ascended to the throne of England, and a young woman named Liberty Lane has just had her first taste of true sorrow. Refusing to accept that her gentle, peace-loving father has been killed fighting a duel, she vows to see justice done. . . .
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
George MacDonald was a Scottish preacher who turned to fantasy fiction, and became a sort of Victorian superstar: “Queen Victoria gave copies of Robert Falconer to her grandchildren. Everybody read his books—Lewis Carroll, John Ruskin, H.G. Wells, Charles Dickens, Edna Lyall, Mark Twain . . . as well as the queen herself.”
I don't think I can explain the attraction to modern reader, you'll get it or you won't: I first met his novel-length “romances” (Phantastes and Lilith) when I was eight, suffering after a horrible trip to the dentist, and found the stories very weird and comforting. Whereas most “fairy tales” are quite brutal, if you're paying attention.
One of the Original Fairy Tale Classics of Western Literature
“Alas, how easily things go wrong! / A sigh too much, a kiss too long / And there follows a mist and a weeping rain / And life is never the same again” - George MacDonald, Phantastes
Imagine turning 21 and being dragged into a fantasy world full of perils and creatures that want to kill you. Imagine overcoming these dangers, going from villain to hero and beyond, loving and being deceived, helping and being helpless. Imagine waking up and everybody saying you’re gone for 21 days, though it felt…
All my life, I have had a passion for history and, the moment I came upon Queen Victoria while browsing the history section in the local library, I was hooked! Far from being the dour Widow of Windsor, it was clear that she was a highly-intelligent, forward-thinking, often amusing, and often amused woman, with fascinating relatives and connections across the whole world. Her family life mirrored that of any ordinary family, with its ups and downs, its petty squabbles, and a myriad of contrasting characters, each with a unique and interesting story to tell. With so many avenues yet to explore, this is a passion that could last a lifetime!
Based on the notes of Queen Victoria’s doctor, Sir James Reid, this book, written by his daughter, gives a wonderful insight into the relationships within the extended Royal Family as well as the numerous ailments with which they were afflicted. There are many amusing episodes, including the Queen’s indignation on hearing that doctors intended to remove her son-in-law’s eye, following a shooting accident; and her refusal to alter her diet to cure her frequent indigestion. Of all the books about Queen Victoria, none gives a more comprehensive account of her final hours, death, and the preparations for her funeral.
In a dark cupboard of her house, Michaela Reid, the granddaughter-in-law of Sir James Reid, discovered forty pocket diaries and thirty-one of his large scrapbooks, as well as some two hundred letters and notes from Queen Victoria. Although Sir James was never allowed to see the queen undressed, she summoned him four or five times a day, and he quickly became her confidant, privy to all the intimate aspects of her court and family life. It was he who was responsible for persuading Princess Christian to give up her opium addiction, as well as coping with John Brown's alcoholism. The…
Plus, Cathy's
12, and 14-year-old's favorite books.
Why did Cathy's
12-year-old love this book?
Myrtle Hardcastle is a most unconventional twelve-year-old, especially for the 1920s—she loves forensic science. Raised by her father and her governess, she has access to his law books and court cases, her scientist-mother’s microscope and curiosity, and the sometimes reluctant encouragement and stalwart protection of Miss Ada Judson.
In this first in the series—which won the Edgar Award from Mystery Writers of America—Myrtle knows the death of her wealthy flower-breeding Miss Wodehouse was not natural, even if the prosecutor (her father) doesn’t want to believe it. Myrtle’s tenacity and talent had me wanting to get out my magnifying glass and go looking for clues—just as Nancy Drew did for me when I was younger.
A 2021 Edgar (R) Award Winner, Best JuvenileA BookPage Best Book of 2020: Middle GradeA Mighty Girl's 2020 Books of the YearIntroducing Myrtle Hardcastle, your favorite new amateur detective: a wickedly smart twelve-year-old with a keen interest in criminology and a nose for murder in Victorian England. Twelve-year-old Myrtle Hardcastle has a passion for justice and a Highly Unconventional obsession with criminal science. Armed with her father's law books and her mum's microscope, Myrtle studies toxicology, keeps abreast of the latest developments in crime scene analysis, and Observes her neighbors in the quiet village of Swinburne, England. When her next-door…
Webb uses dreams and ghosts to bridge a historical mystery with present-day events.
Take recently divorced Kate Granger. Her life is a mess, so she is recuperating at her parents’ waterfront home on Lake Superior. While there, a perfectly preserved woman, with her baby tucked in the folds of her gown, washes ashore. Kate shouldn’t recognize her, but she does.
She’s been dreaming of the woman who lived 100 years ago. Not only that, but the woman’s unsolved murder is connected toHarrison’s House whichKate’s great-grandfather built; it’s now her cousin’s bed and breakfast.
Will Kate’s dreams and the secrets hidden within Harrison’s House solve the mystery before Kate completely unravels?
The ghosts of the past come calling in a spellbinding heart-stopper from the "Queen of the Northern Gothic."
After the end of her marriage, Kate Granger has retreated to her parents' home on Lake Superior to pull herself together-only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman's curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She's seen her before. In her dreams...
One hundred years ago, a love story ended in tragedy, its mysteries…
All Will Be Well is the best possible title for this restorative memoir. When my mother died, I felt I had failed her. I could have, should have done more for her during her final days.
Like Fowler's memory of playing the piano side-by-side with her mother as the older woman gradually slipped away through dementia and the family stories my mother told me again and again, many of us have precious memories that keep our deceased loved ones alive to us.
Yet, many of us do not know how to forgive ourselves for what we failed to do for those loved ones when we knew they were dying. Fowler shows us how.
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Simon Goldhill powerfully demonstrates why we remain indebted to the ancient world in so many ways. It is not just that classical columns often decorate our buildings or that classical legends inspire our films and books, our whole life still bears the cultural and psychological imprint of ancient Greece and Rome. Our current obsession with gyms, for example, stems from the Greek passion for exercising in public (and they did so naked). Gymnasium is in origin a Greek word. While Greeks and Romans took different views from us on numerous things, from romantic love to slavery, the issues they first confronted and debated still matter. Unsurprisingly for the ancient world, far from being peopled with dead white marble statues gathering dust in museums, throbbed with impassioned life. The echoes of their tumultuous lives haunt us still.
Simon Goldhill examines the most basic areas of our lives today, from marriage and sex to politics and entertainment. Whether we are falling in love or waging wars in the name of democracy, he reveals how Classical ideas continue to shape our behaviour and our attitudes in crucial ways. Full of surprising facts and startling stories, it will appeal to anyone interested in history and its influence on our lives. It is as wide-ranging as it is readable, with a brilliant cast of characters. Few books could bring together Freud, Plato, Queen Victoria, Romeo and Juliet, George W. Bush and…
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
The author’s unusual lens made this a captivating history. Murphy examines Victoria’s reign through the multiple attempts on the queen’s life. While the title isn’t entirely accurate (one would-be assassin used a walking stick rather than a gun), Murphy makes a persuasive case for the monarchy’s “rebirth.”
Defying death helped the queen survive some rough patches in her reign. Through eight attempts to kill her, the queen modeled “keep calm and carry on” in the best British tradition, and the public adored her pluck. After the final gunman failed to murder the queen, the aging Victoria said, “It is worth being shot at to see how much one is loved.”
'It is worth being shot at to see how much one is loved.' - Queen Victoria.
Queen Victoria was attacked an astonishing eight times during her sixty-three year reign.
Victoria's would-be assassins succeeded in changing the course of British history; whose penal system, legal system and policing would never be the same again. Taking the queen's mad, marginalized attackers as his starting point for an investigation of the entire era, Paul Thomas Murphy weaves elegantly through all layers of nineteenth century society and culture. A rollicking, riveting history, Shooting Victoria is the most multi-faceted story of Victorian Britain to date.
Who, apart from the innately humorless, doesn’t like a good laugh? We do, whether it’s at Mark Roman’s opera singing or at Corben Duke’s naked balloon dance. We also enjoy funny science fiction books. We’ve tried writing them, too, but it’s devilishly difficult. So, time and time again, we turn to the masters in the field to see how they did it, studying the words they used, the way they joined them together, and where they inserted the punctuation marks. Most instructive. Here are our top five and their funny SF books.
If you’ve gone through life thinking that a sprout can’t be funny, this book will convince you otherwise. Barry the Sprout is the star of the show, lodged in the head of lead character Will Starling. But the whole book is a joy. Highly inventive and very funny. It involves time travel, weird conspiracy theories, Queen Victoria, the Elephant Man, Jack the Ripper, the Brentford Snail Boy, and many more.
We have all been lied to. A great and sinister conspiracy exists to keep us from uncovering the truth about our past.
Have you ever wondered how Victorians dreamed up all that fantastic futuristic fiction? Did it ever occur to you that it might just have been based upon fact? That THE WAR OF THE WORLDS was a true account of real events? That Captain Nemo' s Nautilus even now lies rusting at the bottom of the North Sea? That there really was an invisible man?
And what about the other stuff? Did you know that Queen Victoria had a…
This novel has a particular poignancy for me as it comes from my mum’s vast collection of books, which she bequeathed to my daughter as she neared the end of her life.
Here, Olivia Manning conjures life in early 1960s Plymouth at a time of rapidly changing social attitudes and captures the awkwardness and yearning of her adolescent protagonists with exquisite skill. Although the events depicted are 60 years into the past, her characters are so fresh their lives come vividly to life.
My mum has died now, and I’m sad I’ll never be able to discuss this magnificent book with her.
Fifteen-year-old Laura lives with her family in the seaside town of Camperlea. It is the Swinging Sixties, and Laura's ambition is to leave home for London and work in a Chelsea boutique. Meanwhile she worships her schoolfriend Vicky Logan who is all Laura longs to popular, outrageous, sensual, she lives in a large house on "the right side of town." Vicky knows she can have any man she wants - but she chooses a rough factory worker, Clarrie Piper. She begins to frequent the factory dances and Laura watches in powerless dread and fascination as the teasing game Vicky plays…
