Who, apart from the innately humorless, doesn’t like a good laugh? We do, whether it’s at Mark Roman’s opera singing or at Corben Duke’s naked balloon dance. We also enjoy funny science fiction books. We’ve tried writing them, too, but it’s devilishly difficult. So, time and time again, we turn to the masters in the field to see how they did it, studying the words they used, the way they joined them together, and where they inserted the punctuation marks. Most instructive. Here are our top five and their funny SF books.
If you’ve gone through life thinking that a sprout can’t be funny, this book will convince you otherwise. Barry the Sprout is the star of the show, lodged in the head of lead character Will Starling. But the whole book is a joy. Highly inventive and very funny. It involves time travel, weird conspiracy theories, Queen Victoria, the Elephant Man, Jack the Ripper, the Brentford Snail Boy, and many more.
We have all been lied to. A great and sinister conspiracy exists to keep us from uncovering the truth about our past.
Have you ever wondered how Victorians dreamed up all that fantastic futuristic fiction? Did it ever occur to you that it might just have been based upon fact? That THE WAR OF THE WORLDS was a true account of real events? That Captain Nemo' s Nautilus even now lies rusting at the bottom of the North Sea? That there really was an invisible man?
And what about the other stuff? Did you know that Queen Victoria had a…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An amazing personal tale of someone who went to high school with, what was to become, infamous serial killer Jeffrey Dahmer. What makes it so good, in my opinion, is, that it doesn’t become sensationalist in any way. It clearly shows how a vulnerable, very disturbed child could fall through the cracks in 70’s America. It is drawn in a cartoony style, which helps to create a distance from the reader to the incredibly dark and sad subject matter. It works amazingly well as it is told from the perspective of Dahmer’s classmates. Well recommended!
My Friend Dahmer is the hauntingly original graphic novel by Derf Backderf, the award winning political cartoonist. In these pages, Backderf tries to make sense of Jeffery Dahmer, the future serial killer with whom he shared classrooms, hallways, libraries and car rides. What emerges is a surprisingly sympathetic portrait of a young man struggling helplessly against the urges, some ghastly, bubbling up from the deep recesses of his psyche. The Dahmer recounted here, although universally regarded as an inhumane monster, is a lonely oddball who, in reality, is all too human. A shy kid sucked inexorably into madness while the…
I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
I love comics, and here is the Master at the top of his game.
Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.
Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting.
Alan Moore (Watchmen) and Eddie Campbell (Bacchus), grandmasters of the comics medium, present a book often ranked among the greatest graphic novels of all time: From Hell.
From the squalid alleys of the East End to the Houses of Parliament, from church naves to dens of the occult, all of London feels the uniquely irresistable blend of fascination, revulsion, and panic that the Ripper offers. The city teeters on the brink of the twentieth century, and only the slightest prodding is necessary to plunge it into a modern age of terror.
Moore and Campbell have created a gripping, hallucinatory piece…
I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!
Ok, so I’m cheating a little bit here. A lot of people have heard of the women Rubenhold writes about because they’re famous for being Jack the Ripper’s victims.
And for many of the women, what they did was not particularly scandalous, since Rubenhold goes a long way to show that not all of them were streetwalkers. But this book is such a beautiful and heartbreaking read. It’s a meticulous and gripping reconstruction of the lives of women we thought we knew but don’t. She brings nineteenth-century London alive in a way that few authors have – when I read the book, I felt like I was there.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This historical fiction is one of three novels set in London, the one featured is contemporary, and set upon the streets walked by Jack the Ripper. What I found compelling was the detailed presentation of the lives of ordinary, working-class women, that was gritty and most believable in presentation. The characters came alive and the story flowed; some working girls vanished, who would be next? This is not a story about Jack. It is a story about those nearby and affected by the beast.
Journey into Whitechapel, London, during 'Jack the Ripper's,' brutal reign of terror. When innocent Catherine Bell stumbles into the seedy world of Madame Davenport's brothel lodging-house she meets lothario Edward Cross, who feels his ambitious diary of the Whitechapel area's prostitutes will benefit favourably with her entry.
I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.
Fanny Newcomb is the daughter of a New Orleans lawyer. Having shunned a marriage proposal from her late father's partner, she comes to work at the Settlement House. There, she teaches reading, accounting, and other skills to young immigrant women in Crescent City. When her most promising student is murdered, Fanny starts looking into matters herself. Why?
One of the other women at Wisdom House, Olive Giddings, is a physician -- she was first on the scene and knows that Nora was strangled. Soon, though, the papers are claiming that Nora is the victim of the Irish Channel Ripper. And then, the House's German carpenter is arrested for the crime. So, Fanny has a vested interest in finding the real assailant and proving Karl innocent.
What I love about this book is the rich historical detail. We not only get a look at women’s roles but also at New Orleans’…
"...a promising start from a new author" —Historical Novel Review.Winner of 2018 IPPY Gold Ben Franklin in Historical Fiction. Gilded Age New Orleans is overrun with prostitutes, pornographers, and a malicious Jack the Ripper copycat. As threatening letters to newspaper editors proclaim, no woman is safe from his blade. Desperate to know who murdered her favorite student, ambitious typewriting teacher Fanny Newcomb launches into a hunt for the self-proclaimed Irish Channel Ripper. Fanny quickly enlists the help of her well-connected employers—Principal Sylvia Giddings and her sister Dr. Olive—and together the women forge through saloons, cemeteries, slums, and houses of prostitution.…
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
A popular myth that refuses to die is the idea that the left brain and right brain do quite different things. Chris McManus, a researcher of human perception, as well as a medical doctor, wrote the delightful book Right Hand, Left Hand in part to dispel these myths, but also to explore the wonderous world of laterality. From handedness, to how development builds a symmetrical organism, to asymmetries in subatomic particles, this exuberant book takes you on a grand tour of fascinating ideas and observations, told with the detail, color, and organization of a great symphony.
A labor of love and enthusiasm as well as deep scientific knowledge, Right Hand, Left Hand takes the reader on a trip through history, around the world, and into the cosmos, to explore the place of handedness in nature and culture. Chris McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Are left-handed people cognitively different from right-handers? Why is the heart almost always on the left side of the body? Why does European writing go from left to right, while Arabic and Hebrew…
This
1890 novel, also calledThe Beast in Man, may be the most intense among the twenty novels that comprise
Zola’s cycle about the fortunes and vicissitudes of the Rougon-Macquart, a
fictional clan. Its complex plot is set in the railroad milieu and
involves homicidal mania, seduction, adultery, murder, social hypocrisy, and a harrowing
train wreck.
Zola’s novels were controversial at his time, not
least because of his indictments of social, political, economic, and class issues,
but now stand as magnificent achievements in literary realism. Equally powerful
is Zola’s "You Are There!" manner of storytelling, which is unsurpassed in
its immediacy. A case in point is this novel’s unforgettable ending.
His haunting, impressionistic study of a man's slow corruption by jealousy, Emile Zola's The Beast Within (La Bete Humaine) is translated from the French with an introduction and notes by Roger Whitehouse in Penguin Classics.
Roubaud is consumed by a jealous rage when he discovers a sordid secret about his young wife's past. The only way he can rest is by forcing her to help him murder the man involved, but there is a witness - Jacques Lantier, a fellow railway employee. Jacques, meanwhile, must contend with his own terrible impulses, for every time he sees a woman he feels…
An experienced genealogist, I became fascinated by true historical crime reports when I found murderers in my family tree. Since then, I have written ten historical mystery books featuring true unsolved crimes. My novels re-imagine what might have happened had the killers been brought to justice. My background in genealogy and vast experience trawling through historical newspaper reports has given me a passion for the past and a desire to resolve the unknown.
No true crime list would be complete without reference to the infamous Jack the Ripper, and of the many books I have read, this one stands out. True, the subject is gory, and for that reason, some might think that humour is out of place, but I like the bumbling detective Lestrade, and the author clearly knows his stuff. The detailed historical research accurately portrays the setting and times of the novel. Trow brings a different approach to a Sherlock Holmes-type story with an easy-to-read and witty style in a book well worth trying.
In the year 1888, London was horrified by a series of brutal killings. All the victims were discovered in the same district, Whitechapel, and they were all prostitutes. But they weren’t the only murders to perplex the brains of Scotland Yard. In Brighton, the body of one Edmund Gurney was also found.
Foremost among the Yard’s top men was the young Inspector Sholto Lestrade and it was to his lot that the un-solved cases of a deceased colleague fell. Cases that included the murder of Martha Tabram, formerly a prostitute from Whitechapel, and…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
This is such a wonderful mash-up of different elements all brought together.
Frankenstein, the werewolf, Dracula, Jack the Ripper, elder gods, and so much more. This book showed me that a writer can take a traditionally bleak subject and turn it around into something fun. One of the most interesting parts of this book comes from the readers rather than the author.
The book is split into thirty-one chapters, one for each day in October. Fans of this novel will read it one chapter per night throughout that month, experiencing each occurrence at the same time as the characters.
"One of Zelazny's most delightful books: Jack the Ripper's dog Snuff narrates a mad game of teams to cause or prevent armageddon." NEIL GAIMAN
All is not what it seems.
In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.
