100 books like Right Hand, Left Hand

Lisa Barrett is one of the most respected researchers in psychology today in part because she is unafraid to debunk the comforting misconceptions we have about our minds, and especially about our emotions. Seven and a Half Lessons About the Brain dispels myths about emotion, and about our reptilian brain, among others. One of the most important lessons in the book is that your brain is not for thinking—it is primarily for myriad other processes of maintaining internal organs, blood oxygenation, energy consumption level, balance, and for performing a host of other tasks. But for Barrett, it’s not just about debunking. She has a compelling vision of how the brain actually does work. Not only does she have deep expertise in human behavior, brain anatomy, evolution, and neurochemistry, her vision of how our minds work is also described in energetic prose.

Neuroscientist György Buzsáki believes that focusing on human mental constructs (imagination, attention, instinct) gets in the way of seeing things from the brain’s perspective. Rather than being a blank slate waiting for experiences to etch new pictures onto it, the brain comes equipped with a huge reserve of built-in patterns, each one created by connected groups of neurons. In his view, memory formation is a game of matching those patterns with meaningful experiences so that your brain can better predict the future and the consequences of your actions. I walked away from this book with my brain very much changed. 

Thanks to Freud, one of the most cherished ideas in psychology is that we have an unconscious. Yet because it is by definition inaccessible, our unconscious is almost impossible to study scientifically. Freud himself certainly didn’t provide much reliable evidence for its existence. Nick Chater, a respected researcher of language and perception, argues that little if any evidence for an unconscious drive exists even now, almost a century after Freud. With lively and pugnacious arguments drawn from fascinating and diverse discoveries about language and perception, Chater deconstructs the unconscious and argues instead for a human mind that is inherently dynamic and in-the-moment. When I have assigned this book to my undergraduate students studying perception it has provoked some of the most heated debates, which is how I know it is a great book!

No idea in psychology is more attractive than the notion that we have evolved to be super-amazing in terms of certain traits: our logic, mating strategies, food gathering techniques, emotional reactions, are all the best that they can be because evolution settles for nothing less. Daniel Milo, a philosopher of biology, shows instead that evolution almost always settles for “good enough” rather than what is optimal. From the size of our kidneys to our procreative abilities, what matters is what is workable, not what is best. This idea is widely supported, but still unorthodox in evolutionary psychology—and even in parts of evolutionary biology. Breaking out of rigid beliefs that the way things are is the best of all possible worlds is a liberating experience, and one well articulated by Milo.

After reading this book, I discovered a new art form.

Lucia was a multifaceted creative professional. She collaborated with schools to train teachers in creative journal writing, developed a method called "healing the inner child," and co-wrote The Arts in Schools program with L.A. school officials.

The book discusses brain functions and ways to enhance creativity. The author recounts her experiment with drawing and writing using her non-dominant hand and encourages readers to try it themselves.

I tried it out as a test subject, and instead of drawing upside down, the author asked me to write a question with my dominant hand and answer it with the other.

The answers were unexpectedly profound, and drawing with my non-dominant hand was an eye-opener.

My students loved this process.

This book is an effortless blending of fantasy with the modern world. Frankly, a lot of urban fantasies fall flat for me. ( I know, I know, unpopular opinion) I think it probably comes from my desire to escape the modern world completely when I read fantasy. But Garth Nix manages to create characters that are both living in the modern world while being so ridiculously fantastical themselves you can’t help but love it. And did I mention it has a handsome, young, cross-dressing wizard? What’s not to like?

The illustrations are marvelous and the story is a peek into what it’s like for a child that is different in Russian culture. As a left-handed child she is forced to write and do nearly everything with her right hand except draw. This is the author’s personal story and you can see from the art that her drawing is amazing. I added this book to my list as Russia tops the headlines these days and remembering that children in Russia are just children with their own stories to tell feels important. Also, it’s an incredible book. 

A time travel book that is clever and fast paced. Spoiled Hollywood types.

A trip back to Victorian London and a fateful meeting with Jack The Ripper. What’s not to love? As a matter of fact, I loved the female lead, Madison Taylor, so much that I included her (with permission) as a cross-over character in my latest novel, Finding Jimmy Moran.

Enough said.  

No true crime list would be complete without reference to the infamous Jack the Ripper, and of the many books I have read, this one stands out. True, the subject is gory, and for that reason, some might think that humour is out of place, but I like the bumbling detective Lestrade, and the author clearly knows his stuff. The detailed historical research accurately portrays the setting and times of the novel. Trow brings a different approach to a Sherlock Holmes-type story with an easy-to-read and witty style in a book well worth trying.

This is such a wonderful mash-up of different elements all brought together.

Frankenstein, the werewolf, Dracula, Jack the Ripper, elder gods, and so much more. This book showed me that a writer can take a traditionally bleak subject and turn it around into something fun. One of the most interesting parts of this book comes from the readers rather than the author.

The book is split into thirty-one chapters, one for each day in October. Fans of this novel will read it one chapter per night throughout that month, experiencing each occurrence at the same time as the characters.