I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
I’m a girl who loves books, bulldogs, and that first hint of summer. I started reading when I was very young – three years old, according to my mother – but even as an alleged child prodigy all I can confirm is that I don’t remember there ever being a time I didn’t love to read. Nancy Drew was my favorite, which probably helps explain why I write books with redheaded heroines in them.
I know Things We Never Got Over, or TWNGO for those of us “in the know”, has gotten all the love, followed by Things We Hide From the Light, but . . . as good as Lucy’s latest releases are, Rock Bottom Girl is still my absolute go-to book by Lucy Score.
While I don’t normally love it when the heroine comes home practically destitute, Lucy makes our main FMC Marley such a loveable screw up that it doesn’t bother me. Essentially, Marley has come home to live with her parents in an effort to kickstart her life. She’s lost her job, her man and essentially all hope.
Even worse is that her blonde, bouffanted (is that a word) high school nemesis now lives next door and seems to have a perfect life. Add to that she’s forced to take a teaching job (and girls soccer coach position)…
From the New York Times and USA Today bestselling author of Things We Never Got Over
"You may be faking the relationship, but you're not faking the orgasms."
Downsized, broke, and dumped, 38-year-old Marley sneaks home to her childhood bedroom in the town she couldn't wait to escape twenty years ago. Not much has changed in Culpepper. The cool kids are still cool. Now they just own car dealerships and live in McMansions next door. Oh, and the whole town is still talking about that Homecoming she ruined her senior year.
Desperate for a new start, Marley accepts a temporary…
I have been a spiritual seeker my entire life, drawn to the mysteries of life, the nature of the soul, the afterlife, intuitive knowing, higher consciousness, and psycho-spiritual transformation. Besides the numerous personal teachers who have enriched my path, personal/ spiritual growth books have been a powerful guide and inspiration. In my coaching practice “Touch The Soul”, I continually draw on my own 70 plus years of acquired elder wisdom as well as the wisdom of so many who have come before me, writers and wayshowers of expansive spirituality.I am grateful to share a few books which may enlighten and deepen your own spiritual journey.
I have had many “visitations” from passed-on loved ones, including cherished pets, so am always interested in a professional's take on connecting with those on the other side. This detailed guide by a nationally recognized medium covers effective strategies and fascinating stories of relating across the divide. It is also a well-explained basic orientation to the concept of meditation and an intriguing portrait of what the afterlife may be like for us all.
When he was six years old, Patrick Mathews came face to face with the spirit of his dead Uncle Edward. As an adult, Mathews serves as a vessel of hope for those who wish to communicate with their loved ones in spirit. He demonstrates that the living can continue on-going relationships with the departed. Here Mathews takes the reader on a roller coaster of emotional stories including the dead husband who stood by his wife's side during her wedding to a new man.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
In college, I studied Literature with a capital L: those timeless classics the professors worship and revere. Then a woman in a used book store in Seattle handed me a copy of Jim Thompson's Pop. 1280 and said, "Read this." I was hooked. The pulp fiction of the 1950s is visceral and raw. Like Greek tragedy, it examines the darker drives of human nature--greed, lust, loneliness, anger--and their consequences. Pulp writers were paid by the word to crank out lurid thrills. But like Shakespeare writing for the groundlings, some of them just couldn't help going above and beyond. Their work remains in print because it hits on universal truths that still resonate today.
In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.
Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.
"Flawless ... beyond perfection." — New York Magazine "An astonishingly well-written literary novel that just happened to be about (or roundabout) a crime." — Barry Gifford "Black Wings Has My Angel is an indisputable noir classic … Elliott Chaze was a fine prose stylist, witty, insightful, nostalgic, and irreverent, and a first-class storyteller." — Bill Pronzini An escaped convict encounters an enterprising prostitute at the start of this hard-boiled masterpiece. When Timothy Sunblade opens the door of his blue Packard to Virginia, their fates are forever intertwined. "Maybe if you saw her you'd understand," he reminisces. "Face by Michelangelo, clothes…
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
In this first book in English about the history of sexual commerce in Peru during the state regulation of brothels, Drinot tells a multilayered story of the complex interactions among sex workers, clients, the police, the government, feminists, and physicians. With a remarkable diversity of archival sources, Drinot explores topics that are frequently disregarded in the history of prostitution like the meanings of masculinity and the interaction between race and venereal diseases that, in the case of Lima, resulted in the stigmatization of Chinese migrants and indigenous men as infectious agents.
The creation of Lima's red light district in 1928 marked the culminating achievement of the promoters of regulation who sought to control the spread of venereal disease by medically policing female prostitutes. Its closure in 1956 was arguably the high point of abolitionism, a transnational movement originating in the 1860s that advocated that regulation was not only ineffective from a public health perspective, but also morally wrong. The Sexual Question charts this cyclic process of regulation and abolition in Peru, uncovering the ideas, policies, and actors shaping the debates on prostitution in Lima and beyond. The history of prostitution, Paulo…
I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
This is an intelligent vampire story. Some of the phraseology is just beautiful. Ms. O'Malley takes period, setting, costume, culture, etiquette, and language into consideration, and the book's tone-setting is just stunning.
This vampire genre lends itself to forgetting about the myth being seeped in folklore and history. It's morphed into a general excuse for writing—and I use the term in its loosest form—some of the worst sex scenes ever to come from sticky keyboards. Okay, some of them probably have some well-written sex—I've just never read one. I am delighted to report that this isn't that book. There isn't a ripped bodice in sight. It is, however, a touching love story, sensitively written. The male and female leads are likable and easy to connect with.
I loved several things about this book. We are introduced to many different species of merna. I enjoyed reading about their various traits…
Scottish merchant-for-hire Christian Sinclair longs for solid ground after traveling the Atlantic in the late 1660s under King Charles II’s banner. When he returns to London six months late, his homecoming plans did not include being captured, finding his family dead, or hearing their estate burned to the ground.
Nephtyri, the last of two full-blooded vampires, dreams of Christian’s plight and offers to avenge his murdered family. In exchange, she reveals his parents’ hidden ties to the secretive Hunters’ Guild—slayers and slavers intent on destroying her people.
I am a long-time manga teacher and a pop-culture researcher, as well as a comic illustrator and a Youtuber, presenting under the "Mistiqarts" pseudonym. Since manga was something that inspired me early on to dedicate my life to the art style and pop culture, I was constantly looking for new ways to bring this lifestyle and art to other people interested in drawing manga.
A team of four female artists who have redefined the shoujo genre, and created one of the most iconic anime and manga aesthetics to date has been one of my original influences as a young girl. Big eyes, watercolor art, glittery effects, cute and gorgeous characters as well as adorable mascots were the inspiration for the foundations of my art style today.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in which…
This is a thoroughly researched story about the late 19th-century sex trafficking of young Jewish women from Russian shtetls to Argentina.
Kidnapped women violently raped and forced into prostitution are obviously disturbing topics, but Carner masterfully handles this with insight and empathy. The book follows the charismatic main character from age 14 through age 22 as she moves from powerlessness and hopelessness to strength and bravery.
“In The Third Daughter, Talia Carner ably illuminates a little-known piece of history: the sex trafficking of young women from Russia to South America in the late 19th century. Thoroughly researched and vividly rendered, this is an important and unforgettable story of exploitation and empowerment that will leave you both shaken and inspired.” —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris
The turn of the 20th century finds fourteen-year-old Batya in the Russian countryside, fleeing with her family endless pogroms. Desperate, her father leaps at the opportunity to marry Batya to a worldly, wealthy stranger…
