I taught at Yale for 33 years and I hold advanced degrees from the Sorbonne. I am interested in literature as lessons for life, but I am mostly a passionate letter writer, especially to the great authors who have marked me. They are never really dead. I carry them around with me.
I selected the category of Offbeat Memoirs because I have written one. I also have an Italian alter-ego, Donatella de Poitiers, who authors a blog in which she muses about how a lifelong Francophile could have forsaken la Belle France for la dolce vita in the Umbrian countryside, where the food and fresh air are way better than the roads.
What do the writers you are drawn to reveal about you? Why at certain points in our lives do we become “attached” to certain authors? The process of attachment is mysterious. As we age (and change) some things remain constant. Our attachment to a particular author may have begun in our youth, but evolved as we have. To reconnect with a favorite author can put us in touch with our younger self in unexpected ways. Mead shows how much Middlemarch has “spoken” to her throughout her life. This book is perhaps more in harmony with my own than any on the list. I have come to love books that underscore how what we read can be inseparable from the person we become.
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories.
Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described…
Just last year, a well-known publication unveiled its list of best books about writing—all by male authors. Talk about a missed opportunity!
I’m Still Writing compiles ideas about writing and creativity from a wide assortment of women authors. Some were new to me, but all are brilliant.
Two sections accompany each passage: A “Listen” passage encourages personal reflection, and a “Write” passage prompts you to pick up a pen. Designed as a weekly study, you could work through it and end up so much wiser after a year. Or just dive in and be inspired.
Thoughts and inspiration from some of the greatest female writers to challenge, encourage, and develop your writing!
In I’m Still Writing, beloved female writers, both past and present, share their thoughts on the joy and struggle of writing. Their words will nurture and challenge your writing, inviting you to dive deeper into your creativity and find power on the page.
Author Virginia Ann Byrd has gathered the words and wisdom of women writers―from different backgrounds, traditions, and times―pairing them with thoughtful reflection questions and inspiring writing prompts. From Jane Austen to Toni Morrison, Isabel Allende to Virginia Woolf, 52 authors…
Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience.
Nikki Baker is the first African-American writer of lesbian mysteries and her character Virginia Kelly—who works as a financial analyst in Chicago—is the first African-American lesbian sleuth. This makes it important, but what makes the book outstanding is the writing, especially the voice of the protagonist. The plots are slick and entertaining, but it is Virginia’s internal musings and interpersonal relationships that make this—and the other 3 books in the series—a clear 5-star winner.
When businesswoman Virginia Kelly meets her old college chum Bev Johnson for drinks late one night, Bev confides that her lover, Kelsey, is seeing another woman. Ginny had picked up that gossip months ago, but she is shocked when the next morning's papers report that Kelsey was found murdered behind the very bar where Ginny and Bev had met. Worried that her friend could be implicated, Ginny decides to track down Kelsey's killer and contacts a lawyer, Susan Coogan. Susan takes an immediate, intense liking to Ginny, complicating Ginny's relationship with her live-in lover. Meanwhile Ginny's inquiries heat up when…
I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.
Until I read The Resurrection of Nat Turner, I considered myself a pacifist. I ended this novel and its sequel rooting for violent resistance and for Nat Turner, the man who led the most famous slave rebellion in American history, a man who was responsible for the deaths of women and children. In a culture of violence and unequivocal evil, turning the other cheek cannot be the only recourse. Foster left me forever changed.
A riveting novel about tragic hero Nat Turner's uprising, capture, and trial-and how he impacted life in the United States forever.
The truth has been buried more than one hundred years . . .
Leading a small army of slaves, Nat Turner was a man born with a mission: to set the captives free. When words failed, he ignited an uprising that left over fifty whites dead. In the predawn hours of August 22, 1831, Nat Turner stormed into history with a Bible in one hand, brandishing a sword in the other. His rebellion shined a national spotlight on slavery…
I was drawn into this book from the first page and couldn’t put it down. What I particularly loved about it was the way the author took three strong characters and intertwined their lives. All of them were “other” in some way, people who felt they didn’t fit in, and I loved this as you don’t often get characters like that as protagonists.
Hazel, one of the main characters, is anxious, probably on the spectrum, and very uncomfortable with life. Virginia has rebuilt her life after trauma but is reeling from a terrible accusation that threatens her future. Harry, a teenage boy living in an abusive and dangerous situation, is expertly drawn. The three of them shouldn’t be friends, but they are. Brilliantly written, authentic situations and wonderful characterization. I couldn’t put it down.
Hazel has never felt normal. Struggling with OCD and anxiety, she isolates herself from others and sticks to rigid routines in order to cope with everyday life. But when she forms an unlikely friendship with Virginia, a church minister, Hazel begins to venture outside her comfort zone.
Having rebuilt her own life after a traumatic loss, Virginia has become the backbone of her community, caring for those in need and mentoring disadvantaged young people. Yet a shock accusation threatens to unravel everything she has worked for.
Told with warmth, compassion and gentle humour, 'Braver' is an uplifting story about the…
I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss. Who wants to see what goes on insidethe factory? I do. I’m obsessed with stories that showcase the factory.
A friend once described her early years of motherhood as non-stop work but also total idleness. Galchen’s slim book of collected observations and witticisms about babies and motherhood, some only one dazzling paragraph long, made me pause to savor each word. I liken reading this book to reading fun poetry or admiring a pop-up gallery. You can read a bit of this book every day, without losing the thread. Each chapter (they are very mini chapters) made me see the world in a new light. Many made me laugh out loud with joy.
In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers-Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant-is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.
I was bowled over by the presentience of the story and by how timely this book is. Nina Schuyler has thought deeply about the implications of AI for humanity’s future and, indeed, our very lives.
Afterword kept me spellbound because it engaged me on multiple levels: entertaining plot twists and turns, a quirky love story, philosophical conundrums, and more—all eloquently written.
Nina Schuyler is a writer’s writer, and I can’t wait to read her next book.
A pioneer of artificial intelligence rebuilds the love of her life, but when she discovers he's been feeding incriminating civilian information to the Chinese government, she'll have to decide whether to keep or kill him.
When approached by a Chinese tech company, Virginia Samson is moved to give them her beloved's algorithm so they can create an AI companion for the aging population. Soon her digital lost love starts spying on Chinese citizens, funneling the information to the Chinese government. When Virginia frantically tries to rebuild him, she uncovers his terrible secret, forcing her to relive their beautiful and tragic…
Long before I began writing my first fictional story and way before I researched for my first nonfiction paranormal book, I gave up ignoring the voices in my head and began writing horror, fantasy, and six nonfiction books on the paranormal in Virginia. Besides learning a new piece of history or legend I never knew before, the research for my nonfiction books and articles inspired me to incorporate it into my horror or fantasy fiction. I enjoy writing fiction, but I believe I learn as much as my readers when I write nonfiction.
This book is a collection of legends and folklore gathered by field workers of the Virginia Writers Project of the WPA that languished for decades in the libraries of the University of Virginia. It took folklorist Thomas E. Barde to put them in a book endorsed by the American Folklore Society. It helped me discover the witch stories told in the past until the 40s in the western part of Virginia, as I researched for the witch chapter of my own book. I enjoyed these tales and believed other armchair folklorists would enjoy them, too.
What do devil dogs, witches, haunted houses, Daniel Boone, Railroad Bill, "Justice John" Crutchfield, and lost silver mines have in common? All are among the subjects included in the vast collection of legends gathered between 1937 and 1942 by the field workers of the Virginia Writers Project of the WPA. For decades following the end of the project, these stories lay untouched in the libraries of the University of Virginia. Now, folklorist Thomas E. Barden brings to light these delightful tales, most of which have never been in print. Virginia Folk Legends presents the first valid published collection of Virginia…
I am a novelist who loves stories that express deep emotions and life-changing experiences, suspenseful stories that explore how humankind responds to tragedy, to heartache, and to joy, so that is what I write. My stories don’t come from me; they come through me. I often listen to scene-setting music full blast over and over again as scenes form in my head and the words pour onto the page. I don’t write my stories in order. I usually know the beginning and end, but I write whatever scene I “see” and then arrange them in the right order when I’m done.
I loved The Waltons, the closeness of the family, and how they solved typical family squabbles. As an adult, I watched every episode again with my kids, so I was thrilled when I actually met The Homecoming author Earl Hamner, Jr. (the real John-Boy Walton/Clay-Boy Spencer) in an online writers’ group way back when the internet was first invented. We became great online friends. His John-Boy character inspired the character in my book, a good-hearted teen who, despite living in modern times, traverses his small southern town on a horse, just as John-Boy rode Blue, his mule.
A young man searches for his missing father on Christmas Eve in this sequel to Spencer’s Mountain, the novel that inspired The Waltons.
It’s the night before Christmas, but Clay Spencer has failed to return home. Leaving his worried family to keep watch at the homestead, his son, Clay-Boy, takes to the snowy Virginia hills in search of his father. Along the way, he will meet an irate deer, a threatening county sheriff, a congregation of African American churchgoers, and two elderly women who happen to be bootleggers—in this tale filled with warmth, humor, and emotion.
When two dog breeders were caught coming into Montana with 180 shivering and malnourished collies stacked in crates inside a tractor-trailer, my heart stopped. Those dogs looked like scrawnier versions of my two shelties. I was a newspaper reporter at the time, and covering the exhausting rescue and rehabilitation of those collies awakened me to the suffering so many animals undergo at human hands. My first book, Saving Gracie: How one dog escaped the shadowy world of American puppy mills, was inspired by that case. Ever since, I’ve made it my mission to shine the light on the mistreatment of animals, to try to capture the indomitable resilience they are able to summon when given the chance.
The arrest of NFL player Michael Vick for operating a dog-fighting ring drew attention mostly for the ramifications Vick faced. The Lost Dogs spotlights the fate of the fifty-one pit bulls left traumatized by Vicks’ brutal operation: how, thanks to a combination of therapy and new doting humans, they regained an indomitable sense of trust.
The bestselling story of survival and our powerful bond with man's best friend, in the aftermath of the nation's most notorious animal cruelty case. Featuring a new Afterword with updates on the Vick dogs.
Animal lovers and sports fans were shocked when the story broke about NFL player Michael Vick's brutal dog-fighting operation. But what became of the fifty-one dogs who survived? As acclaimed writer Jim Gorant reveals, their story is the truly newsworthy aspect of this case. The Lost Dogs traces the effort to bring Vick to justice and turns the spotlight on these infamous pit bulls, which were…
