This
illustrated collection of weird, chilling, quirky stories of ghosts, witches, and occult creatures includes very famous writers such as M.R. James, Edith
Nesbit, and Thomas Hardy, as well as less well-known ones like Bernard Capes and John
Collier.
I saved up their tales, rationing myself to one per day because they
were such a pleasure, each one a neat little parcel of beautifully shivery
words.
Being worried about pagan sacrifice and lurking monsters was a lot
better than worrying about real stuff, and this horrid, lovely book made me
happy.
'Wicked witches, bad fairies, and the restless dead be damned, for those who are looking to fill up their folk horror fiction shelves, Damnable Tales is a must-have' Andy Paciorek, Horrified Magazine 'I had to keep pulling myself away from it so I didn't finish it in one sitting . . . An incredible book' Annie Kapur, Vocal Media
This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound…
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
If you want to know about some of the earliest forms of magic that originated in America, this book is for you. This book focuses on folk magic, with an emphasis on Hoodoo, the magic of enslaved black people, with practices that include nature and the elements as sources of power. The text provides botanical information on magic plants, and spell recipes for healing and protection. As a plus, the book is lavishly and beautifully illustrated with extensive how-to guides on creating your own charms for good luck and fortune.
This is the first book of its kind, presenting accurate botanical information about roots and herbs employed in conjure, with sample spells that will show you how to make and use your own mojo bags, spiritual baths, and incenses. 224 pages
500 herbs, roots, minerals, and rare zoological curios, 750 traditional spells, tricks, and magical recipes, 50 black and white illustrations
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
Echo North combined several familiar-to-me folk tales, and introduced me to the tale of Tam Lin. I loved the blending of known and original—especially the mirror room, where stories layered upon stories and acquaintances took on completely new qualities. The sewing together of a fracturing magical house also fascinated me. I was never sure about the intentions of certain people until the end, and despite guessing wrong, I was delighted by what really was happening.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf's enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.
Many kids love fairy tales and so did I but I was always puzzled by the lack of fairies in these tales. The idea of a separate world containing these beautiful but flawed creatures enthralled me from an early age. I read everything about them so that I could get my hands on, whether the book was fiction or nonfiction. When doing my Master's in Children’s Literature, I studied fae tales that appear around the world which evoked a thirst in me to write my own…so I did. All the books on this list give a glimpse of the chaotic nature of the fae, of the world that surely exists beyond our comprehension. I hope they are as much a treat for your imagination as they were mine.
Holly Black is a master of the fae tale. Much has been said about this trilogy already but I assure you, the praise is well-deserved. Each book has a tight and dynamic plot, prose that fairly flies off the page, and a conclusion that is very satisfying. The first book was almost deceptive in the way it presented a not-very-strong protagonist until she evolves and becomes so much more than the reader thinks her to be. It’s the best kind of fictional surprise.
Discover Holly Black's epic bestselling The Folk of the Air series in this complete e-book collection which includes: The Cruel Prince, The Lost Sisters, The Wicked King, and The Queen of Nothing.
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Jude was seven years old when her parents were murdered and she and her…
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Cornish Folk Tales takes the reader on a journey into the heart of Cornish Storytelling.
I have listened to Mike O’Connor many times and he is a master storyteller. I love the Cornish Droll telling tradition; droll tellers went from place to place telling tales for a bed and a bite to eat. The narrators of Cornish Folk Tales, blind droll teller Anthony James and his guide young Jamie are a perfect combination.
Mike O’Connor, through Anthony tells the tales with anecdotes, music, history, and Cornish language. This book taught me how to approach folklore retelling in an accessible way.
Reading I felt myself beside the firesides of Cornwall, listening to tales of dragons, mermaids, giants, and saints; puzzling over riddles, and learning about Cornish traditions and music
The ancient land of Cornwall is steeped in mysterious tradition, proud heritage and age-old folklore. Before books were widely available, wandering 'droll tellers' used to spread Cornish insight and humour to all parts of the Duchy - exchanging their tales for food and shelter. Anthony James was one such droll teller, and this collection follows him as he makes his way around Cornwall one glorious summer. Richly illustrated with hand-drawn images and woodcuts, Cornish Folk Tales will appeal to anyone captivated by this beautiful land and its resident kindly giants, mischievous piskeys, seductive mermaids, bold knights and barnacle-encrusted sea captains.
I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.
Galway-based writer Kate Thompson heard the Scottish folk song "Annan Water" in her local pub. It tells of a doomed rider who crosses a flooded river to meet his Annie. Thompson fills out the sparse narrative into a modern setting, and makes the ballad a character in her story when Michael is haunted by the words: "And woe betide you, Annan Water / By night you are a gloomy river." She harnesses its resonance, harness being apt as the story centres around Michael's horse-dealing family as well as his attraction to another Annie. There is tragedy in the story, as in the ballad—Thompson believes children should not be protected from death. Certainly children brought up on ballads, as I was, face sisters killing sisters, hangings, and, of course, drownings.
. Michael first sees Annie one morning on the banks of Annan Water, when he is out exercising two horses from his parents` stables. That first impression of her never leaves him. She triggers in him a desire to get to know and understand her and in doing so, to understand himself . Complicated by the fact that he is haunted by the tune and words of a song about the Annan Water, he finds there is no easy answer to the way he must go- to get to know Annie seems as impossible as interpreting the words of the…
At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
Not the best-known Dylan book but Jokerman is unusually productive in its scholarly analysis of many of the Nobel Laurette’s revered lyrics. Investigating the writer’s use of ‘Identity’ in his work happens to coincide with 20 of his best known and most loved songs. At one level this might be seen as a book for anoraks, but it is much more and likely to be of interest to anyone inclined to seek answers to questions raised in the apparent opacity of these Dylan classics.
Bob Dylan is described as one of the most startling, prolific and controversial contemporary song-writers. This book explores the complexity and subtlety of his lyrics and their themes, seeking to make intelligible that seems obscure and difficult. The author reviews the manner in which many of Dylan's lyrics treat fundamental questions concerning the nature of human identity. He argues that these lyrics represent a continuation of the experimental poetic practices of modernism. At the heart of Dylan's work are the discrepancies between the conscious, socialized self, born of language, and those potencies of personality that lie outside rational formulation. For…
Michael Dresdner is a nationally known finishing and woodworking expert and guitar maker/designer, author of five books and several videos on wood finishing and guitar making. He’s been a Contributing Editor to Fine Woodworking Magazine, American Woodworker Magazine, and Woodworker’s Journal, wrote the Just Finishing byline column for American Woodworker Magazine for over 7 years, and the Finishing Thoughts byline column for Woodworker’s Journal for almost 20 years. While a consultant to one of the country’s largest coatings conglomerates, he wrote answers to over 8,000 questions for the www.woodanswers.com website blog and edited the Woodworker’s Journal eZine, an award-winning online woodworking magazine with over a quarter of a million subscribers.
Making a guitar is something many woodworkers aspire to, but are often stymied by what seems to be the daunting nature of the work. Actually, it’s fairly simple; something the average woodworker can easily do. All you need is the right advice. This is the best comprehensive book on guitar making you can find. It will give you straightforward information, step by step, to help you successfully build your own guitar.
Hailed by Guitar Player magazine as perhaps the finest book on guitars ever produced," and by Booklist as "a Rolls Royce of construction guidebooks," this impressive volume is the first book of its kind to describe in depth how both steel-string and classical guitars are actually designed and built. Over 450 photographs, drawings, and diagrams reveal in exquisite detail the hows, whys, and how-to's of the traditional craft of guitarmaking, all accompanied by fascinating historical and technical notes. A comprehensive bibliography; a list of tools, materials, and supply sources; and a full index complete this uniquely authoritative reference - and…
I have been a ghostwriter for over thirty years, publishing more than a hundred books under other people’s names, as well as those under my own name. It has allowed me to live a hundred different and varied lives and it is a profession I like to encourage all writers to consider. Several of my own novels have featured ghostwriters as central characters, including Secrets of the Italian Gardener and What Lies Around Us.
This book is a direct competitor to my own title, but Teena Lyons is a hugely experienced ghostwriter and I have to admit that she has done a very thorough job of explaining how the business works. She interviewed a number of other ghostwriters in the course of writing the book, (myself included). The result is highly readable and a useful introduction to the business.
“A good book to read if you're interested in ghost writing. The chapters on what makes a good ghost, how to become a ghostwriter, getting structure right and most of all what to do when it all goes wrong are a must-read!” Dora Archie Okeyo - Reviewer
“This book leads you through the world of ghostwriting. There really is everything in this book and I have found the information invaluable.” Karen Lawton - Reviewer
“A very good resource indeed. A straightforward, no nonsense guide to the world of ghostwriting.” Ruth Giles - Reviewer
I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.
Tracey Garvis Graves’s novel about second chances and starting over is filled with so much warmth, it’s impossible not to cheer for her characters and to feel true empathy for their situations. Newly-divorced Layla discovers she had to make peace with her past to find love in her present—and music is the key to it all.
From Tracey Garvis Graves, the bestselling author of The Girl He Used to Know comes a love song of a story about starting over and second chances in Heard It in a Love Song.
Love doesn’t always wait until you’re ready.
Layla Hilding is thirty-five and recently divorced. Struggling to break free from the past―her glory days as the lead singer in a band and a ten-year marriage to a man who never put her first―Layla’s newly found independence feels a lot like loneliness.
Then there's Josh, the single dad whose daughter attends the elementary school where Layla teaches music.…
