The most recommended books about Queen Elizabeth II

There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…

I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters. 

My interest in space history began with stamp collecting and continued much later with visits to Russian archives, Star City, and aerospace companies, and interviews with cosmonauts and space engineers, who often told their personal stories for the first time. As a historian of science and technology teaching at MIT, I was especially interested in cases where technology and society intertwined: cosmonauts and engineers lobbied politicians with competing agendas, personal rivalries tore apart ambitious projects, and pervasive secrecy perpetuated public myths and private counter-myths. My digging into tensions and arguments that shaped the Soviet space program resulted in two books, Soviet Space Mythologies and Voices of the Soviet Space Program.

I write whodunits because I love a good mystery and a good puzzle. I like giving clues out to the reader, sometimes red herrings, sometimes not. Three of my mysteries are set in a fictional little town in the Canadian prairies. I like showing the readers rural life with humour and mystery. Two of my mysteries are set in foreign countries I have visited. One takes place in Egypt. The other takes place on a bus tour of the Nordic countries and ends up in Moscow. I like the challenge of showing the readers the sights and the feel of the country without making the book a travel log. 

I fell in love with Pride & Prejudice variations over a decade ago when I did a Google search for “Pride & Prejudice sequel” because I was desperate to read more of Mr. Darcy and Elizabeth Bennet. I’ve read hundreds, if not thousands, of variations and fan fiction over the years. Last year, I finally developed the courage to start writing my own which (I flatter myself) has been well-received by readers of JAFF (Jane Austen Fan Fiction). I write them in between running my blog, homeschooling my three children, recording my podcast, and surviving the hot Texas summers.

I’m a creative director in Vermont with a few favorite things: laughter, standard poodles, and happy endings—in life and in fiction. Romance fiction abounds with young heroines and happy endings. But I prefer reading about mature women like myself, women who have experienced their share of disappointments yet face life’s challenges with courage and humor. I like the elements of both genres in one juicy book. After much-frustrated searching, I gave up and wrote the story I wanted to read. My wise, middle-aged heroine still has lots to learn about grief and joy, and learns many of those lessons with men—in bed.

Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.

For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.

I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.

Since I was a child I’ve been drawn to mystery plots, because I love the sense of there being an agreement between author and reader, which leads to an ability to play with expectations. My most recent books have been Sherlock Holmes novels in the style of the classic Arthur Conan Doyle tales, though I’ve also written mysteries set on an isolated island and even on Mars! With each new story, I’ve found the act of plotting deeply satisfying. Of course, the next best thing to writing my own stories is reading another author’s novel that has a satisfying mystery, with a solution that in retrospect seems totally fair, but that I didn’t see coming.