I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Gwendolyn Hall’s Africans in Colonial Louisianais still a foundational text when it comes to studying African people in the colonial lower Mississippi Valley. Her deep knowledge of the archives and skill in bringing the stories of enslaved Africans to live make this a wonderfully informative book. She draws deep connections between the places that Africans left and their forced new homes in Louisiana, while placing a special emphasis on how that culture turned into an African creole culture in the lower Mississippi Valley.
Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, few books have undertaken a comprehensive assessment of the development of the distinctive African-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folklore, musical, religious and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this work, Gwendolyn Hall studies Louisiana's Creole slave…
I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped.
I should have read this book years ago. This singularly brilliant memoir is an undoing of the most pernicious adoption myth: that which traces the success of adopted children to their new families.
In this case, a bright and talented young woman makes it out of the foster system before eventually going to Penn and becoming an accomplished journalist and professor, but her adoption out of foster care turns into yet another traumatic experience.
Ambitiously, Patton spins that trauma outward, expanding the background until it spans centuries. When, by the close, she makes the start of a career for herself, that triumph is pretty much hers alone.
An astonishing coming-of-age memoir by a young woman who survived the foster care system to become an award-winning journalist On a rainy night in November 1999, a shoeless Stacey Patton, promising student at NYU, approached her adoptive parents' house with a gun in her hand. She wanted to kill them. Or so she thought. No one would ever imagine that the vibrant, smart, and attractive Stacey had a childhood from hell. After all, with God-fearing, house-proud, and hardworking adoptive parents, she appeared to beat the odds. But her mother was tyrannical, and her father turned a blind eye to the…
I’ve devoted my academic career and personal life to the limits and possibilities of white liberal approaches to civil rights reform. Trained in U.S. history and published in American Jewish history, I look closely at how ethnic groups and religious minorities interact with their racial and gender status to create a sometimes-surprising perspective on both history and our current day. At times powerful and at other times powerless, Jews (and other white ethnics) navigate a complex course in civil rights advocacy.
A classic, this book was one of the first to challenge prevailing white attitudes about the assimilation and acculturation of Africans and African Americans to life under slavery. Mullin describes how greater levels of assimilation translated into more effective means of protest.
I'm now retired. But like many historians of my generation, I've been lucky. Having gone to the University of California when there was no tuition and got through graduate school thanks to the GI Bill, I then taught history for five decades, briefly at San Francisco State College and the University of Hawaii, and for a long stretch at the University of Massachusetts in Amherst. During those years, I wrote eight books, one was a finalist for the Pulitzer Prize in 1987, and three won prizes—the Albert J. Beverage Award in 1970, the second-place Lincoln Prize in 2001, and the Langum Trust Prize in 2015. All but one deal with slavery and power.
This book also deserves more attention than it has received. And it, too, is a corrective. Taking to task a host of biographers and historians who have pretended that the “founding fathers” were blind to slavery and that slavery was a secondary issue in 1787, Finkleman contends that slavery was always a major bone of contention. Moreover, contends Finkelman, Thomas Jefferson was anything but an antislavery man. Instead, he was on the proslavery and anti-Black side in most controversies.
In Slavery and the Founders, Paul Finkelman addresses a central issue of the American founding: how the first generation of leaders of the United States dealt with the profoundly important question of human bondage. The book explores the tension between the professed idea of America as stated in the Declaration of Independence, and the reality of the early American republic, reminding us of the profound and disturbing ways that slavery affected the U.S. Constitution and early American politics. It also offers the most important and detailed short critique of Thomas Jefferson's relationship to slavery available, while at the same time…
I’ve been studying dehumanization, and its relationship to racism, genocide, slavery, and other atrocities, for more than a decade. I am the author of three books on dehumanization, one of which was awarded the 2012 Anisfield-Wolf award for non-fiction, an award that is reserved for books that make an outstanding contribution to understanding racism and human diversity. My work on dehumanization is widely covered in the national and international media, and I often give presentations at academic and non-academic venues, including one at the 2012 G20 economic summit where I spoke on dehumanization and mass violence.
Pulitzer Prize and National Book Award winner David Brion Davis was an unequaled scholar of American slavery, and this is one of his most important works. It describes in galvanizing detail the full arc of North American slavery, the emergence of African American culture, the evolution of anti-Black racism, and the abolitionist movement. It is unique in explicitly focusing on White people’s dehumanization of enslaved Africans.
David Brion Davis has long been recognized as the leading authority on slavery in the Western World. His books have won every major history award-including the Pulitzer Prize and the National Book Award-and he has been universally praised for his prodigious research, his brilliant analytical skill, and his rich and powerful prose. Now, in Inhuman Bondage , Davis sums up a lifetime of insight in what Stanley L. Engerman calls "a monumental and magisterial book, the essential work on New World slavery for several decades to come." Davis begins with the dramatic Amistad case, which vividly highlights the international character…
I love sharing poetry with children! I became inspired to write poetic picture books during my 20-year career as an elementary school librarian. In class, we often read aloud, discussed, and performed poems. My students considered word choices, identified alliteration, metaphor, and simile, and developed a sophisticated vocabulary of “beautiful” words. They delighted in using their senses to write about special places and moments and did research to create and illustrate fact-based poems about people and animals. In exploring poetry and biographies of poets, students found inspiration and used their authentic voices to craft their own funny, engaging, and thoughtful poetry.
I’m hooked when authors get to the heart of how someone finds their passion. That’s what Don Tate does as he spins the tale of how an enslaved boy, forbidden to learn to read and write, became a sought-after poet. Children will cheer for George as he teaches himself to read and becomes a published poet. They will hold their breath as George returns to his enslaver, and they will share his joy at his eventual freedom. Tate’s storytelling — this picture book biography brilliantly encompasses the hope, tension, and satisfaction of a story — shows that George’s physical bondage could not imprison his dreams. Through George’s fascinating story, children surely will be inspired to follow their own dreams.
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George loved words. Enslaved and forced to work long hours, he was unable to attend school or learn how to read.
But he was determined―he listened to the white children's lessons and learned the alphabet. Then he taught himself to read.
Soon, he began composing poetry in his head and reciting it aloud as he sold fruits and vegetables on a nearby college campus. News of the enslaved poet traveled quickly among the students, and before long, George had customers for his poems. But George was still enslaved. Would he ever be free?
Award-winning author-illustrator Don Tate tells an inspiring…
I have an international reputation as an expert on dehumanization. I have researched this subject for the past fifteen years, and have written three books and many articles, and given many talks on it, including a presentation at the 2012 G20 economic summit. I believe that dehumanization is an extremely important phenomenon to understand, because it fuels the worst atrocities that human beings inflict upon one another. If phrases like "never again" have any real meaning, we need to seriously investigate the processes, including dehumanization, that make such horrific actions possible.
To properly understand dehumanization—which represents human beings as subhuman creatures—it is important to recognize our less-than-humane relations with other animals. In this compact, vividly-written book, Marjorie Spiegel powerfully juxtaposes the oppressive and cruel treatment of enslaved people with the terrible treatment of nonhuman animals. The book is largely concerned with the dehumanization of enslaved Africans and their descendants, but it is also pertinent to other episodes of racial dehumanization.
Considered a seminal book in the fields of Bioethics and Human-Animal Studies, and a classic in the field of humane thought, Marjorie Spiegel's The Dreaded Comparison makes a significant contribution to our efforts to understand the roots of individual and societal violence, tying current cultural practices to the legacy of human bondage, and introducing new and diverse audiences to the history of slavery and institutionalized racism in the United States.
Spanning history, psychology, and current events-- and ground-breaking for its thesis which presents the first in-depth exploration of the similarities between the violence humans have wrought against other humans, and…
I am an award-winning children’s book author who writes stories about ordinary people, like you and me, that discovered their unique gifts and used those gifts, plus perseverance, to make the world a better place. All my books come with free teacher guides, resources, and projects on my website where kids can share photos of the great things they do.
My favorite books are the ones with heroes and heroines you don’t expect – the ones that remind you that we can all be heroes and heroines if we find our gifts and persevere until others see and benefit from them, too. That’s what It Jes’ Happened does with this story of Bill Traylor, a formerly enslaved man who began to draw pictures based on his memories of rural and urban life in Alabama. Adding to the wonder of his story, this self-taught artist didn’t start painting until he was 85, reminding us it’s never too late to do what you love. Author Don Tate is best known as an award-winning illustrator, but here he reminds us that he paints with words, too. Meanwhile, R. Gregory Christie’s warm, wistful art helps us see the world through Traylor’s eyes and heart.
New Voices Award Honor, Lee & Low Books Ezra Jack Book Award Honor, Ezra Jack Keats Foundation Editor's Choice, Booklist Best Children's Books of the Year: Outstanding Merit, Bank Street College of Education 100 Magnificent Children's Books, Fuse #8 Production, SLJ Choices, Cooperative Children's Book Center (CCBC) Original Art Show, Society of Illustrators
The inspiring biography of self-taught (outsider) artist Bill Traylor, a former slave who at the age of eighty-five began to draw pictures based on his memories and observations of rural and urban life in Alabama.
Growing up as an enslaved boy on an Alabama cotton farm, Bill…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.
Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view.
But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.
I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow…
Suck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with…
My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.
In the 1930’s some very forward-thinking person at the Work Projects Administration got the idea to interview former slaves and record their stories before it was too late, and their stories had been lost.
The result was some 2,300 interviews with men and women who had been enslaved across many states (not just the South). The interviews are generally brief but always unvarnished and compelling.
The resulting record of their lives and experiences will leave a mark on anyone who reads them. And you should read them.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
