I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
James Hynes’ novel focuses on Jacob, nicknamed “Sparrow”, who’s a slave in a brothel in New Carthage at the end of the Roman Empire. Yum!
Although the book itself is too brutal for my taste, as it goes through development, perhaps they could add a thread of lightness, especially in the lives and friendships Sparrow develops with many of the “Wolves” (prostitutes). As a series, this could be a Gladiator-meets-Harlots, with a darkness and depth that would give us insight into the lowest rung of the Roman Empire, with the possibility of a dozen sub-stories to fill out as we trod through this dark time.
'A stunning work of historical imagination . . . masterful in its portrayal of love, sex and friendship' - The Observer 'Utterly engrossing, vivid and honest' - Emma Donoghue, author of Room
Meet Sparrow, a boy slave in the city of New Carthage in the twilight years of pagan Rome.
Raised in a brothel on the margins of a great empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs…
In college, I studied Literature with a capital L: those timeless classics the professors worship and revere. Then a woman in a used book store in Seattle handed me a copy of Jim Thompson's Pop. 1280 and said, "Read this." I was hooked. The pulp fiction of the 1950s is visceral and raw. Like Greek tragedy, it examines the darker drives of human nature--greed, lust, loneliness, anger--and their consequences. Pulp writers were paid by the word to crank out lurid thrills. But like Shakespeare writing for the groundlings, some of them just couldn't help going above and beyond. Their work remains in print because it hits on universal truths that still resonate today.
In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.
Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.
"Flawless ... beyond perfection." — New York Magazine "An astonishingly well-written literary novel that just happened to be about (or roundabout) a crime." — Barry Gifford "Black Wings Has My Angel is an indisputable noir classic … Elliott Chaze was a fine prose stylist, witty, insightful, nostalgic, and irreverent, and a first-class storyteller." — Bill Pronzini An escaped convict encounters an enterprising prostitute at the start of this hard-boiled masterpiece. When Timothy Sunblade opens the door of his blue Packard to Virginia, their fates are forever intertwined. "Maybe if you saw her you'd understand," he reminisces. "Face by Michelangelo, clothes…
For as long as I’ve enjoyed crime novels, I’ve always been drawn to the figure of the amateur detective. Something about the notion of the every(wo)man, forced to rely on their own wits and limited resources to solve the mystery and outsmart the killer (and sometimes the police!), has always appealed to me far more than that of the professional who does it for a living. When I wrote my first novel,In the Silence, I knew from the word “go” that I wanted to tap into this rich but often-overlooked vein of crime fiction with my own plucky amateur sleuth, determined to right the wrongs of the world.
I suspect one of the reasons I enjoy reading (and writing) about amateur detectives is that I’m instinctively drawn to stories of the dispossessed – those without a voice, forced to take matters into their own hands because the proper authorities won’t listen. Kirstin Innes’ debut novel, about a woman investigating the disappearance of her sex worker sister, is not for the fainthearted: a deep dive into a parallel world that foregrounds the voices of the women who inhabit it and challenges widely-held conceptions about them – namely that they’re all poor, pathetic victims in need of rescuing. Innes’ thorough research shines throughout, and the result is a compelling, informative, and thought-provoking novel that avoids the common tropes associated with the “dead hooker” subgenre of crime fiction.
Twenty-year-old Rona Leonard walks out of her sister Fiona's flat and disappears. Six years on, worn down by a tedious job, child care and the aching absence in her life, Fiona's existence is blown apart by the revelation that, before she disappeared, Rona worked as a prostitute. Determined to uncover the truth, Fiona embarks on a quest to investigate the industry that claimed her sister. Drawn into a complex world, Fiona's life tilts on its axis as she makes shocking discoveries that challenge everything she's ever believed ... Bittersweet, sensual and rich, Fishnet is a beautifully told story of love…
I'm a queer author and illustrator who has always had a passion for unique and boundary-pushing comics and graphic novels. It's a genre that has spoken to me throughout my life and this list converges my love for the format as well as the subject matter that's impacted the most vulnerable and pivotal times of my own life. So much of my experience being alive has been about figuring out who I am, and that's what my own graphic novel deals with. It seems fitting that I'd recommend a list of books that details others doing the same as I have, but in their own way.
A truly singular book that details a semi-fictionalized account of a transgender sex worker surviving in Seattle. Depicted as a cute anthropomorphic dog-like creature, the story follows her as she meets with various clients and navigates her own identity struggles and in-progress transition (not to mention her own safety in her dangerous line of work). A deeply emotional and raw story that still manages to retain its own dark sense of humor throughout.
(Deals with themes of drugs, sex, and violence. 18+ only.)
A
surprisingly honest and touching account of a trans girl surviving through sex
work in Seattle. With excerpts published in Eisner nominated anthology ISLAND,
the full colour volume, drawn and painted by Remy Boydell is an unflinching
debut graphic novel. Written by Michelle Perez
As a young teenager, I lived in a small Texas town and loved touring the Victorian “gingerbread” homes full of antiques. I had an overwhelming desire to time travel back to the mid-1800s. When I learned of Diamond Bessie’s story, I was immediately intrigued because of the period, and also by the circumstances of her life. Why does a woman enter the world’s oldest profession? I discovered that I absolutely love research and “time traveled” back to that era by devouring everything I could get my hands on about life in the 19th century, especially for a marginalized woman like Bessie.
Nell Kimball was the least educated of the prostitute authors I read but also the most colorful. And the only one who didn’t feel trapped in the profession. Like Josie Washburn, Nell couldn’t find a publisher for her memoir when she looked for one in 1932. She was 78 years old and reportedly in dire straits financially. Nell had started in the “trade” in St. Louis at the age of fifteen in 1867 and worked as a prostitute and then as a madam, lastly in New Orleans’s famed Storyville red-light district, until it was shut down in 1917. Nell died in 1934. Her book was finally published by Macmillan in 1970.
I’m grateful that Madeleine, Josie, and Nell were fortuitous enough to pen their stories, to record a first-hand account of an era that we otherwise would not be privy to in such a personal way.
A witty, wild-spirited, purely American autobiography by a prostitute-turned-madam who lived and operated at the turn of the twentieth century.
“Looking back on my life, and it’s the only way I can look at it now, nothing in it came out the way most people would want their life to be lived. And while I began at fifteen in a good house with no plans, just wanting as a young whore to hunker on to something to eat and something good to wear, I ended up as a business woman, becoming a sporting house madam, recruiting, disciplining whores, running high-class…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Franklin’s book is one of the key inspirations for my book, The Reapers Are the Angels. Combining a frontier western sensibility with Faulkner’s wicked gothic brutality, Franklin tells an engrossing tale of a young prostitute who finds herself mired in a world of outlaws, perverts, dandies, and murderers. Frantically running back and forth between high comedy and guttered grotesquerie, this story feels like it’s just barely clinging to its own rails—and that sense of dangerous tipping is what feels so thrilling about it. What Franklin inherits from Faulkner is a wide-eyed beguilement with degeneracy—or what Conrad would call a “fascination of the abomination.”
It's 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered—an expert with explosives and knives—Smonk hates horses, goats, and the Irish, and it's high time he was stopped. But capturing old Smonk won't be easy—and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.
I was a teenage drug addict, starting with alcohol then gradually moving onto marijuana then onto crystal meth. I wrote a memoir about my year as a methamphetamine that details my drug usages, and how it nearly destroyed my life and everyone around me.
A truly heartbreaking book about an alcoholic who travels to Las Vegas to drink himself to death, and the prostitute who falls in love with him. It’s a haunting story about addiction, but also a tragic love story. I feel this book is one of the best depictions of alcoholism, and how it can ultimately destroy you. The tragic story extended into real life as the author committed suicide a few weeks after signing the film rights. It is a hard read, but that’s what makes it amazing.
A re-issue of John O'Brien's debut novel, a masterpiece of modern realism about the perils of addiction and love in a city of loneliness.
Leaving Las Vegas, the first novel by John O'Brien, is the disturbing and emotionally wrenching story of a woman who embraces life and a man who rejects it.
Sera is a prostitute, content with the independence and routine she has carved out for herself in a city defined by recklessness. But she is haunted by a spectre in a yellow Mercedes, a man from her past who is committed to taking control of her life again.…
I started out as a technical writer for computer magazines and my specialty was explaining complex subjects in language the average person could understand. I got tired of that and began writing for general interest magazines, then wrote a couple of thrillers, then plays. For years, I’d been hearing the story of a gentleman farmer who was murdered in 1918, toward the end of WWI, not far from where I live. The murder was never solved and was rumored to involve German espionage. I decided to tackle the story, which involved a mountain of research into historical documents and uncovered a case that was as compelling as any fictional mystery.
On an early trip to Savannah, I stayed a block from the mansion where the murder at the heart of John Berendt’s bestselling book took place and where the movie was filmed. I wrote much of my own book in another apartment not far away. In my writing, I was inspired by the way Berendt included himself in his story and I decided to incorporate some of my own struggles to uncover the truth about the brutal murder of William K. Dean.
Genteel society ladies who compare notes on their husbands' suicides. A hilariously foul-mouthed black drag queen. A voodoo priestess who works her roots in the graveyard at midnight. A morose inventor who owns a bottle of poison powerful enough to kill everyone in town. A prominent antiques dealer who hangs a Nazi flag from his window to disrupt the shooting of a movie. And a redneck gigolo whose conquests describe him as a 'walking streak of sex'.
These are some of the real residents of Savannah, Georgia, a city whose eccentric mores are unerringly observed - and whose dirty linen…
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
It was chilling to learn that the bodies of several apparently unconnected young women had been discovered at a desolate Long Island beach in 2010. Five of the victims turned out to be sex workers who advertised on Craigslist. Through in-depth interviews with the victims’ families, Kolker illuminates these young women as individuals and pieces together their lives and their movements just before their murders.
"Rich, tragic...monumental . . . true-crime reporting at its best."-Washington Post
The bestselling account of the lives of five young women whose fates converged in the perplexing case of the Long Island Serial Killer. Now updated, with a new epilogue by the author.
One late spring evening in 2010, Shannan Gilbert-after running through the oceanfront community of Oak Beach screaming for her life-went missing. No one who had heard of her disappearance thought much about what had happened to the twenty-four-year-old: she was a Craigslist escort who had been fleeing a…
I began my freelance career as a travel writer, though I now also write about drinks. While living in London I worked for a while at the men’s magazine, Mayfair, and around that time went out for several months with a woman who was a stripper. I didn’t know that when we met, so judged her by her personality not her profession. One of the magazine’s models was murdered, and one of the staff questioned by police. He was totally innocent. I wanted to write the kind of book I like reading, bringing together those two storylines to create a fictional version of a very real part of London life.
I absolutely loved this book, set in the London of the 1960s. It starts with the murder of a prostitute and takes you into the shady world of Soho with its drugs and clubs, its swingers and its singers. A young PC is assigned to work with the CID to catch the killer, as he found the body. The writing is vivid and it appeals as the murder, though central, is only part of a broader picture of the London of that era.
A gripping crime novel inspired by the "Jack the Stripper" killings in 1960s London.
Bad Penny Blues is the latest gripping crime fiction from Cathi Unsworth, London's undisputed queen of noir. Set in late 1950s and early 1960s London, it is loosely based on the West London "Jack the Stripper" killings that rocked the city. The narrative follows police officer Pete Bradley, who investigates the serial killings of a series of prostitutes, and, in a parallel story, Stella, part of the art and fashion worlds of 1960s "Swinging London," who is haunted by visions of the murdered women.
