I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This novel embraces all the darkest elements of the Gilded Age—the occult, greed, cruelty, and the notorious asylum for the insane on Blackwell’s Island and I’m here for all of it! The sleuth is Amelia Matthews, a psychic who suffered a head injury that both expanded her psychic ability and landed her in Blackwell Asylum. She is not insane, but neither are many of the other women locked up with her—at least not when they first arrived. It’s chilling to know that this really happened to women who were betrayed by their nearest and dearest. Stacie Murphy made me feel like her characters were real, and I wanted justice for them!
A historical mystery in the vein of The Alienist, in which a young woman in Gilded Age New York must use a special talent to unravel a deadly conspiracy.
Amelia Matthew has done the all-but-impossible, especially for an orphan in Gilded Age New York City. Along with her foster brother Jonas, she has parleyed her modest psychic talent into a safe and comfortable life. But safety and comfort vanish when a head injury leaves Amelia with a dramatically-expanded gift. After she publicly channels an angry spirit, she finds herself imprisoned in the notorious insane asylum on Blackwell's Island. As Jonas…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Arsenic Under the Elms tells the story of two sensational but unrelated murders in New Haven, Connecticut, in the late 19th century. Mary Stannard a 22-year-old domestic servant was found stabbed and poisoned on a path near her home. The prime suspect was her pastor, former employer, and alleged seducer, Rev. Herbert H. Hayden. Jennie Cramer, a beautiful young woman from a poor family was also poisoned, her body found floating in the ocean. Suspicion fell on Jimmie and Walter Malley, nephew and son of the richest man in New Haven. In both cases, the disparity in social class between victim and suspect became the defining feature of the case and the greatest impediment in obtaining justice for the murdered woman.
The attorney Virginia A. McConnell provides a riveting view of Connecticut in the late 1800s as revealed through the unrelated but disturbingly similar murders of two young women. The first, Mary Stannard, was an unmarried mother who worked as a domestic and believed herself to be pregnant for a second time. The man accused of her murder, Reverend Herbert Hayden, was a married lay minister whose seduction of Mary was common knowledge. Three years later, Jennie Cramer, another woman of low social status, was found floating facedown in Long Island Sound off West Haven. The characters involved in the commission,…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
A lavishly illustrated and engagingly written history of New York during the Gilded Age that covers not just crime, sin, and policing but also such topics as rich vs. poor, the immigrant wave, the early women’s movement, and theater and entertainment. You’ll be entranced by the many beautiful photographs and illustrations alone; I know I was!
Mark Twain coined the term the "Gilded Age" for this period of growth and extravagance, experienced most dramatically in New York City from the 1870s to 1910. More than half of America's millionaires lived in the city. Previously unimaginable sums of money were made and spent, while poor immigrants toiled away in tenements. Author Esther Crain writes, "There was an incredible energy, a sense of greatness and destiny. Things were literally going up-skyscrapers, elevated train tracks, new neighborhoods and parks. Accompanying all of that was an equal amount of greed and lust. Crime, vice, political scandals-the Gilded Age produced an…
I write historical fiction based on the lives of my ancestors: Agnes Canon’s War is the story of my twice-great grandparents during the Civil War. An Irish Wife is based on their son. I write about the Gilded Age, which is only now drawing the attention of historical novelists and the wider public: the vast wealth of industrialists contrasted to the poverty of the lower classes, scandalous politics, environmental degradation, fear of and prejudices about immigrants. My ancestors lived through those days; I want to imagine how that tumultuous society affected them, how they managed, what they lost and gained, and to memorialize those stories as a way to honor them.
Two volumes, nearly a thousand pages—but don’t let that put you off. This is the background story of the Gilded Age in small-town America, a microcosm of all that was best and worst in the era. Coal mines—a theme running through much Gilded Age tale-telling—and vast riches, sexual misadventures in a time when Victorian straitjackets were loosening, neighborly battles, far-reaching strikes, religious convulsions, political shenanigans. They’re all here. You’ll get lost in them.
"...encompasses thirty-five years in the life of the small Ohio town of Paradise Falls, from the end of the Civil War to the tumultuous opening of the twentieth century."
I’ve been reading historical fiction since childhood—it’s my preferred method for learning history. I want to know who people were in an everyday way, not as broad-brush reporting. My tastes are not limited to particular eras although I do my best to skip as much battle detail as I can. I like historical fiction that has character as its throughline. Who are these people? What do/did they want? How did they get it? I think my theatre background and training are what make me ask questions like these. What did they have for dinner? What did they talk about? Their excesses, their eccentricities, their excellences.
Sarah Brandt is, in a squirmy twist for her upper-crust Knickerbocker New York City parents, a turn-of-the-century midwife, widowed and curious about everything. Women of her ilk don’t work. She meets Metropolitan Police Force detective Frank Malone and is his answer to prayer as well as his personal torment. The two meet each other uncannily all over town in this series from the Battery to the Bowery to the Bronx and back again; she, ever helpful, he, ever cynical, until their lives collide in a magically different, far more intimate way. The situations are always intriguing and built around impeccable Gilded Age research.
The first novel in the national bestselling Gaslight Mystery series introduces Sarah Brandt, a midwife in the turn-of-the-century tenements of Manhattan who refuses to turn a blind eye to the injustices of the crime-ridden city...
After a routine delivery, Sarah visits her patient in a rooming house-and discovers that another boarder, a young girl, has been killed. At the request of Sergeant Frank Malloy, she searches the girl's room. She discovers that the victim is from one of the most prominent families in New York-and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.
Although his story has been told countless times - by performers from Ma Rainey, Cab Calloway and the Isley brothers to Ike and Tina Turner, James Brown and Taj Mahal - no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan", Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in…
Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
What I loved about this book was the strong female main character, Eunice Holbrook. She held the unusual job of owning an Inquiry Agency (private detective). What drew me to her character was her powerful personality. From her expert marksmanship with a pistol to her analytical reasoning, she embodied everything unconventional. I instantly connected with her and her plight, so much so that I couldn’t put the book down.
The layers of intrigue, combined with the sweet romance of a couple reunited, warmed my heart and made me smile. The author kept me guessing in this murder mystery historical romance. I especially enjoyed the witty banter between Eunice and Arthur.
When a man arrives at the Bleecker Street Inquiry Agency, anxious to hire them to find a missing heiress, Eunice Holbrooke realizes her past has finally caught up with her . . . and that she may no longer be able to hide under the disguise that has kept her safe for so long.
Arthur Livingston's goal in life is to make his mark on the world as a mining industrialist, but after the man who could help him achieve his goal is murdered, Arthur feels compelled to seek justice for the family--but he's left with more questions than answers…
Ever since great-grandma told me she envied me, being born when women could choose any profession, I developed a deep respect for the women throughout history who have held unconventional roles. I am drawn to books featuring powerful women characters who show a zeal for making their mark on the world in roles like surveyors, ranchers, telephone operators, historians, horse trainers, and more, long before their choices became socially acceptable. As a woman software engineer (and now part-time author), I’ve gained an appreciation for all the women who paved the way for the modern woman.
Cymbeline Barnes is one of the most unconventional female characters I’ve had the pleasure of reading. Not only was she a veterinarian in the early 1920s, but she also had the aspiration to become a world-champion ski jumper during the Gilded Age. Talk about gumption! I fell in love with her character immediately and rooted for her as she fought against preconceived notions of her family and peers. Her sweet, slow-to-develop romance also drew me into the story. Like myself, she struggled with the right balance between a career and family, at a time before that became a normal struggle for women. I loved how the balance played out, making this another of my favorite stories.
Cymbeline Barnes declared Viktor Olofsson her arch-enemy when they were children. When he saved her beloved sister, she started to see him as a hero instead. Still, she can't let go of the idea that her destiny is waiting somewhere else in the world.
Viktor Olofsson has cared for Cymbeline his whole life. However, when she continues to rebuff him, he allows himself to entertain the idea of newcomer Emma.
Will Cymbeline come to terms with her life and wake up to the idea of love before it's too late?
I am a philosopher and historian of science whose specialty as a philosopher is evolutionary biology, and as a historian Charles Darwin and the revolution he sparked. Kimberly Hamlin’s book on Darwin's effect on late 19th-century feminists was entirely unknown to me and made me feel very humble.
It taught me things I did not know despite thinking of myself as an expert; the scholar in me rejoiced.
From Eve to Evolution provides the first full-length study of American women's responses to evolutionary theory and illuminates the role science played in the nineteenth-century women's rights movement. Kimberly A. Hamlin reveals how a number of nineteenth-century women, raised on the idea that Eve's sin forever fixed women's subordinate status, embraced Darwinian evolution-especially sexual selection theory as explained in The Descent of Man - as an alternative to the creation story in Genesis. Hamlin chronicles the lives and writings of the women who combined their enthusiasm for evolutionary science with their commitment to women's rights, including Antoinette Brown Blackwell, Eliza…
