It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.
Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.
That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film.
Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s…
A longtime member of organized crime recounts his criminal career, his involvement in the six-million dollar Lufthansa robbery, and his decision to become a federal witness
Before I wrote crime novels, I was a lawyer. Legal mysteries back then were mostly set in traditional firms, with just enough lawyering to set up final courtroom scenes. I preferred novels that showed more of the nitty-gritty, the conflicts, and temperaments peculiar to different workplaces. I’d been binging Dick Francis, with his deep dives into jobs connected to racing, and I wished there were books with his level of detail in settings I knew—students scrabbling to make law review, firebrand litigators in labor firms, double-crosses in corporate practice, the horrors of bank law retreats. When I finished Francis’s excellent Whip Hand, I decided to try writing one myself.
What is it like to be a thief? I picked up Ghostman after writer Barbara Ehrenreich (Nickel and Dimed) joked on Facebook that the book taught her how to rob a casino. This exciting story does that and much more. The protagonist is forced to untangle a caper gone FUBAR and then disappear without a trace. Through multiple twists and backstabbings, readers learn the fine points of pulling off grand thefts and long cons, the tricks and trials of becoming a permanent “ghost.” The information is offered seamlessly, with no jarring breaks from action or characterization. In my opinion, there’s never been a better heist novel, though its sequel, Vanishing Games, comes close. (Sadly, Hobbs died when he was only 26, leaving behind no additional manuscripts.)
'Fast, hard and knowing: this is an amazing debut full of intrigue, tradecraft and suspense. Read it immediately!' Lee Child
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I make things disappear. It's what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there's a guy out there who wants my head in a bag.
He'll have to find me first. They don't call me the Ghostman for nothing...
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'Brilliantly clever, gripping and action-packed. Utterly original and bound to become a big-budget movie.' SUNDAY MIRROR…
Matthew Stokoe has been translated and published around the world, his books have set new boundaries in urban horror and gritty, pull-no-punches noir. After Cows, Stokoe turned his sights on Hollywood, producing the now-famous High Life – both a page-turning mystery and one of the most brutal critiques of Tinsel Town ever committed to fiction. Stokoe has continued to explore his uniquely dark view of lives lived in the modern world, and in 2014 was nominated for the Grand Prix de Littérature Policière – France’s most prestigious crime writing award – for his novel, Empty Mile. Colony of Whores, is his latest novel.
Algren has been called a proletarian writer. Working primarily in Chicago from the 1930s to the 1950s, he was intensely concerned with the plight of the common man. His milieux were the gambling dens, the sawdust bars, the decaying hooker-prowled streets, the beat-down police stations, the shooting galleries, the slums, the cheap walk-up flats where broken men and women fought each other in desperate battles to survive one more miserable day. His characters were the poor, the ignorant, the addicted, tramps, bums, card sharps, petty crims, accidental murderers... But in all of them he found something human, something that might have been good, might have been worthy of a decent life – if only it had been given half a chance.
The Man with the Golden Arm tells the story of Frankie Machine, the golden arm dealer at a back street Chicago gambling den. Frankie reckons he's a tough guy in the Chicago underworld but finds that he's not tough enough to kick his heroin addiction. With consummate skill and a finely-tuned ear for the authentic dialogue of the backstreets, Algren lays bare the tragedy and humour of Frankie's world.
Features the first UK publication of a foreword by Kurt Vonnegut and an afterword by Studs Terkel.
I’ve been a gamer all of my life and am a teacher of elementary school students. After finding the LitRPG genre I wished to share this with other kids... like the one I had once been. Most parents in the genre push full 200k books on their children with an expectation of found love. While I imagine it works for a few of them, I rather expect that the majority of those attempts end in failure. Kids have their own world and their own sense of humor. I write to them, to inspire them and make them laugh, to make them entertained even as I teach them universal morals and lessons about the world.
I bought the book out of curiosity not even knowing it was for kids. And once I realized what it was, I read it to my son. He loved it. Let me describe it in the style it is written:
High-energy text right from the beginning. Honestly the inspiration for my own series and its style of writing. The protagonist has special powers that are ranked in a game-like manner using levels. It appeals to the gamer youth of today, relating to the games that they play even now despite having been written thirty years ago. A solid A plus production.
Fifteen-year-old alien hunter Daniel X is on a mission to finish the job that killed his parents - to wipe out the world's most bloodthirsty aliens on The List. At the number-one spot, The Prayer is Daniel's ultimate target. With mind-blowing skills like telepathy and the ability to transform and create, Daniel's got more than a few tricks up his sleeve. Along with his friends Willy, Joe-Joe, Emma and Dana, Daniel hunts down the aliens on The List one by one. But as he battles towards his top target he can't forget one thing: he's got a host of aliens…
All my work--as a novelist and a licensed clinical therapist--deals with what happens in families, which sometimes includes overwhelming grief. But now, it hasn’t been long since I lost my own son. In these novels, I recognize a piece of myself as I, like any survivor, have struggled to cope. Like few other events in our lives, death has the possibility of completely derailing us with its brutality, and often surviving family cast about blindly, searching for sense, for meaning. Sometimes we can’t find any; sometimes we do, and sometimes we create it ourselves. These novels put different approaches into story, and that, too, is a way to search out direction--and hope.
One of the common reactions to the death of a loved family member–especially any death we perceive to be unnecessary or unnatural–is extreme anger. We have to blame someone, and yes, there’s plenty of reproach and self-recrimination in John Burnham Schwartz’s novel, Reservation Road. But there’s a clear culprit–a hit and run driver–and it seems the police are hardly bothering to investigate, and in a case like that, anyone would have a target for their helpless rage. We see Ethan, a father who witnessed his ten-year-old son killed, become obsessed with tracking down the perpetrator himself to accomplish some justice. I understand that kind of anger and frustration, and I know many others do, too. I think it’s useful to both accept that it’s normal, but to look at how destructive it can become to carry it, and to consider how to let it go.
A tragic accident sets in motion a cycle of violence and retribution in John Burnham Schwartz's riveting novel "Reservation Road". Two haunted men and their families are engulfed by the emotions surrounding the unexpected and horrendous death of ten-year-old Josh in a hit and run accident. Ethan, a respected professor of literature at a small New England college and father of Josh, is wracked by an obsession with revenge that threatens to tear his family apart. Dwight, a man at once fleeing his crime and hoping to get caught, wrestles with the overwhelming guilt and his sense of obligation to…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
In the early 1970s true crime writer Ann Rule discovered that the close friend she had been working with for several years was in fact the serial killer Ted Bundy. As a caring person she must have been completely shocked and horrified, but she would know at some level deep inside her that as a true crime writer she had been given a unique gift: the opportunity to write about a terrible crime from a very personal perspective. I was given the same “gift” when in 2014 I found an account of a murder that my grandma told me about many years ago, and I uncovered a miscarriage of justice. This led to me writing my first book and the rest as they say “is history”—I started a whole new career as a true crime writer.
In 1971, while working the late-shift at a Seattle crisis clinic, true-crime writer Ann Rule struck up a friendship with a sensitive, charismatic young coworker: Ted Bundy. Three years later, eight young women disappeared in seven months, and Rule began tracking a brutal mass murderer. But she had no idea that the "Ted" the police were seeking was the same Ted who had become her close friend and confidant. As she put the evidence together, a terrifying picture emerged of the man she thought she knew-his magnetic power, his bleak compulsion, his double life, and, most of all, his string…
Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.
In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”
Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.
'I was living in even greater circles of gangsterdom than I had dreamed, latitudes and longitudes of gangsterdom'
It's 1930's New York and fifteen-year-old streetkid Billy, who can juggle, somersault and run like the wind, has been taken under the wing of notorious gangster Dutch Schultz. As Billy learns the ways of the mob, he becomes like a son to Schultz - his 'good-luck kid' - and is initiated into a world of glamour, death and danger that will consume him, in this vivid, soaring epic of crime and betrayal.
Older people have always been present and significant in my life. I read widely, and—perhaps because of my role models—I noticed there’s a lack of representation of older characters in books. I started to seek out stories with protagonists over the age of fifty, and the more I read, the more I felt like the collection was lacking. Even though I’m younger, I want to use my position as a romance editor and author to remind people that aging doesn’t have to be a bad thing and life is still complex and enjoyable when you’re older. Adventure and romance can continue in your golden years.
The Little Old Lady Who Broke All the Rules is a riot in the best possible way.
Martha Anderson is upset with the conditions of her care home, and she’s determined to escape and rob a bank. With the help of her four friends—known as the League of Pensioners—Martha rebels against the care home staff and stages a heist.
This story has a fantastic cast and a laugh-out-loud plot. When I finished this book, I wanted to hug it.
The Best Exotic Marigold Hotel meets The Italian Job in internationally-bestselling author Catharina Ingelman-Sundberg’s witty and insightful comedy of errors about a group of delinquent seniors whose desire for a better quality of life leads them to rob and ransom priceless artwork.
Martha Andersson may be seventy-nine-years-old and live in a retirement home, but that doesn’t mean she’s ready to stop enjoying life. So when the new management of Diamond House starts cutting corners to save money, Martha and her four closest friends—Brains, The Rake, Christina and Anna-Gretta (a.k.a. The League of Pensioners)—won’t stand for it. Fed…
During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.
Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.
On December 11, 1966, a mysterious assassin shot Henry Stockton to death, set his house on fire, and left the scene without a trace. A year later, when a woman was found brutally killed, shreds of evidence suggested a connection between the two murders.
In the Palliko-Stockton trial, prosecutor Vincent Bugliosi offered a brilliant summation that synthesized for the jury the many inferences and shades of meaning in the testimony, fitting all the pieces together in a mosaic of guilt. But will the jury be persuaded?
My life quest has been to find true magic. Once believing it could only be uncovered in ruins or cathedrals continents away, I ended up discovering it in my own backyard under the Big Sky. When I was young, I read everything science fiction and fantasy to feel like that magic was real and bask in worlds far different from my own. Now, as a professional editor and author based in the West… I still read everything science fiction and fantasy, but now I get paid to do it.
A reimagining of how one decision could change the American landscape… why Thomas Jefferson decided against introducing hippopotamuses to the swamps and marshes of the American South, I’ll never know. But Sarah Gailey gives us a glimpse into this alternative history and it is full of water bearers as fearsome and loyal as any war horse. Reading this in one sitting on a plane ride, I was fascinated by how vastly different—and dangerous—the Mississippi bayous could be when full of a certain shady type of gunslinger creeping through the water with Spanish moss hanging overhead. I suspect if I were alive in this alternative timeline, I might’ve ended up seeking my fortune by holding up a steamboat… especially if I had a hippo as my trusty companion.
In 2017 Sarah Gailey made her debut with River of Teeth and Taste of Marrow, two action-packed novellas that introduced readers to an alternate America in which hippos rule the colossal swamp that was once the Mississippi River. Now readers have the chance to own both novellas in a single, beautiful volume.
Years ago, in an America that never was, the United States government introduced herds of hippos to the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This plan failed to take into account some key facts about hippos: they are savage, they are…
