The most recommended orphan books

I absolutely loved this series! The heroine is a young woman struggling to survive the harsh streets of Victorian England. Caught stealing, Mary Quinn is convicted and sentenced to hang. However, the Agency rescues her from the noose and provides her with an education. In return, she trains to work as an investigative agent among the upper-class society of London. These books expose the realistic darker side of that world, but if you could handle Oliver Twist, you can handle these. Lee captured the mystery and intrigue so brilliantly I could not put them down.

In this book Ariel—AKA Olivia—is the daughter of a couple who was killed when she was a child. Olivia got away and was raised in foster care, but she’s always been haunted by what happened to her parents. The fact that his story was true crime fodder for the public doesn’t help, with many online speculations as to what really happened.

When new details arise in the case that make it seem as though the events of her parents’ deaths might not be what the public previously thought, Olivia is compelled to return home to her small Oregon hometown to uncover the truth. Equipped with enough red herrings to make your head spin, The Girl I Used to Be is a book that will keep you guessing until the end.

Alice, Corvus, and Annabel, children without mothers, traverse air-conditioned buildings and desert landscapes, strewn with symbols and signs of mortality—from the preservation of those teetering on the brink of death at a nursing home to a wildlife museum full of taxidermies; and these teenagers are orbited by agitated, confused adults who seem wholly unaware of the strangeness—and messages—defining their lives. Joy Williams is a master at dark humor in literary fiction, and The Quick and the Dead is one of her finest achievements.

This book contains two stories that intertwine: that of a girl who has lost her mother, and a mustang mare struggling to keep her foal safe. I like how the mare is portrayed as intelligent and brave, just as the girl is. Both living beings are important characters in the plot, which is wonderful. The prose is skillful and beautiful, and suits competent, older middle-grade readers who will be transported into the wild landscape. 

This one is totally different than the others on my list, but when I was diving into these related genres and finding myself more and more inspired by them, it was always a surprise and a treat to find a book that just completely defied all genre expectations. The book blends Sci-Fi with Fantasy, something I’ve always enjoyed if done well, and something that made me think maybe I could try my hand at this. I was never that great in science or math, even though I tried, but the idea that we could mix Sci-Fi with Fantasy, now that was intriguing. And throw in a little unexpected romance and I think you have a really well-rounded adventure. Humans are the root cause of the ending of the human race, so obviously humans have to undo what they’ve done, but your average person is just trying to survive the fallout.

I’m a sucker for endpapers so, with inside covers that appear browned with age, this book instantly grabbed me. I was even more drawn in by the edges of all pages looking aged, with the book’s title repeatedly running along the bottom of each one like a handwritten footer. Once I was reading, the flavour of classics like those by the Bronte sisters and Jane Austin meant I couldn’t put it down.

Set in the later part of the 20th century, Kate’s story explores self-worth and finding purpose. First-person narrative uses language cleverly. It is easy to read, the voice unpretentious. I felt like I knew Kate. We have so much in common, including the ability to write in the dark and a penchant for taking laneways rather than main roads.

This is a children's book – the story of the three Fossil children, their peculiar upbringing, and the ups and downs of their lives at stage school – but it is a wonderful read at any age. Brilliantly infused with the texture of daily life in 1930s London, it creates a really specific and compelling atmosphere. The food they ate, the cost of clothes, transport, the make-up of their household, even the quality of the air they breathed, is all described, as part of a warm and engrossing tale. Nothing I've read quite transports you to that time in the way that this does. 

Felix and Zelda have the purest, most joyful, and endearing childhood friendship… set against a horrific time in human history, the Holocaust.

I read this series out aloud to my boys (ages 9 to 12). I wanted to let them learn the history in a way that was age appropriate. Gleitzman delivers spectacularly!

This book doesn’t gloss over anything. It’s all there on the page to interpret. The children in the story are sometimes naively unaware of what some of their observations and experiences mean, making it so powerful to read as an adult—and a great conversation starter for kids.

Felix’s positive thinking and quick wit, used to deflect even the most atrocious characters, were the biggest takeaways for us as a family.

Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.

The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here. 

“Being a lady is a crashing bore, or hadn’t you noticed?” So observes Veronica Speedwell: lepidopterist, spinster and – much to her chagrin – a lady. But Veronica isn’t going to be bound by that, and she’s as happy chasing murderers as she is butterflies and men. This book is as much about her smoldering relationship with the enigmatic Stoker as it is a whodunnit, which is part of what attracted me to it. I’m a sucker for sexual tension, and this book has it in spades—along with the sort of dry one-liners that will have you snickering into your tea.