Sam Dagher is a Lebanese-American journalist and author with more than 15 years of experience reporting on the Middle East and its people. He has lived in Baghdad, Beirut, and Damascus and worked throughout the region. Sam has been committed to telling the region’s stories from the ground up and in the process shedding new light on the root causes of war, extremism, and migration.
In a 2019 interview with NPR, Etaf Rum—the daughter of Palestinian immigrants who was born and raised in Brooklyn, New York—said one of her struggles in writing the book was the fear that she was in a way confirming stereotypes about Arabs and Middle Easterners, including “oppression, domestic abuse, and terrorism.” Thankfully Rum overcame these struggles to deliver a courageous, beautiful, and incredibly authentic debut novel that follows the lives of three generations of Palestinian-American women trying to find their voices and identities within the confines of patriarchal and conservative milieus. In a way, the struggles of Rum and her characters mirror the battles that young people throughout the Middle East have been waging against tyranny and oppression since the start of the Arab Spring in 2010.
"Sometimes heroism is loud and dramatic. Other times, it is daring to listen to that quiet voice within and having the courage to follow it. In this story, we see inside the lives of three generations of Palestinian women living in America, struggling and suffering to hear that voice. Etaf Rum has done a great service by sharing these voices with us." -Shilpi Somaya Gowda, New York Times Bestselling Author of SECRET DAUGHTER and THE GOLDEN SON
Three generations of Palestinian-American women living in Brooklyn are torn between individual desire and the…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
My favorite of Miller’s books, Tropic of Capricornis based on Miller’s life in Brooklyn in the 1920s. It’s a dizzying stream-of-consciousness array that sweeps you along. Miller’s occasional poignant reminiscences about the magic of his boyhood and friendships contrast with the soul-sucking realities of adulthood and workplace bureaucracy that try to stamp out the embers of wonder and passion like a boot heel. Like most of his books, Capricorncelebrates the absurd miracle of consciousness. Miller’s influence on my education as a writer was indispensable. His books didn’t serve so much as a template as how to write, as how to be a writer, specifically how to observe and appreciate the vast madness of the world, reject conformity, and the embrace the anarchist spirit of artistic creation.
A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of Cancer -- new to Penguin Modern Classics with a cover by Tracey Emin
A story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of…
In That’s What Friends Do, the #MeToo experience that Sammie’s mom shares with Sammie is my story. I was thirteen. I never told anyone. Even as I started writing my novel, it didn’t occur to me to share with my husband, or my teenage children, my experience. But one evening, as the #MeToo movement was exploding in the media, I was sitting around a dinner table with several other couples. All of the women had had a #MeToo experience. Most of us were young teens when it happened. Shame and guilt had kept us silent for far too long. My novel – and the others on my list – are working to break through that silence.
Lydia knows her mom’s boyfriend, Jeremy, makes her mom happy. But sometimes Jeremy makes Lydia really uncomfortable, especially when his hugs go on too long. She already dresses in baggy clothing so the boys in her school will stop saying things about her body. What more can Lyddie do? When her mom buys a run-down house, and Lyddie finds a book of magic spells inside, she thinks she has a solution: the right combination of magic spells will keep her safe. But when Lyddie’s spells don’t work against the boys, or Jeremy, she has to use her voice and her courage instead. I loved the way this wonderful coming-of-age novel confronts and challenges the culture of toxic masculinity that too often is used as a cover for bullying.
From the critically acclaimed author of the ALA Notable and Charlotte Huck Honor Book Forever, or a Long, Long Time comes a poignant coming-of-age novel about the complicated parts of growing up, finding your voice, and claiming your space. Perfect for fans of Rebecca Stead, Laurel Snyder, or Ali Benjamin!
Lydia hasn’t felt comfortable in her own skin since the boys at her school started commenting on the way she looks in her uniform. Her cousin and friends think she should be flattered, but the boys—and sometimes her mom’s boyfriend, Jeremy—make Lydia uncomfortable and confused. Even more confusing is when…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
I was drawn to this book by the cover. Set in New York, famous erotica writer Eva Mercy is a single mom with a depilating auto-immune disease. Eva’s experiences of the writing life as a Black woman and how she managed her health drew me to her.
However, the unexpected connection between Eva and Shane, the award-winning literary writer she reunites with during a literary event, was my favorite part of this book. I loved how each writer’s trauma-informed the stories they told. I found myself encouraged to write about my own traumas in my stories. But what I loved the most about this book is how the sensual scenes between Eva and Shane were more about connection than sex.
I was inspired by Eva’s resoluteness in making a life for herself and being the mother she never had for herself and her daughter.
The instant New York Times bestseller and Reese Witherspoon book club pick is "a heady combination of book love and between-the-sheets love.” (Ruth Ware)
“Tia Williams’s book is a smart, sexy testament to Black joy, to the well of strength from which women draw, and to tragic romances that mature into second chances. I absolutely loved it.” —JODI PICOULT, #1 New York Times bestselling author of The Book of Two Ways and Small Great Things
Seven days to fall in love, fifteen years to forget, and seven days to get it all back again...
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.
A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.
The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the…
I’m a multi-award-winning picture book author of many types of books, from The Pumpkin Runner to Badger’s Perfect Garden. I’ve always been a reader more than an athlete, but throughout my life, I’ve enjoyed running - running down a dusty Kansas backroad, running to the pasture to call in the cows, running to the stream to climb a cottonwood. When I reached my sixties, I finally decided it was time to run a half-marathon. Partway through the race, I broke my foot! But I persevered. When I crossed the finish line, I felt a little like Joshua Summerhayes in The Pumpkin Runner.
Marathon Mouse is a fun story for our littlest runners. Most of the mice living under the bridge between Brooklyn and Staten Island didn’t like the commotion of Marathon Day. But Preston did. Preston braved the crowds and big shoes to run the Marathon himself. And near the finish line, his family, who had told him races weren’t for mice, were there cheering him on.
Marathon Mouse is the only one of my book recommendations about an animal marathon runner. But, as with the books here about people, Preston, the Marathon Mouse, has perseverance and determination and feels joy when he’s running.
The mice of New York City dread the day of the New York City Marathon more than any other-the crowds, the large shoes, the noise. All of them, that is, except for Preston. He and his family live underneath the starting line on the Verrazano Bridge and every year Preston has dreamed of joining all the other runners in the marathon. This year, Preston is determined to make his dream come true, even though his family tells him that mice are not fit to run marathons. He trains hard leading up to the big day and when the race starts,…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.
The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist.
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo…
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
If you have not yet read Patsy, just read it. I won’t regale you with tales of its critical and commercial success, as you may already have heard about it. What I will say is that this is a book that will stick with you. Its portrait of longing, of love, of motherhood, and of childhood is so attentive to the thought of its central two characters—a mother and child—that they will feel so real to you that you will think of them when you encounter their facsimiles in your own life.
Heralded for writing "deeply memorable . . . women" (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her…
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
I grew up in Brooklyn, New York in the 1940s and 1950s. As one of New York City’s 5 boroughs it has character and even a mystique about it, and we Brooklynites are often very proud of our heritage.
Until I was about 13 the Brooklyn Dodgers were the zany, irreverent, baseball upstarts who sometimes even won the World Series. And they hired Jackie Robinson, desegregating professional baseball. All of this is to say that when High Ryan published his book, I devoured it as it fused my Brooklyn heritage and my queer identity.
Starting with poet Walt Whitman, he takes us through the writers, the dock workers, the socialists, the communists, the college professors and artists, who were lesbian or gay and both shaped and were shaped by the city, Ryan’s archival research is amazing, and his writing style breezy, and accessible. Even if you’re not from Brooklyn (!)…
The never-before-told story of Brooklyn’s vibrant and forgotten queer history, from the mid-1850s up to the present day.
***An ALA GLBT Round Table Over the Rainbow 2019 Top Ten Selection*** ***NAMED ONE OF THE BEST LGBTQ BOOKS OF 2019 by Harper's Bazaar***
"A romantic, exquisite history of gay culture." ―Kirkus Reviews, starred
“[A] boisterous, motley new history...entertaining and insightful.” ―The New York Times Book Review
Hugh Ryan’s When Brooklyn Was Queer is a groundbreaking exploration of the LGBT history of Brooklyn, from the early days of Walt Whitman in the 1850s up through the queer women who worked at the…
Brooklyn in the 1930s and '40s comes to life in this pulsating memoir that sets the stage for author Stan Fischler's legendary career as a sports journalist, especially covering the National Hockey League, and author. A masterful storyteller, Fischler is hilarious and smart and has a great memory, recounting corner candy stores and subway rides, his beloved Brooklyn Dodgers, and eccentric relatives and pals.
Descriptions of stickball games and every nook and cranny of his neighborhood and a fondness for a Gotham Toy Company-manufactured hockey game grab your attention, as do tales from his adventures and misadventures as a drummer in the big-band era. This is a page-turning gem.
