I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.
This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.
A chronological collection of all of Poe's poems and stories includes tales of adventure, farce, science fiction, black humor, and romance, as well as horror
Marcia Naomi Berger's passion is to help people create lasting, fulfilling marriages. An experienced clinical social worker, psychotherapist, and medical school clinical faculty member, Berger has held senior-level positions in child welfare, alcoholism treatment, and psychiatry. She says, "I stayed single for a long time because of my parent's divorce. Now happily married for over thirty-four years, I fill my books with the hard-earned wisdom I've gained professionally and personally."
I found this book engaging and fun to read. It's filled with well-written, informative stories of many women's first dates. Some of the dismal dates remind me of the saying, "You have to kiss a lot of frogs before you find your prince."
Sometimes my mouth would drop open in shock while reading about a miserable first date. Other stories had happy endings. Some couples continued dating and married. Others had successful first dates because the people liked each other but decided then, or after a few dates, that they weren't a good fit for a romantic relationship.
First Date Stories makes for a friendly, optimistic companion to women experiencing the ups and downs of dating. It reassures them that they are not alone, worthy, and likely to succeed in reaching their goal if they persevere. The implication is that every first date is successful because of the learning it…
Ellen meets Jim at a posh restaurant, hoping for an evening of fine wine and better conversation. Maria sets out on a walk with a man she's been looking forward to meeting. In First Date Stories, these women, and others, enter into initial liaisons with well-honed expectations-and come out on the other side with extraordinary tales to tell.
Chances are, every woman in her mid-thirties and over who is seeking a loving companion has a first date tale of triumph or disaster. Each of the candid and memorable stories Jodi Klein shares here imparts a bit of wisdom-with the help…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"The Lady of Shalott" is a famous poem in the Romantic tradition. It’s partly inspired by Edmund Spenser’s "The Faerie Queene," and partly by the Arthurian legend. Most people have heard at least a few of the oft-quoted lines. I’ve lost count of how many times I’ve read it, but I still get caught up in the story-telling and the magical fantasy vibes. In my opinion, it’s right up there with the greatest fantasy poems of all time.
Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott.
Tennyson's romantic poem, full of atmosphere and emotion, tells the story of the mysterious Lady of Shalott. In this exquisite illustrated edition, Charles Keeping's evocative pictures take us to Camelot, a fabled world of knights and castles, to witness the cursed life and tragic death of a beautiful but doomed maiden. This new edition features rescanned artwork to capture the inspiring detail of Keeping's illustrations and a striking new cover.
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
When I was a student I found this book an inspiration. Beautifully written, it brings out deep affinities between the poetry and ideas of Wordsworth, Shelley, and other poets in England and the idealist philosophers in Germany, and the ways both groups rewrote the cosmic ideas of Christianity and ancient esoteric systems. It continually sets off sparks with its surprising comparisons. In the fifty years since it appeared, scholars have complained about how many writers the book leaves out, but given that its theme is “The High Romantic Argument” and not all of Romanticism, I am still impressed by how much it takes in.
In this remarkable new book, M. H. Abrams definitively studies the Romantic Age (1789-1835)-the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the…
This book caught my attention because of the title and because I am a sucker for the Beauty and the Beast trope.
This story is one that brings things to a whole new level with some dark and steamy edges that I found delightfully compelling. I thoroughly enjoy fairytales, especially those with a romantic sprinkling along some crafty spice.
This book delivers all of that in a delectable retelling of a contemporary version of Beauty and the Beast that I know romantasy and urban fantasy fans alike will adore just as much as I do.
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This classic study introduced me and the whole world of critics and scholars to theoretical perspectives that still resonate among historians of literature and culture.
It defines a momentous change: the shift from views of art as a mirror—a reflection of things as they are—to a lamp—a radiant projection from the hearts and minds of its creators. This revolution in aesthetic principles, formulated by German and British theorists, also resulted in new ways of looking at nature and in new kinds of poetry.
Abrams charts the depths of Romantic theory; and his work helped spur a revival of interest in the Romantics—now often cherished as the first modern poets.
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
This book reminds me of my favorite Georgette Heyer romances in its depiction of the Georgian period. When I read historical fiction of any kind, I want to feel I’m in that time, not reading about modern people in costume.
The story of a blind young woman confined to a country estate because her brother feels she is unable to deal with society was compelling. I liked the characters, and the story carried me along so successfully that I regretted finishing it (after keeping me up after I should have been in bed).
I’m a critical reader, and I couldn’t find a thing in the book to annoy me.
The Marquis de Amberley falls in love with Rosalind, a blind girl, but when he learns that he was responsible for her loss of sight, he is convinced she will never accept him
I love writing my steamy, happily ever after romance novels. Billionaires are my Prince Charmings and they have a lot to offer the heroines I write. However, none of my heroines are weak. They are strong and they love the billionaires for who they are, not what they offer. I want a world full of romance, steam, and happily ever afters, so that’s what I love to write. My books are perfect for a relaxing day on the beach that will leave you feeling good.
A perfect beach-read billionaire book with lots of sizzle!
(Seriously, this book should come with fire warnings because you will need a
cold shower after it!)
Riley is fiercely
independent and Ian is incredibly protective. This makes for a difficult start
to their relationship, but once they learn to trust one another, it’s all
sparks and steam. The chemistry between these two characters is off the charts
and the book holds nothing back. We get to see it all.
This is the first book in the series which makes it even
better. I loved getting to meet the characters for the next books and get a
feel for them while falling in love with Ian and Riley.
She arouses his dominant and protective instincts And he will do anything to possess her … And does.
When billionaire Ian Dare gets one glimpse of the sensual and irresistible Riley Taylor, he knows that he must have her. But any future he might have with Riley means he’ll have to confront his past—a past he’d rather forget. And that’s something this NFL team owner won’t dare to do—not even for love.
This year, I took a deep dive into the Romantasy (Romance & Fantasy) genre. Across the dozens I read this book was by far my absolute favourite. Now, this is a hefty book, coming in at 1200 pages, but it is technically four books in one.
With an intriguing plot from the get-go, immaculate world-building, and a relatable FMC that will have you laughing and rooting for her at every turn, this book is truly one of a kind. Imagine if Throne of Glass and the movie Brave came together to create an enemies-to-lovers masterpiece.
I’ve been a lover of fantasy fiction ever since as a 12-year-old boy I lived in Oxford near the great J. R. R. Tolkien and read The Lord of the Rings and loved it so much I wrote to the author and he wrote back to me. I have no interest in the current commercialized fantasy genre. When I came to write a novel I wanted to write one that was actually imaginative, that had some philosophical heft, that an intelligent adult could enjoy. I wanted to write a book that mattered, that had some of my ideas about the nature of God and – yes – the devil.
Once I started reading this I was unable to put it down. If you’re unfamiliar with the tales of Hoffmann you owe it to yourself to become acquainted. If you are intrigued by the sort of tale in which a young man meets a traveler in an inn who has seen the devil and he follows him into a dark and lonely wood, then this is the book for you.
The plot is an elaborately tangled labyrinth. The monk Medardus was brought up in a monastery to atone for his father’s wicked ways, but he knows only fragments of his family’s history. Forced to flee the monastery he sets out on a fantastical quest in which he encounters his lunatic doppelganger, becomes entangled in Vatican intrigues, commits a murder, is condemned to death, and much, much more. This is an early work of the German Romantic movement and had an…
E.T.A. Hoffmann's 'The Devil's Elixir' is a gothic, horror-fantasy novel inspired by Matthew Gregory Lewis's novel 'The Monk'. Medardus is the son of a sinner and is raised in a monastery to atone for his father's past. When Medardus succumbs to temptation, he is dragged into a deadly mystery that sees him travel to Rome, pursued by his murderous lookalike.At the Vatican in Rome, the monk's only hope for salvation is the beautiful Aurelie but in order to finally discover the truth of the curse that haunts his family, Medardus must evade the sinister powers of the living and the…
