The most recommended dark comedy books

This novel couldn’t be more different from my other choices. It is set on a high-tech park called Eden-Olympia nestling (malevolently!) in the hills behind Cannes. The story is fantastic in a way that is born of Ballard’s brilliant mind. It is a twenty-first century, stylised thriller, and way ahead of its time. Ballard takes the edgy, seamier side of life on this French Riviera coast with its racism and elitism several imaginative steps too far and delivers a shocking tale. I read this novel when it was first published and it haunted me for years. After two more readngs, it remains as powerful as my first introduction to it. Definitely a novel I wish I had written.

John Barth’s first novel, originally published in 1956 and later significantly revised, is a darkly comic philosophical novel whose main character, Todd Andrews, is contemplating suicide.

The novel, along with Barth’s second, The End of the Road, is written in a relatively realistic style, different from the metafictional turn that the author would later take in his subsequent fiction. Nevertheless, these two early books are in some ways consistent with later works like Giles Boat Boy and Lost in the Funhouse, particularly in the passages about metaphor in life and art.

Barth’s musings about metaphors in the real world are relevant to Wiseman’s ability to wrest metaphoric implications from real-world events and objects. Indeed, Wiseman’s films are a veritable floating opera of signifiers.

On the surface, Blood Sugar seems like a suspense thriller told in workman-like prose without literary pretensions: it just sets forth what happened next and next and next, hooking you with suspense that keeps tightening until your fingers are sore from gripping the book.

Many might finish the novel and see nothing more. I however saw Rotschild doing here what Nabokov did in Lolita. The key lies in the fact that the story is told in first person by an unreliable narrator. After you’ve finished it, you find yourself pondering what really happened and who the various characters really are—because, remember, you don’t know anything about any of them except through the eyes of that unreliable first-person telling the story. 

I reviewed this novel, and I really loved it. Many folks think they know what migrants experience from the news, but this novel tells the story with a different spin: an Egyptian Bedouin who tries to get to Italy via Libya.

Living in Libya is as absurd as it is dangerous. The narrator is a hassler, but you still feel sorry for him when he almost gets killed by a customer for using cheap spray paint in a body shop in Libya. Besides the body shop, he works as a bootlegger, cook, and a concrete-block maker before he makes a harrowing crossing on a flimsy boat across the Mediterranean.

Once in Italy, he gets a few jobs in construction but then falls into a gang of drug dealers. He is Egyptian but pretends to be an Iraqi named “Baffo.” One crazy thing happens after another until he needs to make… show more.

This is a little-known gem by three-time Pulitzer Prize winner Thornton Wilder (best known for his play Our Town). Published in the 1935, it’s a contemporaneous account of Depression-era America, following the misadventures of traveling salesman and religious zealot, George Brush. 

Coming off as preachy and self-righteous, George sparks ire and outrage wherever he goes. Yet, he’s a sincere and decent person. At the end of his misadventures, George is humbled and begins to broaden his views, making him a complex, sympathetic character.

Though renowned during his lifetime, Wilder has been largely forgotten in favor of flashier contemporaries. All of his works are worth rediscovering, but Heaven’s My Destination is closest to my heart as it was a major inspiration for my own book.  

Stella Bradshaw, an aspiring teenage actor in 1950s Liverpool, joins a local theater company for its Christmas production of Peter Pan, and everyone gets more than they bargained for. Stella is a willful working-class ingenue desperate to escape her broken home life, and her enthusiasm and fearlessness force a collection of dissolute, jaded theater actors and directors to confront their own career and life choices.

The revelation on the last page makes you reconsider everything that went before in a surprise ending that’s far from a gimmick.

I love a sassy, bright, independent female protagonist, and that’s what I got with Grace Bernard. I love dysfunctional family dynamics, but Grace’s point of view had me laughing out loud. Funny villains are my jam, and Bella delivers one in the middle of a shitstorm that had me reading into the middle of the night.

Set during WWI, the story vacillates between Kent and German and British East Africa. There are a host of colourful and caricatured characters. An Ice-Cream War’s motif is the absurdness of war. Its author is unwavering in presenting the East African campaign as utterly futile. 

The book’s grave content is laced with humour of the dark variety, in addition to occasional gruesome descriptions. This unpredictable serio-comedy’s blend of tragedy and black humour appealed to me.   

This is a fascinating, though quite odd, story about an alcoholic writer of novels and poetry. In middle age, the writer becomes famous. Fame propels him through a succession of increasingly bizarre sexual encounters with women. From this beginning, Bukowski proceeds to a surprising, conventional ending, almost a cliché, which stands out against the bizarre scenes preceding it. The writing in Women is incredibly expressive, compact, direct, and efficient. As a result, the story absolutely flies. Bukowski is the most creative literary stylist I have read; Women, his best work.

I read this a few years ago, thought it was cute, and moved on. I recently reread it on a much deeper dive, and I found a story that was so much more than it appeared initially.

Gidwitz’s humor is excellent—I laughed out loud reading this. But he also touches on so many themes that are present throughout fairy tales while not shying away from either the darkness or the light.

I loved the way he combined some of the lesser-known tales with Hansel and Gretel to make something that was more than any one story had been before. It was something I wanted to replicate in my own way, and he does it so well.