Paul Harris is one of the UK’s most influential music educationalists. He studied the clarinet at the Royal Academy of Music, where he won the August Manns Prize for outstanding performance in clarinet playing and where he now teaches. He is in great demand as a teacher, composer, and writer (he has written over 600 books); and his inspirational masterclasses and workshops continue to influence thousands of young musicians and teachers all over the world in both the principles and practice of musical performance and education.
This is a wonderfully inspiring and motivating book, for anyone involved in developing as a musician. It’s the story of Derek Paravicini who was born blind, with severe learning difficulties and autism. At a very young age, his parents found him picking out melodic fragments on an old keyboard; now Derek is a world-famous pianist specialising in Jazz but able to play anything you like. The story is told beautifully by his teacher, Adam Ockelford, who has been his mentor from the very beginning. Again, it highlights the power and importance of music as a means of maintaining humanity.
Derek Paravicini is blind, can't tell his right hand from his left and needs round-the-clock care. But he has an extremely rare gift - he is a musical prodigy with perfect pitch whose piano-playing has thrilled audiences at venues from Ronnie Scott's to Las Vegas, the Barbican to Buckingham Palace.
Born prematurely, Derek remained in hospital for three months and technically 'died' several times before he was finally strong enough to go home. It was not long before his blindness became apparent and later it became clear that he had severe learning difficulties and autism.
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
Each of Lisa Genova’s books brings her deep understanding of neuroscience into the portrayal of a family's journey with a medical issue, making the novel both heart-wrenching and enlightening.
This book is an emotionally charged novel about a renowned pianist confronting the devastating progression of ALS. It captures the complexities of love, loss, and redemption.
I was especially drawn to this book since my aunt had a similar progression with the same illness. Genova’s compelling exploration of the human spirit and the transformative power of compassion always brings me to tears. As you soar through the skies, let this book be your poignant and immersive literary escape.
An accomplished concert pianist, Richard received standing ovations from audiences all over the world in awe of his rare combination of emotional resonance and flawless technique. Every finger of his hands was a finely calibrated instrument, dancing across the keys and striking each note with exacting precision. That was eight months ago.
Richard now has ALS, and his entire right arm is paralyzed. His fingers are impotent, still, devoid of possibility. The loss of his hand feels like a death, a loss of true love, a divorce-his divorce.
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
This is one of the first books I read by the prolific and gorgeous Wayne Koestenbaum. The novel encompasses the best of Koestenbaum’s passion for performance, his sense of humor and wit, and his poetic chops. We follow Theo as he plans his musical comeback through adventures in sex, obsession with 60s Italian circus star Moira Orfei, and various encounters with odd and uncanny characters. I loved it for the weirdness of the characters and their undying unreliability as they march across geographies and time.
A new edition of a “dazzlingly seductive” fever dream written in “brilliant poetic vernacular” (Bookforum) by a beloved poet and cultural critic, now with an introduction by Rachel Kushner.
For five years, concert pianist Theo Mangrove has been living at his family’s home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern France, he becomes obsessed…
Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.
The publishers describe this as “a bedtime story for adults.” Like the best bedtime stories, this novel straddles the lines between comforting, unsettling, and thought-provoking. Inspired by the poem of the same name, by William Butler Yeats, it tells the story of a child, stolen at the age of seven by a group of wild, childlike creatures. He is turned into one of them, and In his place, they leave one of their own. The two changelings grow up in parallel and the setting alternates between small town America in the mid-20th century and a strange community of creatures who may soon be nothing more than a story.
Seven-year-old Henry Day is kidnapped by fairy changelings living in the dark forest near his home - ageless beings whose secret community is threatened by encroaching modern life. They give Henry a new name, Aniday, and the gift of agelessness - now and forever, he will be seven years old.
The group has left another child in Henry's place. This changeling boy, who has morphed himself into Henry's duplicate, must adjust to a new way of life and hide his true identity from the Day family. But he can't hide his extraordinary talent for the piano, and his near-perfect performances…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
In The Lost Concerto a woman has set aside her career as a classical pianist, for deeply personal reasons—then finds herself not only reclaiming her music, but also finding answers to a past mystery as well as new connections in the present. Both novels are about loss, love, and the power of music to lift and heal us. What makes The Lost Concerto especially appealing is its cross-genre blend of suspense, intrigue, stolen art, and the journey from vengeance to courage. You won’t be able to put it down!
FINALIST: 2016 International Book Award – Mystery/Suspense Category
A woman and her young son flee to a convent on a remote island off the Breton coast of France. Generations of seafarers have named the place Ile de la Brume, or Fog Island. In a chapel high on a cliff, a tragic death occurs and a terrified child vanishes into the mist.
The child’s godmother, Maggie O’Shea, haunted by the violent deaths of her husband and best friend, has withdrawn from her life as a classical pianist. But…
As a child I loved to read and write but I also loved sports. I played every sport I could, and races and games fueled me. My mother called me the “joiner.” Teams create bonds and friendships and I’m still in touch with former teammates. This gives me inspiration to write human interactions. Determination and perseverance are part of being an athlete and I write about strong characters who want to succeed but often meet obstacles along the way. I honestly believe that my sports background has helped me survive publishing, because both are full of highs and lows. Please, enjoy my recommended list because they’re books with heart.
This is such a beautifully written book that combines art and sport, two of my passions. Imogene is a piano prodigy and there wasn’t one moment in the book where I didn’t root for her. The teen love story between her and the suspended hockey player is so believable and not like typical teen romance novels. I liked that Mills didn’t sugarcoat the work that goes into being successful at something. The book was real and honest which made the ending completely realistic.
Imogen St. Pierre is a musical prodigy, a classical pianist touring Canada and abroad in a trio with her father and grandfather. Though clearly accomplished she is also painfully awkward socially, getting lost in the music even after it's over.
Imogen's in the final year in a private boarding school where she meets a boy of the same age, Nathan McCormick, who turns out to be the Next great hockey player. Nathan however has recently been penalized for a vicious fight in an international tournament. Imogen and Nathan don't exactly become an item, but there's an elusive special quality to…
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
Among the many works of fiction inspired by classical music, that include Tolstoy’s Kreutzer Sonata, Mann’s Doctor Faustus,and Tremain’s Music and Silence, I have opted for Vikram Seth’s, exquisitely written and highly personal novel of unrequited love, loss, and longing, because his intimate knowledge of the world of classical music, the music and the characters is unsurpassed.
The novel’s protagonist is a member of a successful string quartet, haunted by memories of a relationship he had had ten years previously. An unlikely reunion with the object of his infatuation, a pianist now happily married with a son, unleashes all kinds of personal and musical dynamics against the magical setups of Venice, Vienna, and… Manchester. The music performed by the different characters and the emotions that music triggers and unleashes are described with consummate sensitivity and insight. Every music lover will love this novel which is a treasure-trove…
Set in the present, with flashbacks, An Equal Music (the title is a phrase from a John Donne sermon) is a story of obsessive love narrated by Michael, a violinist from Rochdale in the north of England. He plays in a trio in Vienna in which Julia, half Scottish, half Austrian, is the pianist. He is much taken with her and she with him. But the trio splits up and the participants go their separate ways. Michael goes to London, where he joins a string quartet as second violinist. He feels the absence of Julia from his life keenly. One…
I’ve always adored stories of courageous, sometimes outrageous women who forge aheadinto the unknown, survive in strange lands in troubled times, pursue their career dreams. Like my favourite picks, I’ve relished my own adventures in distant countries (Libya, Czechia, Kyrgystan, Mongolia…), while always earning my crust from writing. From motivational research in Dublin and London, I switched to financial journalism in Holland, where I met and was inspired by ground-breaking journalist Nel Slis whose story I’ve told in my book Hellcat of the Hague. Now I’m settled in London to concentrate on my novels and short stories and be near my family, I hope you love these books too.
Helen Marquard’s search for a piano teacher led her to Hedwig Stein who had fled Berlin in 1933 with her Russian Jewish husband, both concert pianists, to start again from nothing. A large, vivid woman, Hedwig freely shared her ideas on music, art, philosophy, literature. Later, Marquard discovered Hedwig had written a diary, and determined to bring us this story that would otherwise have been lost, enabling Hedwig and her husband to take their rightful place in the roll-call of émigrés who have contributed so much to UK cultural life. Hedwig put her husband’s career and her children first, yet she never gave up on her own career, which continued its own quiet flourishing after her husband’s sudden death.
Hedwig Stein was starting to make her mark as a concert pianist in Germany in the early 1930s when she fell in love with a Russian emigre pianist, Iso Elinson. He was half-Jewish, and quickly the pair knew they had little choice but to flee, despite vehement family opposition to that and to their proposed marriage. They chose England as their destination although neither had visited the country or spoke the language. They arrived with just twelve bags, a very small amount of money, a recommendation about Iso from Albert Einstein, and a few letters of introduction. Bit by bit,…
I have loved espionage and crime thrillers—beach reads and lit fiction—since my early teens. If the plots involve ordinary people being pulled into extraordinary events with action and romance, then I’m hooked. I have studied Ian Fleming and James Bond and have taught university classes on the subject. I believe that we can learn a lot about our culture, society, and human nature from a well-written novel. I enjoy the flexibility the genre allows and I have added resonant events, history, music, and connections to my Welsh homeland in my novels.
Higgins is probably best known for the brilliant The Eagle Has Landed but it was Solo that inspired my love of thrillers. Solo is an unabashed, fast paced, edge-of-your-seat action thriller. The characters are engaging; Mikali a concert pianist who is an international assassin and Morgan the “amateur,” although a skilled soldier, bereaved father hell-bent on revenge. There is complicated romance, something that always adds an interesting frisson in a thriller, and exotic locales too and it’s evident that Higgins took time to develop his characters, especially Mikali. Higgins so carefully crafted his protagonists that you feel a connection and sympathy for both. Solo is just great storytelling, it made me want to attempt to write such a thriller.
The New York Times–bestselling author of The Eagle Has Landed delivers a pulse-pounding story of a father out for revenge against a master assassin.
John Mikali is known throughout the world as a brilliant concert pianist and playboy. But his true vocation is far more interesting and lucrative: He is a peerless international assassin. His music and fame give him entrée to complete his assignments all over the world without fail. He believes himself truly untouchable—until he makes one fatal mistake.
Col. Asa Morgan is a military man to the bone. A veteran of wars both declared and undeclared, he’s…
I’m a professor of philosophy at the University of Maryland interested in politics, ethics, and art. Philosophers are often unpopular loners who are passionate about their ideas, and so are musicians like Bach. When I teach Socrates and the trial that led to his death I can’t help but think of Bach, who was rejected from job after job in favor of mediocrities, and whose music was considered offensive by parishioners and obsolete by musicians by the end of his life. These figures endear themselves to me not just because of the ideas themselves, but because they had to fight so hard for what they believed in.
I came to the piano as an adult and felt pretty sorry for myself–how am I supposed to do all this torturous practicing before and after work?
Then I read Zhu Xiao-Mei’s account of studying the piano during the Cultural Revolution, and realized what real commitment looks like. Zhu is a brilliant concert pianist who had to master Bach while practicing in a labor camp freezer. Read this tragi-comedy of China, politics, and Bach, and surmount your (room-temperature) challenges.
Zhu Xiao-Mei was born to middle-class parents in post-war China, and her musical proficiency became clear at an early age. Taught to play the piano by her mother, she developed quickly into a prodigy, immersing herself in the work of classical masters like Bach and Brahms. She was just eleven years old when she began a rigorous course of study at the Beijing Conservatory, laying the groundwork for what was sure to be an extraordinary career. But in 1966, when Xiao-Mei was seventeen, the Cultural Revolution began, and life as she knew it changed forever. One by one, her family…
