I found my first arrowhead at age seven and have been hooked on history ever since. My Bone Rattler series—Freedom’s Ghost is the seventh installment—builds on many years of research and field trips, supplemented by intense investigation of specific aspects leading up to and during the writing of each novel. The volatile 18th century was one of the most important periods in all of history, and I immerse myself in it when writing these books—by, among other things, reading newspapers of the day, which are often stacked on my desk.
No understanding of the difficulties, and joys, of life in the buildup to revolution is complete without some understanding of that quintessential American, Benjamin Franklin.
More than any popular figure of the day Franklin represented the defiance, wit, and resourcefulness of the emerging American identity. There are many excellent biographies of the inventor-statesman but he had such a complex, long life that he is perhaps better fed to us in smaller doses, like this look at his life as ambassador-agent in London, where he lived for one-fifth of his life.
We meet Franklin in his prime, as he engages in eloquent resistance to the British government, conducts experiments (some quite bizarre) on the cutting edge of science, completes many of his remarkable inventions (e.g. the armonica musical instrument and three-wheeled clock) and carries on his nontraditional lifestyle, including his daily “air bath” in which he sat at an open window,…
An absorbing and enlightening chronicle of the nearly two decades the American statesman, scientist, author, inventor, and Founding Father spent in the British imperial capital of colonial America
For more than one-fifth of his life, Benjamin Franklin lived in London. He dined with prime ministers, members of parliament, even kings, as well as with Britain's most esteemed intellectuals-including David Hume, Joseph Priestley, and Erasmus Darwin-and with more notorious individuals, such as Francis Dashwood and James Boswell. Having spent eighteen formative months in England as a young man, Franklin returned in 1757 as a colonial representative during the Seven Years' War,…
We stumble onto games very early on in life and yet one game alone stood apart for me and hundreds of millions of other people over the centuries: chess. Across 1500 years of the games existence, chess has attracted players numbering in the billions regardless of language, culture, or creed, they were all unified in a passion for the irresistible allure of this remarkable game. In 2016, I was hired by Simon and Schuster to cover the world chess championship featuring arguably the greatest player ever to wield chess pieces, Magnus Carlsen. Fully immersing myself into the game during the researching and writing of the book, I collided with powerful themes.
The brilliance of Shenk’s book is that even someone who didn’t know the basic rules of chess would be enthralled by the backdrops of the game he introduces to the reader. Chess is played around the world by hundreds of millions of people and Shenk delves into the reasons why the game has such perversely addictive appeal.
A fresh, engaging look at how 32 carved pieces on a Chess board forever changed our understanding of war, art, science, and the human brain.
Chess is the most enduring and universal game in history. Here, bestselling author David Shenk chronicles its intriguing saga, from ancient Persia to medieval Europe to the dens of Benjamin Franklin and Norman Schwarzkopf. Along the way, he examines a single legendary game that took place in London in 1851 between two masters of the time, and relays his own attempts to become as skilled as his Polish ancestor Samuel Rosenthal, a nineteenth-century champion. With…
Jill
Lapore’s essays startle, offering unexpected angles on topics I thought I
understood. As an example, she enriched my insights into this country’s
founding by profiling Benjamin Franklin’s sister. Lapore possesses a joyful
curiosity and expansive intelligence.
The essays may seem diverse and
unrelated, but I longed for each new evocation.
Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans' techno-utopianism, frantic fractiousness, and unprecedented-but armed-aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore's life, these…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
Saunders is an unusually acute and subtle literary critic. She is deeply immersed in the great works of American literature, and she brings those works vividly to life. She penetrates deep into the evolved motives that regulate even the most seemingly idiosyncratic works. She demonstrates that literature is profoundly shaped by our evolved human motives and emotions.
This collection of essays examines selected works in the American literary tradition from an evolutionary perspective. Using an interdisciplinary framework to pose new questions about long admired, much discussed texts, the collection as a whole provides an introduction to Darwinian literary critical methodology. Individual essays feature a variety of figures-Benjamin Franklin to Billy Collins-targeting fitness-related issues ranging from sexual strategies and parental investment to cheating and deception. Attention is paid to the physical and social environments in which fictional characters are placed, including the influence of cultural-historical conditions on resource acquisition, status-building, competition, and reciprocity. The discussion throughout the volume…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
In The Lost Concerto a woman has set aside her career as a classical pianist, for deeply personal reasons—then finds herself not only reclaiming her music, but also finding answers to a past mystery as well as new connections in the present. Both novels are about loss, love, and the power of music to lift and heal us. What makes The Lost Concerto especially appealing is its cross-genre blend of suspense, intrigue, stolen art, and the journey from vengeance to courage. You won’t be able to put it down!
FINALIST: 2016 International Book Award – Mystery/Suspense Category
A woman and her young son flee to a convent on a remote island off the Breton coast of France. Generations of seafarers have named the place Ile de la Brume, or Fog Island. In a chapel high on a cliff, a tragic death occurs and a terrified child vanishes into the mist.
The child’s godmother, Maggie O’Shea, haunted by the violent deaths of her husband and best friend, has withdrawn from her life as a classical pianist. But…
I’ve been a history nut since junior high trips to prehistoric Indian Mounds in Ohio. I transcribed an early town settler’s diary as a high school project. Traveling with my Air Force hubby gave me a window into faraway places. Allan Eckert’s narrative history of pioneer times grabbed my imagination. My children would love these gripping tales of settler versus Shawnee, yet they’d never crack the two-inch thick volume. I tried writing historical fiction on their level by bringing a young protagonist into the story. I had no idea I’d follow that first book with eight more, delving into the history of various famous Ohioans.
This first-person tale is perfect for boys who like to invent things—several of my young grandsons are in this category. During the Revolutionary War, a young man cobbled together a submarine to attack a British man-o-war ship. Nathan, his cousin, helped build it, though he’s afraid of water! He’s also afraid of the town bully. I love the way the themes work into the plot—facing fear and doing what you must do. Through Nathan we meet Benjamin Franklin, General Israel Putnam, and even glimpse George Washington. Worth the price of the book is the diagram of the “Turtle”, an ingenious invention that did play a part in our nation’s War for Independence.
During the Revolutionary War, fourteen-year-old Nathan joins forces with his older cousin, the inventor David Bushnell, to secretly build the first submarine used in naval warfare.
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
Stage fright is a challenge that some performers must overcome. Some do so more easily, but when everyone’s favorite turtle Franklin is cast in the school’s production of The Nutcracker, his nerves start to get the better of him. This story is not only a great introduction to theatre, but it also features a relatable character overcoming a struggle and persevering.
In this Franklin Classic Storybook, Franklin has been chosen to play the Nutcracker Prince in his class's production. But will he be too nervous to say his lines when the big night arrives?
I’ve long been fascinated by innovators. In my day jobs, I’ve helped launch a clean-energy startup as well as helped write legislation to promote environmental entrepreneurs. In addition to Nikola Tesla, I’ve written biographies of Jacques Cousteau (inventor of the Aqua Lung and master of undersea filming) and George Fabyan (pioneer of modern cryptography and acoustics), as well as a history of electricity (From Edison to Enron) and profiles of food and farm modernizers (Tech to Table: 25 Innovators Reimagining Food). I love reading about ingenious and industrious individuals becoming inspired and achieving their dreams.
When I think of Benjamin Franklin, I picture the chubby founding father pictured on a hundred-dollar bill or the crazy kite-flyer amid a thunderstorm. Yet this polymath’s witty and engaging memoir surprised me with the breadth of his science, including basic insights into electricity, heat, ocean currents, and molecules. How can you not like this curious and industrious innovator who also protected us from lightning and cold?
Benjamin Franklin's account of his rise from poverty and obscurity to affluence and fame is a self-portrait of a quintessential American which has charmed every generation of readers since it first appeared in 1791. Begun as a collection of anecdotes for his son, the memoir grew into a history of his remarkable achievements in the literary, scientific and political realms. A printer, inventor, scientist, diplomat and statesman, Franklin was also a brilliant writer whose wit and wisdom shine on every page. Franklin was a remarkably prolific author, well known in his lifetime for his humorous, philosophical, parodic and satirical writings,…
My goal has been to focus on timeless lessons and insights for work and life. We can do this by mastering the best of what other people have already figured out. I want to share the insights and wisdom that make things easier, not harder. I have spent years making high-stakes decisions as a CEO, advisor, and public company board member. I continue to teach, coach, and guide CEOs wanting to perform at the top of their game. I am the Wall Street Journal and New York Times bestselling author of Clear Thinking and the founder of Farnam Street Media, Latticework Publishing, and Syrus Partners.
From the legendary vice-chairman of Berkshire Hathaway, lessons in investment strategy, philanthropy, and living a rational and ethical life.
"A timeless classic that will change how you approach life. There is a billion-dollar education inside this book."
-Shane Parrish, founder of Syrus Partners and Farnam Street
"Spend each day trying to be a little wiser than you were when you woke up," Charles T. Munger advises in Poor Charlie's Almanack. Originally published in 2005, this compendium of eleven talks delivered by the legendary Berkshire Hathaway vice-chairman between 1986 and 2007 has become a touchstone for a generation of investors and…
I grew up in New York City, practically within walking distance of the Broadway theatre district. My first show was the original production of 1776. Everything grabbed my attention: Ian McKellan in Amadeus, Patrick Stewart in Macbeth, Richard Dreyfuss in Julius Caesar, and Rex Harrison in My Fair Lady. In high school, I was an eager, if not especially talented, member of the theatre club. I became curious about the whole theatre scene, and what could be a better place for a mystery, where actors, directors, and scene designers are already creating an alternate world.
Historical setting is the main draw here. Benjamin Franklin is in 1750s London, and the interest comes from the history. Franklin becomes involved in the lively theater scene of the era, and we get to see the sage's particular genius at work. The great joy here comes from all the period details and the delightful descriptions of the theatre world in Georgian England.
When a heckler at the Drury Lane Theatre topples to his death, Ben Franklin--in the Pennsylvania colony on business--probes into the theater's backstage intrigue.
