86 books like The Plague

During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery. 

I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.

I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.

He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.

This retained its curiosity value even on a second reading. A great little book.

A friend insisted I borrow The Hot Zone from him. I explained I wasn't fond of nonfiction books, but he told me to trust him and that the book read like a real-life thriller. I gave it a try and couldn't put the story down.

I read this 25 years before Covid. When the pandemic hit in 2020, I remember thinking, "Oh my God, the Hot Zone has gone global." With every turn of the page, I kept telling myself, "This can't be real." Not only was it all true, but it was exciting. And terrifying. That icky feeling stuck with me.

When I write, I do my best to use the five senses to create the perfect atmosphere.

This provides the reader with the background to understand what happens when a pathogen invades both an individual and a society. It’s an absolutely brilliant book by a Nobel laureate scientist, one of my all-time favorites on any subject.

Who knew that an account of a disappeared medieval world could be so gripping?

I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.

Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.

There are lots of excellent modern translations of Thucydides (I tend to recommend either the Oxford World Classics edition by Martin Hammond or the CUP one by Jeremy Mynott), and Hobbes’ version, the first proper translation into English, is not the easiest place to start, not least because at times you effectively have to translate it out of seventeenth-century English. It is powerfully and elegantly written, and above all it offers the spectacle of one great thinker on matters of politics and war engaging with another – you can almost feel Hobbes developing his own ideas (some of which later appeared in works of original philosophy like Leviathan) as he works to make sense of Thucydides’ ideas. If you read nothing else, the introduction To the Readers and the sketch of Thucydides’ life and work are short and brilliantly insightful, capturing the particular nature of Thucydides’ text –… show more.

Thucydides is generally seen to be a kind of historian; one of the two inventors of history in fifth-century BCE Greece (together with Herodotus) and, according to many of his modern admirers, someone who had anticipated the modern idea of history as critical and scientific. On the other hand, he never thought of himself as a historian, and many aspects of his work do not fit at all with our expectations. Emily Greenwood does an excellent job of exploring these issues from different perspectives: considering Thucydides in his original context and his relationship to different contemporary traditions of making sense of the world, and thinking about his relevance to the writing of history today.

There is an equally strong tradition of reading Thucydides not as a historian, just interested in past events as an end in itself, but as a kind of political theorist who wanted to his work to be useful, as a guide to ‘the human thing’. Sometimes this produces incredibly crude readings of his work, such as the idea that Thucydides was a Realist who preached the power of the strong over the weak (actually those are ideas associated with people in his book), but there have been many powerful interpretations by political theorists who have deep knowledge of the text and relevant scholarship, and who can use this to explore contemporary issues of power, justice, and human motivation. I find Orwin’s account rich and thought-provoking, clearly the product of vast experience and deliberation.

Not a book about Thucydides, but a selection of the speeches – one of the most striking aspects of his approach to history is the way he includes set-piece debates, not so much as accurate transcripts of what was actually said as a means of exploring issues of war, peace, democratic deliberation and so forth. If you already own a copy of Thucydides, this may not be of much interest (unless you’re obsessive enough to compare Hanink’s translations with others), but if you’re new to the topic this may be a good place to start: the speeches are more accessible than the lengthy battle narratives, they’re the main basis for Thucydides’ reputation as a thinker about political issues, as well as the source of some memorable lines, and Hanink’s introduction does a good job of explaining all of this.

The Fifth Season is set in a world plagued by intermittent climate catastrophes and inhabited by a group of people called orogenes, who possess the ability to control energy and, therefore, thwart these catastrophes.

It follows two talented oregenes named Syenite and Alabaster, who are forced by the ruling class to marry and undertake a dangerous mission together. Jemisin’s story is a riveting exploration of environmental ethics, transhumanism, and the concept of the Anthropocene. She challenges her characters and readers to consider their responsibility for the earth and the other organisms that share it. She also depicts the role that social oppression plays in the exploitation and destruction of the environment.