I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!
I found it a true delight to read such a clever, gentle tale full of humour and life observations.
Mrs. Winterbottom and her husband have both retired, but while she’s keen to set off around the globe, he’s happy in the garden.
I really loved the way Nell shows us Mrs. Winterbottom’s irritation with her husband, at the same time as making it clear they love each other. It’s relatable and realistic, and every line’s a gentle gag.
It's never too late for the adventure of a lifetime . . .
Heather Winterbottom has worked side by side with her husband as GPs in their idyllic rural practice for over forty years. But as the time comes to hang up their stethoscopes, the Winterbottoms discover that they have rather different visions of retirement . . .
Heather dreams of exploring the Greek Islands, of escaping the shackles of her routine life and embracing an exciting new adventure. Alan dreams of growing his own vegetables.
When things come to a head at a family lunch, Heather announces that she…
Dr. Jeanne Reames is a professional historian, college professor, and specialist in ancient Macedonia and Alexander the Great. She also earned a degree in creative writing and has published fiction and poetry. She’s been collecting fiction about Alexander the Great for almost 35 years, and previously managed the website Beyond Renault: Alexander the Great in Fiction since WW I, until retiring it after over ten years. She has (almost) every professionally published English-language novel about Alexander, and has penned several articles on Alexander in fiction, including “Alexander the Great and Hephaistion in Fiction after Stonewall,” for The Routledge Companion to the Reception of Ancient Greek and Roman Sexuality (forthcoming).
Opting to cover just a slice of Alexander’s campaign, Judith Tarr treats the period after the Battle of Issus down to his fateful trip to the Oracle of Ammon in Egypt. Being historical fantasy, magic is present, but Tarr (a trained historian) depicts it as understood by the ancient Egyptians. An Egyptian priestess, Meriamon, has been charged by her gods to bring Alexander to Egypt in order to eject the hated Persians and preserve her people. The novel also contains a love story between Meriamon and the fictional younger brother of Ptolemy—the same Ptolemy who would found a dynasty in Egypt after Alexander’s death. Lord of the Two Lands is a master class in how to utilize magic for historical fantasy in an authentic way.
It is 33 BC and Egypt lies under the yoke of Persia, ruled by governors appointed by the King of Kings. In the temple of Amon in Thebes lives Meriamon - the only living child of the Nectanebo, the last fully Egyptian Pharoah.
I grew up in Latin America (& briefly in Europe) and my connections and regard for the people, culture, and natural setting resulted in my novel, A Place in the World. I have lived in six countries and appreciate the experiences. I love languages and history and like to travel, at least vicariously with a good book. I hope you enjoy my book picks as much as I have! I am a writer, former university lecturer, and environmental scientist, with an MS in geology and a passion for botany. This background enabled me to weave aspects of natural science, as well as Latino culture, into my writing.
I love this tale narrated by a young academic who teams up with an exuberant, older working man named Zorba, “a passionate lover of wine, women and song” ...and dance. The younger man is more of a staid introvert. They are in a village in Crete to develop a mine. Their interactions are both amusing and philosophical. This contrasts with one horrific event where the appalled narrator struggles to understand the village’s moral codes which conflict with his own. In the final scene as he comes out of his shell, he asks Zorba to teach him to dance.
This is one of my favorite all-time novels. Kazantzakis words are to be savored.
This moving fable sees a young Greek writer set out to Crete to claim a small inheritance. But when he arrives, he meets Alexis Zorba, a middle-aged Greek man with a zest for life. Zorba has had a family and many lovers, has fought in the Balkan wars, has lived and loved - he is a simple but deep man who lives every moment fully and without shame. As their friendship develops, he is gradually won over, transformed and inspired along with the reader.
Zorba the Greek, Nikos Kazantzakis' most popular and enduring novel, has its origins in the author's…
I was born in Iraq, and grew up mostly in the Southern United States—with a brief stint in Saudi Arabia. My father taught me the importance of books and reading. And I found it was the best way to escape from the constant fish-out-of-water feeling that followed me through my nomadic childhood. I grew up, and grew out of those feelings… most of the time. But I never outgrew reading and I still love when a book sucks me in and makes me lose myself completely. These are a few of those books.
I was nine and still getting used to life in America after moving from Iraq five years prior, when my family moved us to Saudi Arabia. Scared and lonely, I felt more like an outsider than ever before and reading became my solace. I discovered this hilarious book and instantly fell in love with it; mainly because it depicted the author’s dysfunctional British family during their time living abroad in Corfu. In addition to the humor that naturally comes from “fish out of water” stories, it was the first time I’d read a literary account about a family as colorfulas mine. It encouraged me to view my family not as a source of annoyance (as I’d been doing prior to that point) but as a source of entertainment.
The inspiration behind ITV's hit family drama, The Durrells.
My Family and Other Animals is Gerald Durrell's hilarious account of five years in his childhood spent living with his family on the island of Corfu. With snakes, scorpions, toads, owls and geckos competing for space with one bookworm brother and another who's gun-mad, as well as an obsessive sister, young Gerald has an awful lot of natural history to observe. This richly detailed, informative and riotously funny memoir of eccentric family life is a twentieth-century classic.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics…
I didn’t always know I wanted to be a chef and food writer. But I have always known that I loved to prepare and enjoy beautiful food! In college, that meant throwing dinner parties for my friends. This was before Instagram, but I still wanted my food to look pretty and draw a crowd! Fast forward a couple decades. I have worked as a private chef, taught farm-to-table cooking classes, and written more than 27 published cookbooks. My favorite thing about my work is creating inspired meals that bring people together with those they love.
For starters, the photography in Orexi! is mouthwatering and the landscape and ocean shots make me want to hop on a plane to Greece.
Often in international cuisine cookbooks, you find predictable fare, but Michaels does a great job of putting his own spin on traditional dishes. I especially love his version of Kolifa, which he calls Salad for The Soul, and the Charred Chilli and Feta Dip for antipasto platters.
His homage to his grandmother in Yiayia’s Keftedes is touching and the meatballs are perfect for gatherings.
A collection of over 80 classic and modern recipes from MasterChef semi-finalist Theo Michaels; paying homage to his heritage by championing new modern dishes inspired by the flavours of Greece and Cyprus.
Kali orexi is the Greek equivalent of bon appetit and this enticing book will certainly whet your appetite! Organized in chapters entitled Meze, Sea, Land, Sun and Fire, Theo's recipes evoke a sense of connection to nature, seasonality, abundance and sociable eating. Fresh ingredients sing from the plate, from juicy watermelon and glossy kalamata olives, to fragrant oregano-roasted lamb and delicate vine-leaf-baked sea bass. Meze features mouth-watering small…
I’m a scientist, engineer, and writer who has written on a wide range of topics. I’ve been fascinated by mythology my entire life, and I spent over a decade gathering background material on the myth of Perseus and Medusa, and came away with a new angle on the origin and meaning of the myth and what inspired it. I was unable to present this in a brief letter or article, and so decided to turn my arguments into a book.
The book is still in print, and has been cited numerous times by scholarly journals and books. It formed the basis for the History Channel series Clash of the Gods (in which I appear).
Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.
Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratopsand Psitticasaurus.
She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.
Griffins, Cyclopes, Monsters, and Giants--these fabulous creatures of classical mythology continue to live in the modern imagination through the vivid accounts that have come down to us from the ancient Greeks and Romans. But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in…
I have studied the ancient world for over 50 years and have found that there are always new things to discover. Everyone thought that all that was known about Socrates had already been said, so I was excited to discover new evidence for his relationship with Aspasia - a woman of extraordinary influence and intellect - hiding in plain sight. I am a Professor of Classics at Oxford University and Fellow and Tutor in Classics at Jesus College, Oxford.
This set of scholarly essays on the learned pupil of Aristotle, Plato’s successor, raises fascinating questions about the nature of Socrates in his youth. Two important chapters (by Schorn and Huffman) consider evidence for Socrates’ early life that is rarely touched upon by traditional accounts.
Aristoxenus of Tarentum was reported to have been bitterly disappointed when Theophrastus was chosen instead of him to succeed Aristotle as the head of the Peripatetic School. He had a truly phenomenal output of some 453 volumes, most of which survive only in fragments. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." In addition, he was a founder of Greek biography and wrote the life histories of Pythagoras, Archytas, Socrates, and Plato among others.
This volume includes eleven selections, which are almost evenly divided between his work in music…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory. For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.
In this groundbreaking study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. Myth and Society in Ancient Greece takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture ― one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies.
Vernant’s provocative discussions of various institutions and practices (including war, marriage, and sacrifice) detail the complex intersection of the religious, social, and political structures of ancient Greece. The book concludes with Vernant’s authoritative genealogy of the study of myth from Antiquity to structuralism and…
I hold the chair of Old Testament at the Faculty of Catholic Theology at Munich University in Germany. My main area of expertise is Semitic languages, though, which is also the field for which I previously held a chair at Leiden University in the Netherlands for fifteen years (eventually, however, Munich made me an offer one cannot refuse). Hence my main occupation concerns the interpretation of ancient texts in exotic languages such as Hebrew, Aramaic, Phoenician, and others, mostly at the baseline of individual words, grammatical forms, and syntactic constructions. Despite the seemingly dry, specialized character of my work, it is, in my view, a lifestyle rather than a job.
For half a century, this classic has introduced students to the ways and circumstances in which Greek and Latin texts, often seen as the pillars of any literate education, were transmitted from Antiquity throughout the Middle Ages into the Renaissance. While it is, despite its crisp and lucid presentation, a highly technical manual, it singles out, based on robust empirical evidence, the importance of tradition and unassuming daily labor in the formation and preservation of knowledge. The effects of unconscious or intentional changes in the manual transmission of ancient texts also constitute the core matter of my own field, philology. On a more personal note, I cherish fond memories of a class on Greek textual criticism by Nigel Wilson when I was an undergraduate at Oxford some thirty years ago.
One of the remarkable facts about the history of Western culture is that we are still in a position to read large amounts of the literature produced in classical Greece and Rome despite the fact that for at least a millennium and a half all copies had to be produced by hand and were subject to the hazards of fire, flood, and war. This book explains how the texts survived and gives an account of the reasons why it was thought worthwhile to spend the necessary effort to preserve them for future generations.
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
Greek Mysteries brings together a collection of essays on a variety of specialist topics related to the ancient mystery cults. Written by some of the world’s leading scholars, many of these essays were originally published in academic journals and are therefore appropriate for a more scholarly readership. That said, this important work provides the perfect entry into contemporary academic scholarship on the mysteries.
Written by an international team of acknowledged experts, this excellent book studies a wide range of contributions and showcases new research on the archaeology, ritual and history of Greek mystery cults.
With a lack of written evidence that exists for the mysteries, archaeology has proved central to explaining their significance and this volume is key to understanding a phenomenon central to Greek religion and society.
