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I have loved dystopian books ever since my mom handed me The Giver when I was in the fourth grade. My high school English teacher ignited this passion further when she suggested I read Fahrenheit 451 during Banned Books Week. I would later pursue this interest in university when I wrote my thesis on the political use of language in dystopian literature. Now, my love for the genre motivates me to write dystopian books of my own. This list includes the most engaging and evocative dystopian books I urge every twenty-something to read–if only so I can talk about them with more people!
The world of The Hunger Games is eerily similar to our own, making readers think about “just war” and the spectacle of violence through the eyes of a 16-year-old girl. While Katniss Everdeen is a teenager, I still pick up this book (more than) annually, and each time I revisit it, I come away with new insight into the real world.
Katniss is strong, caring, and resilient in the face of all the challenges of her environment. As an adult, I can learn from her strengths and even from her flaws. She inspires me to watch the world around me with a careful eye, to understand how the powers that be shape my experiences, and ultimately, to always watch out for my fellow human beings.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I’m of Indian ethnicity and Japanese nationality, so it felt natural to write a book that drew inspiration from both cultures without being adjacent to either one. Like me, my book is a mixed bag. It features an original mythology with a unique religion and mythical beasts that you’ve (hopefully) never seen before. It’s also pretty heavy on themes and tries to provide some context to questions that baffled me as a kid: Why do bad things happen to good people? Why do war and violence exist? I can’t say that I’ve answered those questions, but I hope I’ve provided a multifaceted perspective into the conversation around them.
I loved that this book doesn’t oversimplify challenging themes for a young audience. It mingles magic, action, and fascinating worldbuilding with some heavy philosophical and ethical undercurrents in a unique and compelling way.
The protagonist, Lyra, was a bit of a brat (in the best way), and I loved her mix of naivety and intelligence. I especially enjoyed the portrayal of dust as a conscious particle, and the most fascinating aspect for me was the study of its mysteries.
While I can’t
comment on the specific religious undertones—I am not Christian and
harbor no negative feelings against the church—I did appreciate the
overarching conversation around religion as an institution.
The first volume in Philip Pullman's groundbreaking HIS DARK MATERIALS trilogy, now a thrilling, critically acclaimed BBC/HBO television series. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own world...
I’m a lifelong fantasy reader, but all too often, I find myself grousing at the characters: “Listen! You could solve all your problems with a really confident lie!” Or: “...by revealing the truth in a public campaign before the villain gets you!” Or: “May I suggest a well-placed arrow?” Or: “Is he really the villain? The infrastructure seems pretty sound, and you have no expertise in governance!” Every now and then, I’m delighted to find characters as pragmatic as I am (or as I would be if I were a fantasy hero). These are my favorites.
Jude Duarte, a human girl living in Faerie, is a cold-hearted ball of ambitious rage. Never have I rooted for a character so much.
Although picking fights with the clever and cruel Fair Folk is not pragmatic – on the surface – when the choice is between waiting for a random death on a bully’s whim or fighting back with every weapon at her disposal, Jude will always fight. I may have cheered out loud when she stabbed an enemy who broke into her bedroom and then stuffed his body under her bed until she could bury him. She does what she has to do to survive–and, in the end, to make Faerie a (slightly) better place.
Holly Black’s writing is so poetic, so smart, so sharp, like a honed fairy blade. She is a master.
"Lush, dangerous, a dark jewel of a book . . . intoxicating" - Leigh Bardugo, #1 New York Times bestselling author of Six of Crows
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
One terrible morning, Jude and her sisters see their parents murdered in front of them. The terrifying assassin abducts all three…
From my early days of reading Fire and Hemlock and various books of mythology, I’ve loved traditional tales from all around the world. In college I didn’t aim to major in things that would be useful to me as a fantasy writer, but anthropology and folklore made a great background for that job. Nowadays, I actively seek out books based on traditional stories, especially those that go beyond the most well-known European fairy tales and myths. Sometimes, they inspire me, in turn, to write my own stories!
This is quite literally the book that made me decide to become a writer.
It draws on two Scottish ballads (“Tam Lin” and “Thomas the Rhymer”), but rather than retelling them straight, it uses them as a springboard for its own original plot. The relationship between the two main characters and the story they are telling together instilled in me a burning desire to tell my own stories for other people to read, and it also sent me off down a lifelong path of reading about the folklore that underpins the novels I pick up.
In the mind of a lonely, imaginative girl, who can tell where fiction ends and reality begins? An epic fantasy, spanning nine years...
The fire and hemlock photograph above Polly's bed sparks memories in her that don't seem to exist any more. Halloween; nine years ago; she gatecrashed a funeral party at the big house and met Thomas Lynn for the first time.
Despite the fact that he's an adult, they struck up an immediate friendship, and began making up stories together - stories in which Tom is a great hero, and Polly is his assistant. The trouble is, these…
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
This book has all the things I love about a swashbuckling fantasy–found family, romance, and magic. The art is gorgeous, the characters are loveable, and the world is bustling with excitement and danger at every turn.
I loved the One Piece vibes, and it’s so wonderful to see queerness just be there. I could not stop turning the pages.
Our Flag Means Death gets a magical, sapphic twist in this swashbuckling young adult graphic novel adventure full of high-stakes adventure, fantastical creatures, and a swoony enemies-to-lovers romance perfect for fans of In Deeper Waters and The Prince and the Dressmaker.
“I want to be beautiful. I want to be interesting. I want to be enough.”
That was Ferra Brickminder’s prayer to win back the love of her life. And the gods answer—just not in the way she expected. After hoping for a miracle, Ferra instead watches her skin turn into delicate and dangerously breakable porcelain.
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
This book made me laugh out loud. There were so many cheese puns that my face hurt from my perpetual grin after reading it.
I love having a queer book with lots of heart and low stakes, where I can just relax and enjoy the fun. And the outfits! I need these dresses and suits in my life!
Lady Camembert wants to live life on her own terms, without marriage. Well, without marrying a man, that is. But the law of the land is that women cannot inherit. So when her father passes away, she does the only thing she can: She disguises herself as a man and moves to the capital city of the Kingdom of Fromage to start over as Count Camembert.
But it's hard to keep a low profile when the beautiful Princess Brie, with her fierce activism and great sense of fashion, catches her attention. Camembert can't resist getting to know the princess, but…
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
I started reading this book as a webcomic on Tapas almost a decade ago, and I’m so happy to finally have the graphic novel!
I love The Little Mermaid, especially when it’s retold as a sapphic tale, so this is right up my alley. I am in awe of the unique depictions of mermaids in this world, and I can’t wait for the sequel.
"A refreshingly menacing take on the mermaid mythos." - PUBLISHERS WEEKLY
"An exciting, dramatic, and tender tale of adolescent self-discovery-above and below the ocean." - FOREWORD
15-year-old Corinth was just trying to clean up the beach; she never expected to meet a mermaid, let alone be nearly drowned by one. It was the start of a very strange friendship!
After Skylla, the deadly fanged mermaid, mysteriously lets Corinth live, they grow closer through a cautious exchange of stories, gifts, jokes, and sign language. Mermaids, it turns out, eat people, but however terrifying Skylla may look, she's a little younger, a…
As a writer I like to explore many genres, and one of my favorites is young adult supernatural. I think I was destined to write in this world because the first book I took out of the library was Where the Wild Things Are. My favorite books as a teenager all dealt with supernatural themes – Summer of Fear, Carrie, and Audrey Rose. Writing about changelings allows me to explore the tenuous connection between what lies inside of us – our psyche, our minds, our souls – and what might exist on the other side of our known world. It’s the search for that missing link that keeps me writing.
I really enjoy C.B. Lee’s books. She writes stories with diverse characters, LGBTQ themes, and possesses a really fun voice. In this book, which is part of the Sidekick Squad series, Bells Broussard is having a hard time because he’s now a wanted villain. Lee flips the whole hero/villain archetypes and makes us question what’s good and what’s bad. Her books are for the middle grade set, but if you like superheroes and a comic book mythology like me, you’ll enjoy them.
Bells Broussard thought he had it made when his superpowers manifested early. Being a shapeshifter is awesome. He can change his hair whenever he wants and, if putting on a binder for the day is too much, hes got it covered. But that was before he became the countrys most wanted villain.After discovering a massive cover-up by the Heroes League of Heroes, Bells and his friends Jess, Emma, and Abby set off on a secret mission to find the Resistance. Meanwhile, power-hungry former hero Captain Orion is on the loose with a dangerous serum that renders meta-humans powerless, and a…
I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more.
Lawlor’s novel gave me the best gift a book can offer: it changed my mind halfway through.
I had been so intrigued by the premise of a shapeshifting character who can change their gender at will, that I forced myself to read on even though I wasn’t enjoying the emphasis on sex, especially as conquest, and I was sorely disappointed the story didn’t seem to go deeper.
But as I continued, I was happy to be proven wrong. By the end of the novel, I was checking my own biases and prejudices and empathizing deeply with Paul and his/her/their struggles. Reading this novel was an emotional experience unlike any I’ve had with a book.
'Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting - and one of the most fun - novels of the decade.' Garth Greenwell
It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a lesbian best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women's Studies major to trade, Paul transforms his body at will in…
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