I’ve always been interested in the topic of international relations and when I started graduate studies, I focused on Russian and Soviet foreign policy between the World Wars. When I began my research, I learned of the existence of the Comintern and was fascinated both by this attempt to develop a worldwide movement and its connection to Soviet foreign policy. Since then, I have focused on trying to understand the individuals who populated the parties and the organization and unearthing a legacy that still resonates today. One cannot fully understand the history of decolonization or of human and civil rights movements without considering the influence of the Comintern.
Lisa Kirschenbaum, also offering a transnational approach to Comintern history, highlights the role of the Comintern apparatus and shared experiences in forming a common bond between communists. Whether it is the various training schools in the Soviet Union, the propaganda efforts English-language communists worked for, or their service in Spain during the Spanish Civil War as part of the international brigades, communists remained committed to their ideals, even as the Soviet Union drifted away from them. Focusing on the grassroots support for communism, Kirschenbaum treats their belief in the movement as legitimate. This belief helps explain not only why so many people came to identify with key ideas in the movement, such as anti-fascism, but also why some left the movement following the Stalinist terror or the Nazi-Soviet pact.
International Communism and the Spanish Civil War provides an intimate picture of international communism in the Stalin era. Exploring the transnational exchanges that occurred in Soviet-structured spaces - from clandestine schools for training international revolutionaries in Moscow to the International Brigades in Spain - the book uncovers complex webs of interaction, at once personal and political, that linked international communists to one another and the Soviet Union. The Spanish Civil War, which coincided with the great purges in the Soviet Union, stands at the center of this grassroots history. For many international communists, the war came to define both their…
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
I did my best to put together a list of alternate history books that didn’t feature either the American Civil War or World War 2, but this book was too interesting to leave out (and also, it doesn’t involve the Nazis winning the war in yet another veiled attempt at white supremacism fanfic). It does fit within my list in how Tregillis also flips many of the tropes of the genres explored here, especially regarding the main character’s role within the plot. And lest you think all alternate history stories with a healthy dose of fantasy must feature a romantic element, Tregillis’ unflinching take on the horrors of war (but add magic and make it equally horrifying) should more than make up for it.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him. When the Nazis start running missions with people who have unnatural abilities - a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present - Marsh is the man who has…
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
We are in danger of engaging with war as though it were a philosophical enquiry or a strategic game if we leave out its essence: the death, the suffering, the destruction, the fear, the devastation that it brings, reflected in many among the texts in this anthology, written by eye-witnesses. Others – including the poems – are the product of a different sort of engagement with war: not the attempt at rational analysis but of artistic sublimation of the experience. This, too, represents a thoroughly valid approach missing from the academic works recommended in this section.
If this collection can be faulted, it is for leaving out works – many of great impact at their time, and some not without literary merit – that turned the experience of war into its direct or indirect praise. We thus look in vain for excerpts from Ernst Jünger’s Storm of Steel, for example.…
In sections ranging from outstanding works of fiction, to poems and simple letters home, this book presents the voices of the 20th century's major conflicts - the two World Wars, the Spanish Civil War and those in Korea and Vietnam. The greater power of weapons has made killing a more efficient but more macabre event, and this anthology consists of moments on the battlefields, captured in the words of those who faced wars in their newest and most brutal permutation. The contributors include great writers such as Rudyard Kipling, Wilfred Owen and Norman Mailer - and also the humble squaddies.
James McGrath Morris is the author of The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War, which the Economist said was “as readable as a novel.” His previous work, Eye on the Struggle: Ethel Payne, The First Lady of the Black Press was a New York Times bestseller. His next book is Tony Hillerman: A Life.
If there was a soap opera in the midst of the Spanish Civil War, it would have been filmed at Madrid’s Hotel Florida where famous foreign supporters of the Republican cause stayed. For a brief time, as it became clear Franco would prevail, armed amateur mercenaries, writers, filmmakers, and journalists, drank and did all they could for the lost cause. The tale of three love affairs, including that of Hemingway and Martha Gellhorn, animate this book whose entertaining style masks some insightful passages. Certainly, a book that’s hard to put down.
Madrid, 1936. In a city blasted by civil war, six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes this war will give him fresh material and new romance; Martha Gellhorn, an ambitious novice journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic young photographers based in Paris, are inventing modern photojournalism as they capture history in the making. And Arturo Barea, Madrid's foreign press chief, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with loyalty to…
Author of Pippo & Clara and Alberto’s Lost Birthday, Diana Rosie writes historical fiction that tells a story first and foremost, while gently uncovering the history of a time and place. In the vast spectrum of the genre, where historians like Hilary Mantel and James A Michener sit at one end, the novels that inspire her most can be found at the other. The books she recommends here are stories to make your heart ache and your soul sing. And they just happen to be set in the past.
You don’t have to know much about the Spanish civil war to have heard of Guernica. If you’ve ever seen Picasso’s work depicting the bombing, this book creates the story of the people of the town going about their everyday lives just before the painting’s horror. As a reader, you know what is coming but are helpless to do anything but care for characters who are oblivious to the destruction coming their way.
As an author, I found inspiration in this novel for my own portrayal of the civil war in Spain. The trick is to let ordinary people tell the story for you.
An extraordinary epic of love, family, and war set in the Basque town of Guernica before, during, and after its destruction by the German Luftwaffe during the Spanish Civil War.
In 1935, Miguel Navarro finds himself in conflict with the Spanish Civil Guard and flees the Basque fishing village of Lekeitio to make a new start in Guernica, the centre of Basque culture and tradition. Once there, he finds more than just a new life - he finds someone to live for. Miren Ansotegui is the charismatic and graceful dancer he meets and the two discover a love they believe…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
Death in Spring is a tiny book containing a bigger, more intricate world than many a doorstopper, for all that the whole story set in a small, nameless hamlet.
Life there too is made of strange, violent rituals, only not the ones we know. We follow a boy growing up and learning them, and being scarred by these mysteries—what do they fill the mouths of the dead with, before they are killed and put into a tree forever? (It’s cement.)
Rodoreda wrote in Catalan, and Tennent’s translation is fluid and beautiful.
Perfection is a rare thing; if you want to see what that looks like, here you go.
Considered by many to be the grand achievement of her later period, Death in Spring is one of Mercè Rodoreda's most complex and beautifully constructed works. The novel tells the story of the bizarre and destructive customs of a nameless town—burying the dead in trees after filling their mouths with cement to prevent their soul from escaping, or sending a man to swim in the river that courses underneath the town to discover if they will be washed away by a flood—through the eyes of a fourteen-year-old boy who must come to terms with the rhyme and reason of this…
Christopher Othen is the author of Franco’s International Brigades: Adventurers, Fascists, and Christian Crusaders in the Spanish Civil War (Hurst, 2013) and four other books on subjects such as French gangsters in Nazi Paris, mercenaries in post-colonial Africa, and political opposition to Islam in Europe and America. He lives in Eastern Europe and his day jobs have included journalist, legal representative for asylum seekers, and English language teacher. In off-the-clock adventures, he has interviewed retired mercenaries about forgotten wars and got drunk with an ex-mujahidin who knew Osama Bin Laden.
General Franco’s rebellion would never have stood a chance without the support of Nazi Germany. The rebels lacked airpower and Hitler was happy to supply some in the form of the Condor Legion, intended both to support Franco and give the fledgling Luftwaffe a taste of battle. The Legion’s most notorious action was the bombing of Guernica but Michael Alpert shows Germany’s influence on all aspects of the Spanish Civil War in his very readable and wide-ranging book that also takes in Russian and Italian airborne intervention.
The Spanish Civil War was fought on land and at sea but also in an age of great interest in air warfare and the rapid development of warplanes. The war in Spain came a turning point in the development of military aircraft and was the arena in which new techniques of air war were rehearsed including high-speed dogfights, attacks on ships, bombing of civilian areas and tactical air-ground cooperation. At the heart of the air war were the Condor Legion, a unit composed of military personnel from Hitler's Germany who fought for Franco's Nationalists in Spain. In this book, Michael…
Growing up on a farm in Southwestern Ontario, Canada that my family had owned for six generations, my world was small. That all changed when I moved to Toronto and met my husband, the Canadian-born son of Polish Jews who survived death camps and the Holocaust. His family taught me what it means to find yourself in the crosshairs of history, to be forced to make impossible choices under dire circumstances. I’m passionate about sharing stories that build understanding and celebrating those forced by fate to be fighters — their strong yet often surprising personalities, their unique journeys, and their inspiring grit.
I’m a big fan of picture books for older readers that tackle tough subjects. Before I read Mexique, Iknew nothing about the 456 Spanish children who were sent to Mexico by ship to escape the Spanish Civil War in 1937. Yet, what I love about this book is how it goes beyond the historical facts to share the truth of the story in a moving and memorable way. The lyrical narrative is written in 1st person from the perspective of a child on the ship. And, the artwork, based on actual photographs, with its child-like style, somber colours, and graphic-novel style panels is stunning. You feel like you’re on the journey with the children. Waiting and wondering when you can return home.
On May 27, 1937, over four hundred children sailed for Morelia, Mexico, fleeing the violence of the Spanish Civil War. Home was no longer safe, and Mexico was welcoming refugees by the thousands. Each child packed a suitcase and boarded the Mexique, expecting to return home in a few months. This was just a short trip, an extra-long summer vacation, they thought. But the war did not end in a few months, and the children stayed, waiting and wondering, in Mexico. When the war finally ended, a dictator—the Fascist Francisco Franco—ruled Spain. Home was even more dangerous than before.
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
Even though this love story is set in very tragic times–The Spanish Civil War and the troubles in Chile–we follow the journey of two refugees, Victor and Rose, whose forced marriage gradually deepens into true love.
The author, herself an immigrant in the USA, meaningfully draws out questions facing so many migrants and refugees: Where do I belong? Where are my roots? Is my heart divided, or has it grown bigger?
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THE SUNDAY TIMES BESTSELLER
THE NEW YORK TIMES BESTSELLER
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'A powerful love story spanning generations... Full of ambition and humanity' - Sunday Times
'One of the strongest and most affecting works in Allende's long career' - New York Times Book Review
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On September 3, 1939, the day of the Spanish exiles' splendid arrival in Chile, the Second World War broke out in Europe.
Victor Dalmau is a young doctor when he is caught up in the Spanish Civil War, a tragedy that leaves his life - and the fate of his country - forever changed. Together with…
I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.
The Sleeping Voice is the most poignant novel about women in the Spanish civil war you will get to read. Those voices are the ones of the women who fought throughout the dictatorship not to be forgotten as the silent soldiers they were. Those voices tell us that the real heroes are very often anonymous. You won’t be able to part with Hortensia, Elvira and Tomasa, the heroines: I can guarantee that they will all stay with you. I actually chose a quote from that book to open Blood Song: it isabout a mother wondering how the sea looks like as her boys are laying in it.
Dulce Chacon's book has had an immense success in Spain, no doubt because the novelist speaks with a just and powerful voice, and because she has allowed women - the most anonymous, the most suppressed, the most silenced - to speak out" Le Monde
It is 1939. In the Ventas prison in Madrid a group of women have been incarcerated. Their crime is to have supported or fought on the Republican side in Spain's cruel and devastating Civil War. Chief among them are Hortensia, who fought with the militia and is pregnant by her husband Felipe - a man still…
