Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
Hinds' mesmerizing paintings set the scene for a beautiful graphic rendition of The Odyssey. Anyone who has moved or travelled a lot, or seems to not be able to find a way home, can appreciate the story of Odysseus. I read this book many times with my two (once) young children, hopefully preparing them for a life of travel and living in Greece with their wanderer, researcher mom. For us Greek mythology is not for learning a "western" canon, which was never defined by ethnic Greeks anyway. We read the Odyssey to appreciate our roots in Greek island cultures and the hospitality they offer, which this lovely version makes palpable.
Picking up a fantasy novel and getting away from real-world problems is an escape for me. Even though many of these issues don’t exist in our lives, we can still learn from the way the characters deal with their struggles. We can find compassion and empathy and maybe see that there are two sides to every story. Along the way, we also get to see stunning vistas and amazing, mythical creatures.
Assassin's Odyssey makes you rethink everything. Which is more important: loyalty or justice? Is being loyal to someone who is evil right, or is it right to betray that? As you read Caleb’s book, you find yourself being swayed a little toward each side. Answers are never black and white. This book makes you realize the truth lies in the middle. And in my humble opinion, a book that makes you think is a good thing.
Ancient Greece, a country filled with rulers vying to keep their power as democracy grows. With a thirst for domination, King Aeneas sends his two best assassins, Adonis and Selene, to the neighboring region of Arcadia in the hope of expanding his reign.
They must kill King Argus.
Adonis, a well-respected captain in the assassin company is loyal to only three things; King Aeneas, his land, and Selene.
His fellow captain, Selene is as cunning as she is beautiful. Her passion for Adonis is only matched by her pursuit of Greek justice.
Both are challenged by their King’s request. Will…
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
Everybody knows Ahab, but do you know Bartleby? It’s a strange story about a strange man, which, of course, attracts me. Bartleby is a lawyer’s copyist who decides he doesn’t want to do this sort of writing anymore and meets every instruction with the words: I would prefer not to. You can read Bartleby as simply a humorous tale. Or you can read it as a story of the existential crisis most writers, myself included, face at one time or the other. Melville was feeling dissatisfied with his choice of a writing career—the critics were unfriendly—and, in my opinion, the title character reflects this. It’s also, in my view, an implicit critique of economic control in America—my SDS youth would approve! It’s not for nothing that the story’s final words are: “Ah Bartleby! Ah humanity!”
At the period just preceding the advent of Bartleby, I had two persons as copyists in my employment, and a promising lad as an office-boy. First, Turkey; second, Nippers; third, Ginger Nut. These may seem names, the like of which are not usually found in the Directory. In truth they were nicknames, mutually conferred upon each other by my three clerks, and were deemed expressive of their respective persons or characters.
Alienation from nature has contributed to environmental problems in today’s world. Until recently in human history, our daily lives were intertwined with living things. I've always been keenly interested in the intersection between people and nature, between ecology and society. How should we live, what have we done lately? Observation today can bring much-needed respect, and if we are lucky, we will find that animals, birds, and places intercept us in our wanderings, helping to bring forth distinctive and personal stories. There is danger, the seas are mighty, many monsters lurk in the dark. But can be silence too. Pull up a chair by the blazing fire, come listen to those voices.
This is the most intense nature-writing and storytelling, as if written by bear or tiger, by the rainforest tree or tropical sea itself. Jay Griffiths becomes Joseph Campbell’s hero with a thousand faces, as we travel out in life, across the threshold and leaving behind ordinary world. Myth is story, and it is also how we live, battling against personal and historical limitations. Jay finds the secret openings and weaves an Odyssey to the wildness of earth and sea, water and fire. On the heroic journey, we are repeatedly tested, and come back with an elixir. Story itself becomes currency and guide. The monk and mystic, Meister Eckhart of Thuringia, wrote in the early 1300s, “There are many ways, Some are crowded, others less travelled, But every way, is the right one.”
Part travelogue, part manifesto for wildness as an essential character of life, Wild is a one-of-a-kind book from a one-of-a-kind author
'Undefinable, untameable, profound and extraordinary' Observer _________________________
'I took seven years over this work, spent all I had, my time, money and energy. Part of the journey was a green riot and part a deathly bleakness. I got ill, I got well. I went to the freedom fighters of West Papua and sang my head off in their highlands. I met cannibals infinitely kinder and more trustworthy than the murderous missionaries who evangelize…
I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.
Talking about Penelope brings me to the Penelopiad. This book could have been more accurately called the Trial of Odysseus.
Odysseus here feels like an ancient Andrew Tate. Picture the ancient soap opera: Penelope, the ever dutiful, saintly wife, is left holding the fort while Odysseus sails off on a ten-year vacation fighting the Trojan War, followed by another decade of epic escapades and sexscapades.
And meanwhile Penelope is using her twelve maids to let themselves be used and abused by her suitors to buy time till Odysseus returns. Well, the suitors are killed, naturally. But the maids…Honor killing is still an epidemic in parts of India, and to see it from the POVs of the maids, who have so far been overlooked as extras in a play, felt like redemption.
The best thing in the book that worked for me was the way it is structured as a conversation…
Penelope. Immortalised in legend and myth as the devoted wife of the glorious Odysseus, silently weaving and unpicking and weaving again as she waits for her husband's return.
Now Penelope wanders the underworld, spinning a different kind of thread: her own side of the story - a tale of lust, greed and murder.
The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and…
As a reference librarian, I love doing research for myself and others. By reading a well-written historical novel, we can learn about the past and compare and contrast it to our present. All but the last of my choices have strong female characters who must overcome the customs of their time. The struggle goes on today. Let these books remind you of how far we have come and how far we have to go.
Newly released from juvenile detention, Emmett Watson finds nothing waiting for him but his little brother—and two friends who have escaped in the trunk of a car: Duchess, a born con man, and Wooly who claims that a large fortune awaits him in New York. They convince Emmett to go east on the Lincoln Highway, the Rt. 66 of the north rather than the west.
Told from many viewpoints, this picaresque adventure is hard to put down. I do love great historical research.
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
Like the title suggests, this anthology is for those on the outside. It is a weird blend of strange works from well-known authors in the industry. I tend to like anthologies such as this because it creates work somewhat out of the norm for the writers. The standout story here is from Tanith Lee. I do not recommend it purely for the story as I do not consider it the best of this bunch. What did strike me was the prose. From her first words the reader knows they are in the hands of a master. It is simply impossible to stop reading once one starts because of the incredible descriptions and tone of the story. It is technically an excerpt from one of her novels but it does wow with the beauty of the words on the page. If someone believes horror cannot be literary they have not read…
Some of today's leading masters of speculative fiction, dark fantasy, and horror contribute a collection of original tales of the macabre in an anthology that features works by Neil Gaiman, Poppy Z. Brite, Yvonne Navarro, Tanith Lee, John Shirley, Brian Hodge, and Kathe Koja, among others. Original.
Both my parents graduated with degrees in fine arts and were teachers. I was lucky to grow up in a Chinese family where drawing and reading comic books were encouraged. My parents understood that comics would help a visual learner like me to develop an interest in reading. Every weekend, my parents took me to local libraries, where I read not only comics but tons of books on history, folklore, and mythologies. I found those tales fascinating. These tales planted seeds of curiosity and imagination deeply in me, and they helped mold me in becoming the author-illustrator I am today.
The beautiful illustration first attracted me to pick up the book.
This is a graphic novel adaptation that is pretty faithful to the 16th-century Chinese classic Journey to the West, and I think it is done really well. I know the teenager-me would definitely want to read this, and this book would pique my interest further in reading the original tale.
The complete story of the legendary Monkey King fable of ancient Chinese lore. Artist Chaiko brings his unique visual style and humor to this fantasy adventure about a monkey who acquires supernatural abilities and intelligence and chooses to use them for mischief and glory before finding himself at the ire of the Heavens. Imprisoned by the Buddha himself, the rapscallion vows to prove his worth by escaping and retrieving the sacred sutras on a mighty quest.
A comic adventure story, humorous satire of bureaucracy, source of spiritual insight, and an extended allegory all brought to life in a dynamic animated…
I have a passion for the topic because it’s so unlimited. We’re all called to destiny inner/outer in so many ways. We see a lot of stories about those calls being massive adventures with global impact—but sometimes the small stories, those inner calls with inner love answers are just as epic, just as magnificent. Love of family, community, country, lovers, nature… truly, it can be anything. These are just a few books off the older shelves to illustrate the many ways love answers the call. My challenge is to go back and re-read them with this list in mind. Re-visit books from a decade ago, reframe the story with love.
This is an obvious pick, I know. Still, it’s on record as the greatest adventure, the highest bar of duty and courage—and ultimately love.
Homer’s epic detailing Odysseus’ journey home from the Trojan War is fraught with peril and obstacles that would have made a lesser human give up and call it a day.
Destiny called him away, but it was love that brought him home from war. At each crossroad Odysseus was offered an alternative, he chose to return to his wife, his son, and his land. He could have been made immortal.
He was offered riches and greater glory, and all the dude wanted was to kiss his wife and sleep in his own bed at the end of the day. Is that so much to ask?
The reason The Odyssey is on my list is to reflect the scale of destiny, and the answering and equal call…
Homer's great epic, The Odyssey, is perhaps Western literature's first adventure story, and certainly remains one of its finest. It describes King Odysseus of Ithaca's epic, ten-year quest to return home after the Trojan War. He encounters giants, sorceresses, sea-monsters and sirens, while his wife Penelope is forced to resist the suitors who besiege her on Ithaca. Both an enchanting fairy tale and a gripping drama, The Odyssey is immensely influential, not least for its rich complexity and the magnetism of its hero.
This Macmillan Collector's Library edition uses a translation by T. E. Lawrence, now remembered as 'Lawrence of…
I have been a dreamer since my childhood and chasing my dream is the goal of my life. Dreams do not have a visible purpose the destiny is hidden behind dreams. While following my dreams, I had started searching for my origin, because I felt connected to some unknown place. I travelled to various ancient sites of Mesopotamia, Egypt, and Indus civilizations and explored that these civilizations were very disciplined and advanced. Still, we are not able to unfold so many mysteries. I see the future in the past and present is just a stem in between, this inspired me to write a book.
This epic by Homer has a great impact on epic culture.
Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.
Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.
