I’m a historian of early American history and a professor at Southern Methodist University in Dallas. I came to my love of history through reading fiction as a child, and I’m still an avid reader of good stories of all kinds. Asking new questions about history requires imagination, and writers of good historical fiction provide brilliant ways to engage the past. They offer something real and human that transcends the need to footnote or fact check, so I turn off my historical accuracy meter when I read books like these. My list encapsulates some of my favorite novels for when I want to be a time traveler from my couch.
I’ve always wanted to go to New Zealand, and I picked this up mostly because of that desire. (Also, TBH, because a reviewer said this was a book people would either be too scared to start or would never put down, and I took that as a challenge.)
Despite these pretty simple reasons for starting—and finishing—the book, The Luminaries has become one of my all-time favorite novels.
Set in the mid-1860s, Catton tells the story of Scotsman Walter Moody. He travels to New Zealand’s southern island and finds himself immediately intertwined in more than one mystery. He serves as the reader’s guide to the numinous web of lies, swindles, murders, and ambitions that surround the town of Hokitika.
Catton weaves the place into a muddy and pungent microcosm of Britain’s global empire. Her characters, especially the suicidal prostitute Anna Wetherell, take the reader into a more diverse, beautiful, and intriguing…
'A breathtakingly ambitious mystery ... as beautiful as it is triumphant.' Daily Mail
An astonishing, epic story of promise, deceit and desperation in New Zealand's gold rush.
'What brings a fellow down here, you know, to the ends of the earth - what sparks a man?'
It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a prostitute has…
I’m a writer from Aotearoa New Zealand and I’ve always been drawn to stories of struggle, especially where a character fights against outside control. I started writing for the high school students I was teaching and got hooked on the YA genre. I love it partly because it crosses all genres – I can write about a 14-year-old girl trying to live in a repressive religious cult but I can also write about a 15-year-old boy who’s a champion kart driver. Karting at top level takes enormous skill as I discovered, but it also has room for dirty tricks.
Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.
The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.
The fate of women in this time in history is completely held by the men of the family.
I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life…
An enthralling historical novel of immigration, courage and first love from an award-winning New Zealand author.
Eloise and her family must leave Cornwall on a treacherous sea journey to start a new life in 1870s colonial New Zealand. On the ship across, Eloise meets Lars, a Norwegian labourer travelling below decks, and their lives begin to intertwine. When her brother disappears, her father leaves and the family are left to fend for themselves in their new home, Eloise must find the strength to stand up for what she believes in and the people she loves.
Although two of my nonfiction books—The Dream of Water and Polite Lies—are about traveling from the American Midwest to my native country of Japan, I'm not a traveler by temperament. I long to stay put in one place. Chimney swifts cover the distance between North America and the Amazon basin every fall and spring. I love to stand in the driveway of my brownstone to watch them. That was the last thing Katherine Russell Rich and I did together in what turned out to be the last autumn of her life before the cancer she’d been fighting came back. Her book, Dreaming in Hindi, along with the four other books I’m recommending, expresses an indomitable spirit of adventure.
Come On Shore and We Will Kill and Eat You All portrays the contact between seeming opposites: the author who grew up in Boston and traveled to New Zealand when she was a graduate student in Australia and the Maori man she met there and married; the “colonizers” who were her direct ancestors and the “natives” her husband descended from; the history of the encounters between the two groups (including the story of Captain Cook). At the heart of this complex, mesmerizing, and unflinching story is the couple’s devotion to their three sons—boys growing up in a Boston suburb and navigating their identities as “a little bit of the conqueror and the conquered, the colonizer and the colonized” as Ms. Thompson explains to them in a letter she tucks into the folder containing her life insurance policy.
Come On Shore and We Will Kill And Eat You All is a sensitive and vibrant portrayal of the cultural collision between Westerners and Maoris, from Abel Tasman's discovery of New Zealand in 1642 to the author's unlikely romance with a Maori man. An intimate account of two centuries of friction and fascination, this intriguing and unpredictable book weaves a path through time and around the world in a rich exploration of the past and the future that it leads to.
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Drawing both tears and laugh-out-loud laughter, this compilation of short stories by Māori writers from Aotearoa transported me to magical worlds and ideas.
It’s a gem on my recommendation list, uncovering endless nuggets of golden meaning and messages. I especially relish the humor unique to Māori storytelling.
I respect the simplicity and significance of short stories for their ability to offer a quick read before bedtime or as a morning indulgence. I found great pleasure in diving into any story on any page on any given day or night (when I almost forgot to go to sleep), like enjoying good poetry, the words dance, sing, and linger long long after.
Hiwa is a vibrant, essential collection of contemporary Maori short stories, featuring twenty-seven writers working in English or te reo Maori. The writers range from famous names and award winners - Patricia Grace, Witi Ihimaera, Whiti Hereaka, Becky Manawatu, Zeb Nicklin - to emerging voices like Shelley Burne-Field, Jack Remiel Cottrell, Anthony Lapwood and Colleen Maria Lenihan.
A showcase of contemporary talent, Hiwa includes biographical introductions for each writer's work, and explores the range of styles and subjects in the flourishing world of Maori fiction.
Named for Hiwa-i-te-rangi, the ninth star of Matariki, signifying vigorous growth and dreams of the…
I really enjoyed reading this book a tale of a writer's journey and discovery.
The style is very apt of kiwi culture, I myself a kiwi found the scenes and setting very accurate and the characters relatable. Having a glossary is very helpful with the Māori words. The characters have familiar traits of everyday kiwis I have met and live around. New Zealand culture shines through, one is given a realistic feel and educated view of the history.
The main character Hamiora is humorous making me laugh out loud in places. The story is intriguing, keeping me reading with hints of what’s to come. Hamiora is full of personality and chuckles. The subject matter and storyline are age appropriate and fitting for the audience it is written for.
Jack Jondell seems like your typical Year 10 student, hanging out in Gisborne with his mates. But Jack also writes winning speeches in English and Te Reo, while his twin sister Hinemarama writes rap.
Did they inherit this talent for words from Grandma Rosalyn, who was always determined to be published? She joined Junior Writers while still in primary school. He can’t ask her how she did it, because Rosalyn mysteriously disappeared in Bangladesh when she was eighteen. She hasn’t been heard of since.
It isn’t until 2017, forty years later, that Jack gets a chance to understand what sort…
As a writer from Aotearoa New Zealand who cares deeply about social issues and human rights, I believe fiction has the power to change hearts and minds and bring us all together with greater compassion and understanding. When I was growing up here, there were few books published by Pacific or Māori writers and we were taught little about their customs or mythologies. I’ve loved watching this change over the last forty-odd years (and particularly the last ten years) and can see how access to these stories has not only empowered Māori and Pacific youth and brought them closer to their culture but enriched everyone who lives in our pacific paradise!
This trilogy, grounded in Sāmoan mythology, has been called ‘the pacific Twilight.’ It is a thrilling dive into the world of Sāmoan magic and mystery, with an exciting adventure, a compelling love story and it vividly brings Sāmoa’s exotic beauty alive with a supernatural twist. It’s claimed to be ‘the first ever YA novel with an all-Pasifika cast, set in Sāmoa and around the Pacific'. Push out your boundaries and enter Lani Wendt Young’s wonderful imagination . . .
An island of secrets. A girl on fire. An epic battle of the elements. Can love truly conquer all? A thrilling love story inspired by Pacific mythology, featuring a sinister sisterhood with an environmental agenda and a fiery yet vulnerable young woman who must master her gifts - before they destroy her and all those she cares about. Leila Folger escapes the stifling misery of life with her American grandmother and goes to Samoa searching to connect with her mother's family. All her efforts to learn more about the mother she never knew are met with hostility. What really happened…
I was an avid reader from the age of six. Books inspired me and, as a shy girl, stories helped me find the confidence to be myself. I felt amazed and inspired by reading – finding out about parts of the world I had never been to. Especially as an adult, I’ve been blessed with wonderful, female friends. These are the themes I explore now in my books. I hope to inspire young readers to be themselves and celebrate friendship. I love travelling and nature. I've lived in various parts of the US and England. Through my writing, I hope to share the wonder of different cultures and natural settings.
I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.
Eight-year-old Kahu craves her great-grandfather's love and attention. But he is focused on his duties as chief of a Maori tribe in Whangara, on the East Coast of New Zealand - a tribe that claims descent from the legendary 'whale rider'. In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir - there's only Kahu. She should be the next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored. And in her struggle…
Kristyn Harman is an award-winning researcher who successfully completed doctoral research investigating the circumstances in which at least ninety Australian Aboriginal men were transported as convicts within the Australian colonies following their involvement in Australia’s frontier wars. She has published extensively on historical topics, and currently lectures in History at the University of Tasmania in Hobart, Australia. Having lived in both countries, Kristyn is fascinated by the different understandings that New Zealanders and Australians have of their nation’s respective pasts. She is particularly intrigued, if not perturbed, by the way in which most New Zealanders acknowledge their nation’s frontier wars, while many Australians choose to deny the wars fought on their country’s soil.
Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.
The New Zealand Wars were a series of conflicts that profoundly shaped the course and direction of New Zealand history.Fought between the Crown and various groups of Māori between 1845 and 1872, the wars touched many aspects of life in nineteenth-century New Zealand, even in those regions spared actual fighting. Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.Following on from the best-selling The Great War for New Zealand, Vincent O'Malley's new book provides…
I’m a professional history nerd who is perennially interested in both sides of the history coin: What happened? How do we know? I’ve got a PhD in sixteenth-century European history, have written articles that cover things from antiquity to Vikings in America, and have written several history books about Australia and its region. I like history that is robust, so I’m always looking for books that make clever use of sources. And I love stories that disrupt preconceptions, so I enjoy researching and writing and reading histories that make you think.
If the British empire’s first historians had a knack for anything it was omitting to mention what some of what their predecessors did for the sake of empire. Aboriginal Convicts is one of those books that really challenges us to rethink the stories we have received about British colonization. By tracing the lives of Indigenous people in South Africa, Australia, and New Zealand who were sentenced to transportation as convicts this groundbreaking book turns the table on the way we see Britain’s empire in the nineteenth century.
When most of us imagine an Australian convict we see an Englishman or an Irish lass transported for stealing a loaf of bread or a scrap of cloth. Contrary to this popular image, however, Australian penal settlements were actually far more ethnically diverse, comprising individuals transported from British colonies throughout the world.
As Kristyn Harman shows in Aboriginal Convicts, there were also a surprising number of indigenous convicts transported from different British settlements, including ninety Aboriginal convicts from all over Australia, thirty-four Khoisan from the Cape Colony (South Africa) and six Maori from New Zealand.
As a writer from Aotearoa New Zealand who cares deeply about social issues and human rights, I believe fiction has the power to change hearts and minds and bring us all together with greater compassion and understanding. When I was growing up here, there were few books published by Pacific or Māori writers and we were taught little about their customs or mythologies. I’ve loved watching this change over the last forty-odd years (and particularly the last ten years) and can see how access to these stories has not only empowered Māori and Pacific youth and brought them closer to their culture but enriched everyone who lives in our pacific paradise!
Another classic title by one of Aotearoa New Zealand’s most-loved storytellers. This moving story follows the special friendship forged between Jonasi, a lonely deaf-mute pacific islander, and a huge white turtle. It’s a book about isolation and prejudice, and how love can heal all. One review describes it as ‘somewhere between fact and fiction, superstition and the supernatural.’It’s another that’s been made into a fabulous film.
The Silent One is Jonasi, sent from the sea as a baby to grow up in an isolated Pacific village. Separated from the villagers by his silence and their prejudices, Jonasi finds solace in his underwater world where he develops a special relationship with a huge white turtle. However, the superstitious villagers see both Jonasi and the turtle as evil spirits. A series of natural disasters and a struggle for leadership within the village sweep Jonasi toward his strange destiny.
