Andrei Znamenski spent 35 years exploring religions, ideologies, and utopias. Formerly Associate Professor at Alabama State University, a resident scholar at the US Library of Congress, and then a visiting professor at Hokkaido University in Japan, he is currently Professor of History at the University of Memphis. Znamenski studied indigenous religions of Siberia and North America, including Shamanism and Tibetan Buddhism. At some point, he became intrigued with Western idealization and romanticization of non-Western cultures and spiritualities, the topic that he covered in his The Beauty of the Primitive: Shamanism and Western Imagination. His Socialism as a Secular Creed, which is a logical follow-up to that project, is an attempt to examine the socialist phenomenon as a political religion of the modern age.
This is a captivating, personalized memoir that simultaneously explores the current ascent of socialism in the United States. The author escaped Eastern European communism in 1988, during its decaying stage, and moved to the United States in hope that she would enjoy freedom of speech and individual liberty in this country. Yet, to her surprise, she had to deal with the escalating rise of the left in the United States that has been recently seeking to curtail the freedom of speech and impose a greater regulation, trying to replace equality of opportunity with the equality of outcomes. Designed as a warning for Western audiences, Kandlove’s book samples the miseries of her daily life under socialism in Czechoslovakia in the 1970s and the 1980s. She also provides revealing anecdotes of her encounters with various Western “useful idiots” who peddle socialism and do not want to learn from history.
In 1988, 19 year-old Jana Kandlova (aka Jane Benson) escaped from communist Czechoslovakia and came to the United States to live and thrive in a free country. Upon her arrival, her euphoria was so intense she could actually "smell the freedom." But, thirty years later, she has become alarmed and anxious as she witnesses the United States heading towards many of the same socialistic/communist ideals she fought so hard to get away from. In this fascinating story, she sounds a serious warning to all who believe in "free lunch."
I have no expertise in the military – I wish I did. But I have incredible respect for their work. I remember reading about the death of Oz Schmid, a bomb disposal officer who was killed in Afghanistan. It was the bravery of his widow, Christina, discussing the appalling lack of equipment and her quiet dignity that touched me profoundly. I asked myself, what can I do to help? Being a writer, I decided to write about it. I quickly realised that I needed an insider’s insight, and found Troll through Felix Fund, the bomb disposal charity. Troll and I wrote the play Later, After, seeing it performed was the proudest moment of my career.
Troll told me that he read this book in preparation for his own deployment to Afghanistan. Winston Churchill said about campaigns in Afghanistan, “Financially it is ruinous. Morally it is wicked. Militarily it is an open question, and politically it is a blunder.”
This rare 10th anniversary edition (published in 2007) contains a new introduction by expert Soviet historian David M. Glantz. In addition all maps and graphics have been enhanced from the 1996 edition. "When the Soviet Union decided to invade Afghanistan, they evaluated their chances for success upon their experiences in East Germany, Hungary and Czechoslovakia. Unfortunately for their soldiers, as well as the people of Afghanistan, they ignored not only the experiences of the British in the same region, but also their own experience with the Basmachi resistance fighters in Central Asia from 1918-1933. Consequently, in Afghanistan the Soviet army…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
This is an extraordinary memoir. Arianna’s father, Hans, came from a family with 34 family members living in Czechoslovakia before WWII; by 1945, 25 would have been murdered by the Nazis. He experienced unspeakable horrors, but he did not speak of them to his family. Having grown up in Venezuela, Arianna knew nothing of his past—not even, in fact, that Hans’ family was Jewish. Upon his death, Hans left her a box crammed with letters, diary entries, and memorabilia, including an identification card that had his picture but bore a different name. Investigating the various threads of his life, this book tells the story of her search for her father and his family, while uncovering the devastating details of life and death in Nazi Germany.
In this astonishing story that “reads like a thriller and is so, so timely” (BuzzFeed) Ariana Neumann dives into the secrets of her father’s past: “Like Anne Frank’s diary, it offers a story that needs to be told and heard” (Booklist, starred review).
In 1941, the first Neumann family member was taken by the Nazis, arrested in German-occupied Czechoslovakia for bathing in a stretch of river forbidden to Jews. He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book.
Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One of the…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
There’s an image of a large white horse standing above a man who’s kneeling in front of him, gesturing toward the horse’s face with one hand. He is having a conversation with this horse, trying to convince him of something. It’s one of the most beautiful photographs ever! On another page is a fully feathered chicken being dried out, hanging upside down from a clothesline in what appears to be a field of wheat. It’s astonishing how beautiful this image is. Josef Koudelka is one of the great masters of photography who has taught us all how to see the mystery and awe in places we walk by every day. Through his work, Koudelka has shown me the breadth and depth that photography embraces.
About Exiles, Cornell Capa once wrote, Koudelka's unsentimental, stark, brooding, intensely human imagery reflect his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night. In this newly revised and expanded edition of the 1988 classic, which includes ten new images, Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. The sense of private mystery that fills these photographs mostly taken during Koudelkas many years of wandering through Europe since leaving his native Czechoslovakia in 1968 speaks of passion and reserve, of…
I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
It was thick book, a satire, and new translation from Czech, and I loved the illustrations, the setting, and that the new translation was restoring all of the salty language excised from the original/bowdlerized translation.
It’s the story of a simple dog breeder, presumed to be an imbecile (an acceptable term at the time), drafted into the army and his adventures making his way to WWI—always outwitting his (imbecilic) superiors and betters along the way.
It’s satirical, hilarious, often scatological, and the best part is that the book ends (because the author died) before he gets to the actual war, so we get to imagine Švejk surviving the war and moving to Florida in the ‘20s to raise Greyhounds or whatever.
It’s really good, in fact, I might just read it again.
The inspiration for such works as Joseph Heller's Catch-22, Jaroslav Hasek's black satire The Good Soldier Svejk is translated with an introduction by Cecil Parrott in Penguin Classics.
Good-natured and garrulous, Svejk becomes the Austro-Hungarian army's most loyal Czech soldier when he is called up on the outbreak of the First World War - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards, getting drunk and becoming a general nuisance, the resourceful Svejk uses all his natural cunning and genial subterfuge to deal with the doctors, police, clergy and officers…
With my 64 works of fiction I have tried passionately to give expressions for and to dive into the complexity of love relationships in both historical and present contexts, especially as in Land of Shadows in the view of pounding conflicts presented to fictive or historical persons, having thereby always respect for documentary research added to my own personal experiences. Also the Greek myths have been a guide for my writing, as in the case of Land of Shadows, the myth of Orpheus and Eurydice, reflecting old insights of mankind. Being now with my novels and plays represented in 41 countries, I see this as a sign of readers 'round the globe sharing my passion.
These letters of Franz Kafka to his Czech translator Milena are not formally a novel but in its essence the love novel, none of his novels were. He wrote them 1920-1923, being ill with tuberculosis as he was visiting different sanatoriums in Germany and Czechoslovakia and she was living in Vienna in an unhappy marriage. As they only saw each other shortly three times it forms a love by letters story of burning love transforming itself into misunderstandings and conflict. Their value lies in the genial Kafka’s trying and succeeding in communicating something incommunicable about how it is to be in love accounting totally honestly for his vast complexity of emotions from the utmost passion and longing to the state of fear of being rejected. A great inspiration to me for my novel in writing about Kafka.
Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience.
Milena, for her part, was passionate and intrepid, cool and intelligent in her decisions but reckless when her emotions were involved. Kafka once described her as living her life 'so intensely down to such depths'. If she did suffer through him, it was part of her great appetite…
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Katerina Liskova’s intriguing sociological and historical study provides a deep dive into the creation of “expert knowledge” by progressive sexologists in the former socialist state of Czechoslovakia. She argues convincingly that while American housewives pottered around their kitchens in the 1950s, Czechoslovak women experienced a sexual revolution after abortion was legalized, same sex love was decriminalized, and scientists focused on how to improve women’s sex lives. State efforts to promote the ideal of full gender equality within romantic relations gave women new opportunities for education and professional advancement that their mothers and grandmothers could scarcely have dreamed of.
This is the first account of sexual liberation in Eastern Europe during the Cold War. Katerina Liskova reveals how, in the case of Czechoslovakia, important aspects of sexuality were already liberated during the 1950s - abortion was legalized, homosexuality decriminalized, the female orgasm came into experts' focus - and all that was underscored by an emphasis on gender equality. However, with the coming of Normalization, gender discourses reversed and women were to aspire to be caring mothers and docile wives. Good sex was to cement a lasting marriage and family. In contrast to the usual Western accounts highlighting the importance…
In the early years of the Trump presidency, I looked for a subject that would inspire young readers, and keep me from falling into despair. I loved researching this topic and finding ways to do justice to the incredible people and the movements at the center of my book. Simply put, it was a joy to become an expert on this important topic. There are so many reasons to be pessimistic about the state of the world, but these stories give me hope that together we can create a better future for everyone.
Because of the enormous odds stacked against each movement of this sort, the story of every nonviolent leader has an unlikely element to it. But Vaclav Havel’s biography may be the most unlikely of all. A playwright, an intellectual, and, in his own words, a “bundle of nerves,” Havel nevertheless found himself leader of Czechoslovakia’s astonishing nonviolent Velvet Revolution in 1989, and soon after became the country’s first president following the fall of communism. A very human embodiment of humanist conviction, Havel’s life is one to study.
Václav Havel was one of the most prominent figures of the twentieth century: iconoclast and intellectual, renowned artist turned political dissident, president of a united and then divided nation, and dedicated human rights activist. Written by Michael Zantovsky—Havel’s former press secretary, advisor, and longtime friend—Havel: A Life chronicles his extraordinary journey from the theatrical stage to the world stage.
Havel’s lifelong perspective as an outsider began with his privileged childhood in Prague and his family’s blacklisted status following the Communist coup of 1948. In his youth, this feeling of being isolated and outcast fueled his poetry and then later his…
I’m a child of the Cold War. Until the collapse of the Iron Curtain in 1989 this strange standoff between the Soviet Union and the Western allies informed everyone’s life, but my own case was particular because my father served in the Royal Air Force. For three years he was even in command of three squadrons of nuclear bombers. With a background like that, how could I not be interested in the larger picture? Since then I have gone on to write novels with all kinds of settings but the other side of the now defunct Iron Curtain has always held a fascination... and has directly led to at least three of my own books.
Is there a Czech theme going on here? Well, the Czech lands have always produced artists, musicians and writers of the highest calibre and although he may not be widely known, Škvorecký is one of them. From exile in Canada following the Russian invasion of 1968, he wrote this extraordinary and fantastic novel about a miracle (a holy statue is seen to bow its head) in a Czech village in the first year of communist rule. Of course such irrational things couldn’t be allowed and the priest is condemned as a hoaxer. But now we’re in 1968 and everything is up for discussion including this forgotten event. Seen through the eyes of the author’s picaresque character, Danny Smiřický (who was present at the original miracle but unfortunately had dozed off at the vital moment so never actually saw St Joseph move), the whole story is relived and discussed. Part farce,…
This energetic and hilarious novel is made even more important by the current final thawing of the long, Communist winter in Czechoslovakia. Moving between 1948, when our hero Danny Smiricky falls asleep in church while a miraculous event occurs, and 1968, when he observes the miracle of Prague Spring, The Miracle Game is a sharp look at the strange, sad, and silly things people do to survive.
Looking at photographs after my father died, when still living in Spain, I reflected on what life had been like for young men of the WWII generation. This sparked the start of my Peter Cotton series. Living abroad for so long, having more than one language and culture, gives people dual perspective, a shifting identity, which is something that fascinates me—and makes Cotton ideal prey for recruiting as an intelligence agent. I also wanted to explore the complex factors in the shifting allegiances after WW2, when your allies were often your worst enemy. All these are themes that recur in the books chosen here.
The Night of Wenceslas was the first thriller I read. I was in my teens, and into reading poetry at the time. My parents knew the author—we had even spent Boxing Day together—so Lionel Davidson was the first real novelist I met in person and I remember being excited to read this book.
The protagonist, Nicholas Whistler is young, half English and half Czechoslovakian. He hates working in his father’s business and is in debt because of his dissolute lifestyle. As a way out of his problems, he is lured into carrying out a mission in Prague and finds he has been duped into becoming an unwitting spy.
This book did not stop me from reading poetry—but spurred me to read much more widely.
The award-winning debut thriller from the bestselling author of Kolymsky Heights
'Quite simply the best thriller writer around.' Spectator
Nicolas Whistler is young, bored and in debt. When an opportunity to make some money arises, he can't turn it down. He is sent to Prague to carry out a simple assignment, but he soon finds himself trapped between the secret police and the clutches of the mysterious Vlasta. Whether he likes it or not, Nicolas is now a spy.
'Fast-moving, exciting, often extraordinarily funny.' Sunday Times
