As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Captain Liz Clark is who I would have wanted to be when I grew up, had I found her story in my teens.
There were almost no strong female role models that I could point to as a girl who inspired me, and illuminated a path of an adventurous woman. Captain Liz Clark built her own sailboat and decided to take on the entire Pacific Ocean on her adventures to find love, connection, and a relationship to nature and her own pure heart.
I clutched this book to my heart and took it with me everywhere for a month. Then I wrote Captain Liz to option it, so we can make a TV show about her life, because we need her story on screen!
Chasing a dream is never easy, but if you go far enough, it will set you free.
Captain Liz Clark spent her youth dreaming of traveling the world by sailboat and surfing remote waves. When she was 22, she met a mentor who helped turn her desire into reality. Embarking on an adventure that most only fantasize about, she set sail from Santa Barbara, California, as captain of her 40-foot sailboat, Swell, headed south in search of surf, self, and the wonder and learning that lies beyond the unbroken horizon.
In true stories overflowing with wild waves and constant challenges,…
I’ve always enjoyed reading memoirs that pull me in, take me on a unique journey, and entertain me with real-life drama. Nonfiction can be better than fiction, when the experiences and a compelling voice are present. I have been a writer and a nomad since 2003 and, during my thirties, sailed throughout the Caribbean and South Pacific for eight years with a partner and two dogs. When publishing my own account of this journey, I merged the present tense with enticing elements of fiction writing, like flashbacks, foreshadowing, and cliffhangers. Using correct grammar and eliminating typos are important to me as well, which is why I am a picky reader.
The Motion of the Ocean has been a longtime favorite sailing memoir of mine, not in the least because I read it during my own sailing years and felt connected to the author.
I appreciate her humorous, honest, conversational, and compelling writing style and love the title of the book, which inspired me to keep adventuring by sailboat and even to write my own memoir.
The narrative focuses on Janna and her husband’s relationship on a small boat in a remote area of the world. It’s a story not unlike mine in regards to relationship idiosyncrasies, the Pacific territory, the couple’s ages, and some of their experiences.
Janna was a teacher in a previous life as well and shares my love for travel and writing. This is an entertaining, well-written book.
The humorous true story of a woman who abandons her tidy life to honeymoon across the Pacific on a leaky, old boat—only to find that sailing 17,000 miles is easier than keeping her relationship off the rocks.
“Somewhere fifty miles off the coast of oregon i realize the skipper of this very small ship is an asshole. he also happens to be my husband.”
While most thirty-somethings are climbing the corporate ladder or popping out babies, Janna Cawrse and her boyfriend Graeme take a different tack: they quit their jobs, tie the knot, and embark on a most unusual honeymoon…
I remember devouring Tom Clancy’s Hunt for Red October. I loved the premise, the technology, the maritime aspect, and most of all, how Jack Ryan, a normal guy, managed to buck conventional wisdom and groupthink. Then, as the genre developed, it became more and more about the so-called “super spy.” While I enjoy the characters—the list is long: Jack Ryan Junior, Mitch Rapp, Scot Harvath, Hayley Chill… I can’t relate. I mean, they go on five-mile runs before breakfast, never break a sweat, and remain perfectly composed. That’s not me. That might not be you, either. Ben Porter is my answer to the unachievable perfection in the current crop of heroes.
Richard Bode’s pocket-sized memoir was given to me by a college friend, shortly after our graduation (as I write this, that was about three decades ago, and I still have this little book on my shelf within reach). It’s got water and sailing (both of which I love), but more importantly, it’s also chock-full of life lessons—without being preachy or overbearing. In the end, you realize that you can plot your own course, adapt to the shifts of wind and waves (Bode’s metaphor for life), and become your own hero.
FIRST YOU HAVE TO ROW A LITTLE BOAT first hit shelves in the mid 1990s and has been inspiring readers ever since. Written by a grown man looking back on his childhood, it reflects on what learning to sail taught him about life: making choices, adapting to change, and becoming his own person. The book is filled with the spiritual wisdom and thought-provoking discoveries that marked such books as Walden, The Prophet, and Zen and the Art of Motorcycle Maintenance. For nearly twenty years, it has enchanted and endeared sailors and non-sailors alike, but foremost, anyone who seeks large truths…
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
Le Guin is a star in fiction’s firmament but in this book she’s also a wonderfully modest practitioner of the art of writing. She discusses the sound of your prose, naming characters, repetition, and point of view. I found her chapter on crowding and leaping especially helpful. Crowding is when you follow Keats’ advice to load every rift with ore; leaping is when you skillfully leave things out—two invaluable skills in fiction, and in life.
From the celebrated Ursula K. Le Guin, "a writer of enormous intelligence and wit, a master storyteller" (Boston Globe), the revised and updated edition of her classic guide to the essentials of a writer's craft.
Completely revised and rewritten to address modern challenges and opportunities, this handbook is a short, deceptively simple guide to the craft of writing.
Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin’s own witty commentary and…
I’ve always enjoyed reading memoirs that pull me in, take me on a unique journey, and entertain me with real-life drama. Nonfiction can be better than fiction, when the experiences and a compelling voice are present. I have been a writer and a nomad since 2003 and, during my thirties, sailed throughout the Caribbean and South Pacific for eight years with a partner and two dogs. When publishing my own account of this journey, I merged the present tense with enticing elements of fiction writing, like flashbacks, foreshadowing, and cliffhangers. Using correct grammar and eliminating typos are important to me as well, which is why I am a picky reader.
Love with a Chance of Drowning had been recommended to me for a while, but I only recently dove in.
One of the reasons was the high price for the eBook, undoubtedly because this is a traditionally published memoir. And, what can I say? I adored this well-crafted love story set on a small sailboat crossing the Pacific Ocean, sprinkled with fearful and heartfelt incidents.
Torre is a fabulous writer, who pulls you into the narrative. She is witty, sarcastic, smart, straightforward, and doesn’t shy away from sharing personal insights, flaws, and brutal honesty, a touted aspect of my book as well.
The author used the present tense to impart a sense of urgency (it’s a wonderful tool to keep you turning the pages) and focused on the connection, strength, and commitment that is needed to rescue her relationship. Thisis one of the most skillfully written and compelling…
City girl Torre DeRoche isn't looking for love, but a chance encounter in a San Francisco bar sparks an instant connection with a soulful Argentinean man who unexpectedly sweeps her off her feet. The problem? He's just about to cast the dock lines and voyage around the world on his small sailboat, and Torre is terrified of deep water. However, lovesick Torre determines that to keep the man of her dreams, she must embark on the voyage of her nightmares, so she waves good-bye to dry land and braces…
As a sailor and 2004 Olympian I am happiest on salt water, so that’s where most of my characters live their best lives. I write coastal fiction; stories with a happy ending that could only take place on or near the water. Boat rides are a bonus! As both a reader and an author, my tastes span across several traditional genres: from young adult time travel to literary fiction, with stops along the way for a light touch of romance. This list reflects that range. If you want to learn more about all the books (and boats) I enjoy, please subscribe to my Thursday blog, Where Books Meet Boats. Meanwhile, enjoy these five fantastic examples of coastal fiction!
The first time I read this book I was sailing through the Frisian Islands, where it takes place—though unlike its two main characters, I didn’t have to worry about German patrols or being arrested as a spy. A classic thriller, the remote and shifting islands of the area help to drive the plot. It could, quite simply, take place nowhere else. Great sailing scenes as well!
In spite of good prospects in the Foreign Office, sardonic civil servant, Carruthers, is finding it hard to endure the emptiness and boredom of his life in London. He accepts an invitation to join a friend on a sailing holiday in the Baltic, where they discover a German plot to invade England.
As a romance author, I pull a lot of inspiration from my travels. My husband always says that shared experiences strengthen bonds and I believe that wholeheartedly—which is why I think travel romances just work. Romance as a genre isn’t necessarily known for lush setting descriptions, but travel romances are sort of the exception to the rule, and I eat it up every time. If I close the book feeling like I’ve just got back from a vacation, it’s a five-star read for me.
I recommend this book to everyone. I seriously cannot praise it enough. I know absolutely nothing about sailing, but this book completely transported me—I felt like I was right on board the Alberg with Anna, sailing the Caribbean.
Trish Doller’s descriptions took my breath away. You can really feel how she poured her passion for sailing into this book and she handles the main character’s grief beautifully. On a more personal level, I also adored the German American rep.
Since the loss of her fiance, Anna has been shipwrecked by grief - until a reminder goes off about a trip they were supposed to take together. Impulsively, Anna goes to sea in their sailboat, intending to complete the voyage alone.
But after a treacherous night's sail, she realises she can't do it by herself and hires Keane, a professional sailor, to help. Much like Anna, Keane is struggling with a very different future than the one he had planned. As romance rises with the tide, they discover that it's never too late to chart a new course.
My first experience of sailing was in an open dinghy in the North Sea in winter; the second was capsizing in the path of a hovercraft at Cowes. I was put off for years. But once Jenny and I moved to spectacular British Columbia, we were inspired to try again. In 1985 we left on what would become a 4-year circumnavigation of the world; more recently and over several years we made our way back under sail from Cape Town to BC, spending a year in Patagonian waters. My other (paying) career has been as a diplomat, which is everything long-distance-sailing is not: people, rules, compromises, convention. Over the years, things have more-or-less balanced out.
Bill Tilman was a war hero and an accomplished Himalayan climber – reaching 27,000 feet on Everest without oxygen in 1938 – who turned in later life to sailing as a means of accessing obscure mountain ranges. In 1956 he sailed his Bristol Channel pilot cutter (Mischief) from England to the Chilean channels and made the first successful crossing of the Patagonian ice cap. Tilman was likely not easy to get on with – he tolerates no women on board, and on this particular cruise we never learn the first name of his deputy – but his writing is erudite and amusingly self-deprecating. This narrative concludes with the dry comment: “Ships are all right – it's the men in them.” Tilman sailed to the very end. He disappeared at sea in 1977, in his eightieth year, en route to climb a remote island peak in Antarctica. Would that…
'So I began thinking again of those two white blanks on the map, of penguins and humming birds, of the pampas and of gauchos, in short, of Patagonia, a place where, one was told, the natives’ heads steam when they eat marmalade.'
So responded H. W. ‘Bill’ Tilman to his own realisation that the Himalaya were too high for a mountaineer now well into his fifties. He would trade extremes of altitude for the romance of the sea with, at his journey’s end, mountains and glaciers at a smaller scale; and the less explored they were, the better he would…
In a life that has thus far led from reader and fan to writers’ assistant to author and journalist to television story writer to editor, these are the books that helped define my passions for storytelling worlds as well as the path of my career and informed me along the way.
If The Twilight Zone Companion was my original bible, then the Deep Space Nine Companion was its extensively expanded new testament. The alpha and omega for what a book about the making of a television show could be, this massive compendium was made possible by the unparalleled access the authors had to everyone as the show was in production. This book blew my mind with all the details it included and all of the aspects examined. Simply a treasure for all Star Trek: Deep Space Nine fans.That said, this is an authorized book, meaning nothing was published without the studio’s oversight, which differentiates it from the earlier books on this list. Nonetheless, it’s the one I strove to match when I compiled my own study on the making of Gene Roddenberry’sAndromeda entitled Sailing the Slipstream (a book I plan to re-format and re-release in an anniversary edition).
Erdmann was given unprecedented access to every aspect of the production of Star Trek Deep Space Nine in order to compile this book which is considered, by some, the ultimate guide to Star Trek's grittiest and most complex series. Insight into the making of Deep Space Nine is provided by the set designers, cast and crew, and the writers and producers. Characters over the series have grown and developed, matured and met several challenges, learnt to cope with disaster and joy, defeat and victory. Each one has had his or her story played out around the space station Deep Space…
I’ve always enjoyed reading memoirs that pull me in, take me on a unique journey, and entertain me with real-life drama. Nonfiction can be better than fiction, when the experiences and a compelling voice are present. I have been a writer and a nomad since 2003 and, during my thirties, sailed throughout the Caribbean and South Pacific for eight years with a partner and two dogs. When publishing my own account of this journey, I merged the present tense with enticing elements of fiction writing, like flashbacks, foreshadowing, and cliffhangers. Using correct grammar and eliminating typos are important to me as well, which is why I am a picky reader.
While I enjoyed readingOne Girl One Dreamand have unconventional ideas like the author, I’m torn about a child sailing the world instead of going to school.
Laura sailed single-handedly around the world when she was 14, finishing at 16. This fascinating achievement made her the youngest circumnavigator in the world.
The first chapter is a page turner; the subsequent ones are written like a diary. I am usually not a fan of this style, but because her story remains an exciting and courageous feat from beginning to end, it kept me wanting to learn more. It was also fun to read Dutch words and traditions, because I grew up in Belgium.
I wouldn’t call Laura’s memoir a high-quality narrative or good writing, but it held my attention and that means something for this picky reader.
The amazing autobiographical account of the youngest ever solo circumnavigation of the Earth. First time in English! If you want to see the other side of the world, you can do two things: turn the world upside down, or travel there yourself. In 2012, at the age of just 16, Laura Dekker became the youngest sailor ever to single-handedly circumnavigate the globe. In realising her long-held dream, she had not only braved the wild oceans and long weeks of solitude at sea, but also the doubts and sometimes hostile resistance of officials. In this remarkable account of her incredible journey…
