The most recommended alphabet books

To be perfectly honest, the title is the best part of this book. None of the text is quite as funny as the concept, but the concept is worth the price of admission.

You can keep your A is for Apple and B is for Ball. I’ll take K is for Knight and D is for Djibouti.

It’s not likely that a toddler is going to need to spell “phlegm” any time soon, but it’s a fun read for the adult — and the grown-ups also need to be entertained by a book that’s going to be aloud 100 times. 

Reading about medieval illumination is one thing. But suppose you want to actually paint an illuminated letter for yourself? This book provides a do-it-yourself experience, showing you step-by-step how to reproduce alphabet letters from actual medieval manuscripts. Each project includes tips on painting techniques, a list of the tools and paints you will need, then walks you through the process with detailed photographic examples for each step. Choose from Celtic, Romanesque, Gothic styles, and more. This book is a feast for the eyes, even if you have no artistic ambitions for yourself. Simply leaf through it and imagine the world of the medieval artist as they created these gorgeous initial letters in their manuscripts.

As soon as I put the book in front of my son, he starts laughing and goes to open the first page.

I believe he loves the polka dots and the Chick Chicka Boom Boom tree. I also think he likes the rhyming scheme. Even if he’s feeling under the weather, this book cheers him up. 

This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!

Jeanne Steig wrote a giddy delightful poem for each letter of the alphabet. The poems are replete with weird and wonderful words. The goofy illustrations by William Steig tickle your eyes. One of my favorite poems is "Mishmash". Notice all of the many M words in Mishmash: mallet, misguided, minimize, mix, milk. Could Myron majestically mash potatoes? Mmmm, no.

Mishmash
Making mashed potatoes, Myron?
Must you mix them with the hammer?
This bizarre, misguided method
Causes quite a katzenjammer.

Might you add the milk and butter
In a more majestic manner?
Might a mallet not be better?
That would minimize the clamor.

Try to get your hands on the original 1963 edition that made Richard Scarry‘s fortune and allowed him to move his family to Switzerland, for the skiing. It’s a fabulous book that’s crowded with scenes of purpose and industry, and with labeled pictures that bespeak the world’s exciting wideness. There are birds (the quail, pheasant, wren, bittern), buildings (a cathedral, pyramid, fort, skyscraper), flowers (clover, pansies, asters, foxgloves), and houses (the igloo, grass house, half-timbered house, chalet). Over time, subsequent editions were stripped of this eccentric specificity and of Scarry’s courtly depictions of traditional social roles (gone, for instance, are the “handsome pilot” and the “pretty stewardess”).

Like my book, this book is filled with tips and terms from A to Z to connect readers to the writerly process and life. There are inspiring quotes sprinkled throughout and the illustrations by Pullen are bright and vivid. It’s the perfect backdrop to the beautiful poetry and prose written by author Hershenhorn. 

H is for Hero and Heroine, 

   their journey grand tales to be told,

      of beaten foes, 

         and bested woes,

            of triumps, alas, to behold.

I return to this book time and time again for inspiration and to spark my imagination.

It’s maybe inaccurate to describe this (not too) long poem as a society grappling with the aftermath of a war. There isn’t much grappling to be done, and it only partly exists after a war is through, to the extent a war like the one Christensen describes is ever through once it’s been started. It’s instead a litany of loss, of those things that can’t be reclaimed, which should instead be protected through the avoidance of war.

In this book, Shlain reveals his unusual take on the power of images throughout history. His discussion using contemporary ideas about our creative right-brain side brings interesting connections between the Goddess, images, and feminine values. Shlain's earlier book, Art & Physics was very popular expressing his breakthrough theory, ad revealing an astonishing parallel with these two seemingly different topics. I find that books like this, not dedicated to learning specific painting techniques, end up being more helpful towards how I think as an artist. A good writer, it is easy to read and very inspiring.

I live on the West Coast of B.C., just like Deborah Hodge, so this book resonates with me.

The cover describes it as a Nature Alphabet book. It's that and much more. Each letter is followed by a description of different life forms found on the shore or in the sea. And that's what makes it special for me, there's a balance of recognition and discovery.

Reading the poetic writing and looking at the painterly illustration brings me back to my childhood turning over rocks, discovering starfish and clams in the endless tidal pools. Again what makes this book work is the perfect balance of art and words.