As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
Writers often struggle to think of themselves as “writers” because the world has us believing that we can only carry that title if we aresuccessfully published, and of course words such as “success” and even “published” can be fraught with subjective controversy. One of the lessons I learned from Brenda Ueland, among other great thinkers, is that we need to focus first on our own authenticity and only much, much later dare we think about what the world might have to say. This allowed me to let go and move on and trust myself on my writing path. It wasn’t easy, but as emphasized in If You Want to Write, we will be all right if we believe in our inner richness.
Brenda Ueland was a journalist, editor, freelance writer, and teacher of writing. In If You Want to Write: A Book about Art, Independence and Spirit she shares her philosophies on writing and life in general. Ueland firmly believed that anyone can write, that everyone is talented, original, and has something important to say. In this book she explains how find that spark that will make you a great writer. Carl Sandburg called this book the best book ever written about how to write. Join the millions of others who've found inspiration and unlocked their own talent.
I’m deeply passionate about us all being happy and healthy at work. I’ve been this way ever since I was old enough to realise just how much time we would spend there! I grew up in a time filled with images of stressed out, chain-smoking professionals, where the word ‘executive’ was synonymous with ‘burnout’. I knew there had to be a better way. I’ve worked in mental health for twenty years and corporate wellbeing for over a decade and I love to combine those experiences to help people have their best day at work every day.
When you feel completely overwhelmed at work, with no time or headspace to reflect, then this book is extremely helpful.
I don’t use bullet journalling all the time, but it is my go-to system when I am swamped and want to regain a sense of control and purpose. If you have never journalled then this book is a fantastic resource to get you scribbling, noticing and shifting. Even without engaging in the journalling practice, this book is really motivational and gets you in the right mindset to achieve.
It’s a fantastic book for overcoming overwhelm and tackling your never-ending to do lists.
Transform your life using the Bullet Journal Method, the revolutionary organisational system and worldwide phenomenon.
The Bullet Journal Method will undoubtedly transform your life, in more ways than you can imagine' Hal Elrod, author of The Miracle Morning
In his long-awaited first book, Ryder Carroll, the creator of the enormously popular Bullet Journal organisational system, explains how to use his method to:
TRACK YOUR PAST: using nothing more than a pen and paper, create a clear, comprehensive, and organised record of your thoughts and goals.
ORDER YOUR PRESENT: find daily calm by prioritising and minimising…
I love to study foreign languages and learn about their histories. I do not speak Chinese, but Jing Tsu’s book was fascinating and accessible anyway.
Her book is ambitious: she explores the history of modern China through the relationship between the Chinese language and communication technologies, like the telegram, the typewriter and the smartphone. As China changes, and its position in the world changes, these changes are reflected in efforts to make the Chinese language a global digital force.
I found the reading experience similar to studying a foreign language. It was challenging and brain-bending in parts, trying to get to grips with unfamiliar aspects of Chinese script or grammar, but ultimately it was rewarding and enriching.
A riveting, masterfully researched account of the bold innovators who adapted the Chinese language to the modern world, transforming China into a superpower in the process
What does it take to reinvent the world's oldest living language?
China today is one of the world's most powerful nations, yet just a century ago it was a crumbling empire with literacy reserved for the elite few, left behind in the wake of Western technology. In Kingdom of Characters, Jing Tsu shows that China's most daunting challenge was a linguistic one: to make the formidable Chinese language - a…
First, Chee is a beautiful writer. He’s so deft and brings you right in.
But I also loved this book because it was inspirational to me. He made an essay
collection seem simple and accessible in a way it hadn’t before. I’m working on
one now!
Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Named a Best Book of 2018 by TIME, Washington Post, Entertainment Weekly, Wired, Esquire, Buzzfeed, Paste, Bitch, Bustle, The Chicago Review of Books and iBooks
As a novelist, Alexander Chee has been described as 'masterful' by Roxane Gay, 'incendiary' by the New York Times, and 'brilliant' by the Washington Post. With How to Write an Autobiographical Novel, his first collection of nonfiction, he secures his place as one of the finest essayists of his generation.
How to Write an Autobiographical Novel is the author's exploration of the entangling of…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
My favorite books are ones that make me feel like I’ve lived a whole other life. A Strangeness in my Mind does all that and more.
It transports me to another country, into another person’s life whose experience is so distant from my own yet still feels familiar. I got to know the city the main character lives in, its history, and what those around him really think but would never tell him.
It uses a mockumentary-style narrative but doesn’t lean too hard into it.
A mesmerizing love story with a cast of beguiling characters, from the Nobel prizewinning author Orhan Pamuk
** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **
Winner of the Nobel Prize for Literature
'A magnificent novel.' Wall Street Journal 'Powerful and moving.' TLS 'Books of the Year' 'Prepare to fall in love' Mail on Sunday 'As head-exploding as War and Peace, and more comforting' Elif Batuman
As a child, Mevlut always felt like he was missing out. When he moves to Istanbul - 'the centre of the world' - he is immediately enthralled. He wanders through its…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Andrew Robinson has written an excellent biography of Michael Ventris and also of Champollion, the man who deciphered Egyptian hieroglyphs. In this book he gives overviews of three decipherments and surveys of as undeciphered languages and languages that we can read but not necessarily understand (one of my favourite languages, Etruscan, falls into this category). This book is a great jumping-off point if you want to plunge into the waters of decipherment, and has excellent illustrations.
Beginning with the stories of three great decipherments - Egyptian hieroglyphs, Minoan Linear B and Mayan glyphs - Lost Languages moves on to dissect the most well-known and enigmatic undeciphered scripts from around the world.
These include the Etruscan alphabet of Italy, the Indus Valley seal script, Rongorongo from remote Easter Island, the Zapotec script of Mexico (probably the first writing system in the Americas), and the unique Phaistos disc of Crete. Lost Languages reports from the front lines of scholarship where obsessions, genius, occasional delusion and sometimes bitter rivalry are de rigueur among those currently competing for the rare…
I’ve always been fascinated by the power of language to propel everything we think—from our values and beliefs, to political views, to what we take for absolute truth. Once I learned there’s a whole field devoted to studying language called “rhetoric”—the field in which I’m now an expert—there was no turning back. Rhetoric has been around for more than 2,000 years, and since its inception, it has taught people to step back from language and appraise it with a more critical eye to identify how it works, why it’s persuasive, and what makes people prone to believe it. By studying rhetoric, we become less easily swayed and more comfortable with disagreement.
This book blew my mind when I first read it twenty years ago, and it still seems fresh when I revisit it now.
Our common assumption about language is that it represents the world, plain and simple. However, Ong’s book colorfully captures how differently language was experienced in the oral world before the rise of literacy.
Hearers empathized with speakers and participated in the scenes their words evoked. There was an immersive and tangible sense of commonality that spread through the shared experience of sound, which comes from within one person’s body and enters another person’s body. Language knitted the culture together more than it indexed the world.
Ong’s book made it much harder for me to blithely assume that referentiality is a natural or inherent property of language.
Walter J. Ong's classic work provides a fascinating insight into the social effects of oral, written, printed and electronic technologies, and their impact on philosophical, theological, scientific and literary thought.
This thirtieth anniversary edition - coinciding with Ong's centenary year - reproduces his best-known and most influential book in full and brings it up to date with two new exploratory essays by cultural writer and critic John Hartley.
Hartley provides:
A scene-setting chapter that situates Ong's work within the historical and disciplinary context of post-war Americanism and the rise of communication and media studies;
When I was a child, there was a wooded lot across from my house. All the neighborhood kids gathered there daily after school, running amongst the tall conifers, making forts, and climbing the smaller trees. I begged to be able to play there, but was never allowed. So sometimes, I’d sneak across the street and stand at the edge of the trees and desperately wonder what was within the gloriously dark shadows. There’s just something magical about kids spending time in secret places, away from the cares of the adult world. I'm a Pacific Northwest author, graphic designer, and coffee addict who lives for mysteries of any kind. I'm the author of two YA mystery fiction trilogies, two children's books, and one nonfiction history.
The concept of a hidden space away from adults and the problems of everyday life is the enthralling concept behind Bridge to Terabithia. Deep in the woods near their homes, Jess and Leslie share their own imaginary kingdom which they call Terabithia—a place hidden away from the pressures of the world. This coming-of-age tale packs an emotional punch, no matter the age of the reader. I love the magical settings in the book and they directly influenced the way I decided to write my own book.
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
