100 books like Lost Languages

I read this book while still at school and it was my first introduction to one of the most famous decipherments in history, the cracking of Linear B by the architect and amateur enthusiast Michael Ventris. Unlike most other decipherments, there is no Rosetta Stone to Linear B, which was deciphered by techniques similar to those used in code-breaking. I was later lucky enough to be taught by the author, the great John Chadwick, who writes with beautiful clarity and precision.

I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.

Not all adventures in lost languages involve undeciphered scripts. I know nothing about the native language of Australia, but was immediately hooked by this book’s vivid account of a specialist as he attempts to locate the last speaker or speakers of a language—and then get them to speak to him. It was great for me to see how the techniques I use to reconstruct ancient languages can also reveal the structures of modern languages where there is scarcely any evidence remaining.

Linear A, the script that preceded Linear B in Crete, has long attracted attempts at decipherment. Ester Salgarella, who is a colleague of mine at Cambridge, would not claim to have deciphered Linear A, but her work on the script and its relation to Linear B is brilliant at reframing the question about the relationship between the two. If you read this after Andrew Robinson’s account of Linear A (in his Lost Languages book mentioned above), you might be surprised by how much progress has been made.  

Whatever genre you’re drawn to, this book is well worth investing in. It delivers exactly what its subtitle describes: a hands-on guide to writing picture books from story creation to publication. Although not primarily a picture book writer, I’ve found the book incredibly useful in developing general writing skills. I’ve used the exercises on language to improve the aural and rhythmic qualities of my writing. It’s also given me new ways to think about approaching layout and composition. It has the potential to enhance writing quality almost effortlessly. Although the revised expanded edition published in 2018 contains information specific to the publishing market then, the practical information in the book is unlikely to date as quickly. Who knows? You could end up writing picture books as well!

While not a book about the Middle East per se, Winkler’s In the Name of Terrorism traces the rise of terrorism as a concern in U.S. politics and charts the narratives, frames, metaphors, and rhetoric used by presidents to make sense of terrorism to the American people. Focusing specifically on the evolution of “terrorism” as a concept in the leadup to the 9/11 attacks, this book provides vital background for those who wish to understand, as George W. Bush put it, why “they” hate “us.” A wide-ranging volume that effectively bridges the Cold War and the War on Terror, readers will better appreciate the importance of the president’s language choices after finishing this captivating book.

I first read this book at age twenty-one and have never stopped returning to it. It gets better and deeper each time.

Ludwig teaches that language and reality are bound up in so many ways. It also contains some famous themes and head-scratchers, such as language games, family resemblance, private language, and rule-following, discussed, as always, in a non-technical way. 

The important word in the title is "social." The author brings together words that belong to a particular theme, such as journalism, economics, and politics. An example? A 'historical menu' from Anglo-Saxon times (bread, butter, cucumber) through Shakespearean times (tomato, potato, banana) to the present-day (pizza, tacos, hamburger). And not forgetting drinks, from beer to Coca-Cola. It's a fascinating exercise in the linguistic archaeology of social transformation.

Shariatmadari writes beautifully, and this book will make you think differently about how we use language and how that language uses and shapes us, both as individual actors and as a society. Our language – those everyday vocabularies and grammars that we deploy without a second thought – is neither original nor value-free; instead, “to speak is ‘to swim in an inherited stream of images and words’”, crafted by generations before us. For small talk, this may not matter so much. But for the bigger, weightier things in life, for the things that really matter, the way we talk can have real consequences on what we are able to understand, and how we are able to respond.

Kenneth Burke was Shakespeare scholar, biblical scholar, poet, novelist, literary critic, rhetorical theorist, the father of “Dramatism,” and a ferocious homegrown, self-taught intellect, and this book is Burke at his best. It boldly addresses the vital role that language plays in human life and religious thought, advocates a thoroughgoing study of theology not to assess any veracity therein, but rather, as a specimen of language use, for, whatever else theology may be, it is, at the least, verbal, and, the study of religious language reveals much about human motives and self-understanding. This book also touches upon some of the interesting relations between money, guilt, and the Christian notion of redemption. It ends with an “Epilogue: Prologue in Heaven,” which is a lengthy mind-blowing fictional dialogue set in Heaven between “The Lord” and “Satan” regarding “the word-animal,” and it playfully draws out important connections between language, negativity, property rights, time, and… show more.