Corey Anton is Professor of Communication Studies at Grand Valley State University, Vice-President of the Institute of General Semantics, Past President of the Media Ecology Association, and a Fellow of the International Communicology Institute. He is an award-winning teacher and author. His research spans the fields of media ecology, semiotics, phenomenology, stoicism, death studies, the philosophy of communication, and multidisciplinary communication theory.
Kenneth Burke was Shakespeare scholar, biblical scholar, poet, novelist, literary critic, rhetorical theorist, the father of “Dramatism,” and a ferocious homegrown, self-taught intellect, and this book is Burke at his best. It boldly addresses the vital role that language plays in human life and religious thought, advocates a thoroughgoing study of theology not to assess any veracity therein, but rather, as a specimen of language use, for, whatever else theology may be, it is, at the least, verbal, and, the study of religious language reveals much about human motives and self-understanding. This book also touches upon some of the interesting relations between money, guilt, and the Christian notion of redemption. It ends with an “Epilogue: Prologue in Heaven,” which is a lengthy mind-blowing fictional dialogue set in Heaven between “The Lord” and “Satan” regarding “the word-animal,” and it playfully draws out important connections between language, negativity, property rights, time, and…
"But the point of Burke's work, and the significance of his achievement, is not that he points out that religion and language affect each other, for this has been said before, but that he proceeds to demonstrate how this is so by reference to a specific symbolic context. After a discussion 'On Words and The Word,' he analysess verbal action in St. Augustine's Confessions. He then discusses the first three chapters of Genesis, and ends with a brilliant and profound 'Prologue in Heaven,' an imaginary dialogue between the Lord and Satan in which he proposes that we begin our study…
I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
Written by Nobel Prize winning, libertarian communist (don’t worry about it, it’s a thing) author Jose Saramago, All the Names is a weird and joyful exploration of the grind of bureaucracy and the power of information to control lives. Unlike Bear, this is not an easy read. Saramago’s signature style features long, convoluted sentences, which confuse and disorient – much like plunging into complex archival research. The story focuses on Senhor José, a poorly socialised records clerk, trudging through his days in a faceless, nonsensical records centre. One day he connects with a particular file and the realisation that the pieces of paper he manages represent whole beautiful lives sends him on a journey that requires breathtaking bravery and the formation of new, if eccentric, friendships. A life-affirming read.
José Saramago's mesmerizing, classic narrative about the loneliness of individual lives and the universal need for human connection.
Senhor José is a low-grade clerk in the city's Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead…
Linda Collison's composite career has included critical care and emergency nursing, freelance writing and novelist, and teaching skydiving. She has sailed many bluewater miles with her husband, Bob Russell, aboard their sloop Topaz, based in Hawaii. Their three-week sailing experience aboard the HM Bark Endeavour, a replica of Captain Cook's three-masted 18th century ship, inspired Linda to write Star-Crossed, an historical novel published by Knopf in 2006, and a New York Public Library pick in 2007 for Books for the Teen Age. Star-Crossed has been republished as the Patricia MacPherson Nautical Adventure Series from Fireship Press. Her sailing experiences also inspired the novel Water Ghosts, a Foreword Reviews finalist for Independent Book of the Year, 2015.
Ships and boats are good settings for conflict; physical, sociological, and psychological.
No wind to drive the ship, a sick crew, and a mentally unstable first mate beleaguered by the ghost of the previous captain are trials the young captain must deal with. As in all of Conrad's fiction, there is plenty of insight into the human condition revealed through the characters and felt in the subtext. I classify it as a coming-of-age at sea story, drawn from Conrad's own experiences. "Coming-of-age" does not mean "young adult" in my life dictionary. It may continue well beyond the teen years.
A new captain must lead his crew to safety and face his own internal struggles as he works to overcome disrespect, insanity, and coming-of-age all while sailing on an unforgiving sea.
There is an invisible line that divides life into a before and after-adolescence and adulthood. The unnamed narrator of The Shadow Line is painfully aware of this, but is unsure where the line lies in his life. He recalls a number of rash decisions he has made, some more recent than others. Soon after he impulsively quits his comfortable job as a shipmate, the narrator meets two men who…
I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.
I think that we should all make an effort to understand people who are not from our cultural stew; people who seem different, but wind up being like us; once we get to know them.
Patrick Oster is not a sociologist, a psychologist, or an ugly American. He could be Joe Blow from down the block who decides to go to Mexico, to get to know the Mexican people. He does not make an effort to know all the people, he simply makes friends with those who are friendly, and leaves the others alone; just the way he would do in America.
I feel that this book is a wonderful example of what can come from an honest exploration and a warm writing style.
The Mexicans is a multifaceted portrait of the complex, increasingly turbulent neighbor to our south. It is the story of a country in crisis -- poverty, class tensions, political corruption -- as told through stories of individuals. From Augustín, an honest cop, we learn that many in the Mexican police force use torture as their number-one-crime-solving technique; from Julio Scherer Garcia, a leading newspaper editor, we learn how kidnapping and intimidating phone calls stifle a free press; we hear from a homosexual teacher wary of bigotry in a land of machismo; and many others. Moving from Mexico City discos to…
In a sense, I have been working on the material for my book, Life, Death, and Other Inconvenient Truths, for my entire life. The 38 short chapters that comprise it span a range of topics: alphabetically, from ambition and anxiety, through love and mathematics, to war and youth. For whatever it is worth, I have had first-hand experience (in three languages, on three continents) learning, researching, teaching, enjoying, suffering, and fighting — in other words, living — all but one of them (the exception is one that technically cannot be lived through, but can still be pondered and written about). My five recommendations reflect this life-long interest in the human condition, which I am excited to share with you.
A better world is possible — just not through the kind of progress touted by liberal politicians. In this 1982 collection, Bookchin sketches such a new world, based on his concept of social ecology — a prescient integration of the people’s desires for a better life, for personal freedom, and for coexistence, mutual aid, and respect.
“The very notion of the domination of nature by man stems from the very real domination of human by human.” With this succinct formulation, Murray Bookchin launches his most ambitious work, The Ecology of Freedom. An engaging and extremely readable book of breathtaking scope, its inspired synthesis of ecology, anthropology and political theory traces our conflicting legacies of hierarchy and freedom from the first emergence of human culture to today’s globalized capitalism, constantly pointing the way to a sane, sustainable ecological future.
Murray Bookchin, cofounder of the Institute for Social Ecology, has been an active voice in the ecology and…
I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible.
The 12th and final novel in John Harvey’s series about Detective Inspector Charlie Resnick, the jazz-loving, exotic sandwich-eating loner who investigates crimes in the East Midlands city of Nottingham where I’ve spent a lot of my working life.
Darkness, Darkness is partly set in 1984 during the miners’ strike which threatened to tear England apart. Thirty years later the remains of a young woman, an activist who campaigned for justice while her husband continued to work during the strike, are found in a garden.
You root for Resnick, the world-weary detective who despite coming across every possible flaw in the human condition is still driven to bring criminals to justice – even if this means troubled times in his life come back to haunt him.
Thirty years ago, the British Miners' Strike threatened to tear england apart, turning neighbor against neighbor, husband against wife, father against son-enmities which still smolder.
Charlie Resnick, recently promoted to Detective Inspector and ambivalent, at best, about some of the police tactics used in the Strike, had run a surveillance-gathering unit at the heart of the dispute.
Now, in virtual retirement, the discovery of the body of a young woman who disappeared during the Strike brings Resnick back to the front line to assist in the investigation into the woman's murder-forcing him to confront his past-in what will assuredly be…
Corey Anton is Professor of Communication Studies at Grand Valley State University, Vice-President of the Institute of General Semantics, Past President of the Media Ecology Association, and a Fellow of the International Communicology Institute. He is an award-winning teacher and author. His research spans the fields of media ecology, semiotics, phenomenology, stoicism, death studies, the philosophy of communication, and multidisciplinary communication theory.
Susanne K. Langer was a philosopher of aesthetics, and a specialist in the nature of symbolism and language. This classic book, dedicated to Alfred North Whitehead, contains her now somewhat famous distinction between “presentational forms” and “discursive forms,” which refers, roughly to symbolism such as sculpture and architecture which present much-at-once, and symbolism such as music and language which disclose their meaning linearly over time. She also brilliantly lays out her views on “Language,” where in a chapter by that name, she critiques instinct theories, challenges naïve views, and speculates on how human beings are evolutionary descendants of singing, dancing, pantomiming apes.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.
By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
This case has a spoiler, but a famous one: we wait halfway through the book before we’re suddenly hanging out with Death herself. For the first half, there is an epidemic of life. As the new year rings in, suddenly, nobody can die, no matter what happens to them.
Celebrations slowly turn into existential dread and bafflement that sweep the globe, and the whole novel could have been like that. But in Saramago’s novel, we pivot to meeting Death and learning why she’s unwilling to go to work today and what things are preoccupying her more than upholding the natural order. Maybe it’s the dating scene. When Death can’t get someone out of her thoughts, it has ramifications.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
Thomas Mann, “puts clothing on the myth” of the biblical story of Joseph in this deeply profound and moving novel that reveals aspects of the human condition: love, greed, ruthlessness, forgiveness, jealousy, and ambition. Joseph and His Brothers remains relevant to the 21st-century reader. If I had to choose one novel to take with me to read on an isolated island, this would be the one I chose.
THE BOOK- As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range- its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .
I have always wanted to be a writer. I love reading and am inspired by authors of character-driven novels—Anne Tyler, Elizabeth Berg, Colm Toibin, Anna Quindlen, and others—who take time to explore the inner thoughts and motivations of their protagonists. The novels I picked take the reader deep into the interior thoughts of their protagonists. As they explore the complexities of relationships amid the texture of ordinary life, they reveal the fragility and strength of the characters as we discover what simmers beneath the surface of their relationships. Long after reading them, I remember the characters and the time I spent with them.
James Salter takes us deep into an exploration of the human condition and fragility of relationships with his narrative of the domestic life of an affluent American family with seemingly perfect lives on the surface. Through small details and observations of daily life, Salter brings us closely into their world—like voyeurs, we observe the fissures that simmer underneath their searches for happiness.
We move through years of their lives as their marriage crumbles with the passage of time and the coexistence of love and betrayal.
Nedra and Viri are a married couple whose favoured life is centred around dinners, ingenious games with their children, enviable friends and near-perfect days passed skating on a frozen river or sunning on the beach. But fine cracks are beginning to spread through the shimmering surface of their life - flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, tender and resonant, Light Years is an exquisite novel of lost lives and the elusiveness of happiness.
