This is a beautifully written and inventive fantasy novel, based on Mayan mythology and set in the Jazz Age in Mexico.
A spunky Cinderella-esque heroine is forced to accompany the deposed God of the Dead on his quest to regain his throne, and slowly realizes that his quest offers her a chance to escape her tiny village and experience the world she’s only dreamt of seeing. She comes into her own as she pits her wits against a variety of human and inhuman opponents.
I loved it so much, I re-read it as soon as I finished.
'This is historical fantasy at its best' S.A. Chakraborty, author of The City of Brass
Inspired by Mexican folklore, Gods of Jade and Shadow is a magical, wildly imaginative coming-of-age tale for fans of Katherine Arden, Naomi Novik and Helene Wecker.
The Jazz Age is in full swing, but it's passing Casiopea Tun by. She's too busy scrubbing floors in her wealthy grandfather's house to do anything more than dream of a life far from her dusty, small town in southern Mexico. A life she could call her own.
This dream is impossible, distant as the stars - until the…
On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
This book isn’t about graves. It’s about dead people. And I’m all about dead people. This book lured me in with the supernatural component, kept me in suspense with multiple mysteries (including who the hot guy is), and invested me through Charley’s empathy. Her empathy is her superpower and her Achilles’ heel.
I love genre-defying books, especially when the female protagonist is kick-ass without being butch, smart while flawed and hilarious, and child-like without being emotionally immature. Between kicking dead people out of her bathroom and solving their murders, being seduced by the hot guy plaguing her dreams, and dodging her evil stepmother, this book (and the rest of the series) reminds me of the humanity of humans. Charley sees the good in people, alive and dead, and inspires me to see it, too.
Private investigator Charlotte Davidson was born with three things: looks; a healthy respect for the male anatomy; and the rather odd job title of grim reaper. Since the age of five, she has been helping the departed solve the mysteries of their deaths so they can cross. Thus, when three lawyers from the same law firm are murdered, they come to her to find their killer. In the meantime, Charley's dealing with a being more powerful - and definitely sexier - than any spectre she's ever come across before. With the help of a pain-in-the-ass skip tracer, a dead pubescent…
I first got fascinated with fantasy as a very reluctant high school reader. I didn’t like to read all that much because I was a slow reader and it was a laborious task for me. A high school friend offered me a fantasy book to read sophomore year and I couldn’t put it down. That one book started me on a reading journey that has never stopped. I also studied English, became a teacher, and finally began writing my own fantasy. These books took a reluctant reader in high school to the man and author I am today. I hope my own work does the same for future writers.
This is the first book of the Incarnation series. What got me to read this book was the description. A man sees the incarnation of Death (the dark hooded grim reaper) and he shoots and kills him. Now that he has killed death, he must take Death’s place and become Death himself.
The second book in the series is about Chronos (time) and he lives his life backwards! The entire novel is written with time moving opposite of everyone else in the novel. I read these books in my early twenties and a lot of the series plot points still stick with me today. I have been influenced by it because in my series if one kills a mage, they must take their place as that mage.
I think The Doctor in Doctor Who and his wife moving opposite in time might have been influenced by the second book, I…
In this first novel of the Incarnations of Immortality, Piers Anthony combines a gripping story of romance and conflicting loyalties with a deeply moving examination of the meaning of life and death. This is a novel that will long linger in the reader's mind.
Shooting Death was a mistake, as Zane soon discovered. For the man who killed the Incarnation of Death was immediately forced to assume the vacant position! Thereafter, he must speed over the world, riding his pale horse, and ending the lives of others.
Zane was forced to accept his unwelcome task, despite the rules that seemed…
Jennifer Bean Bower is an award-winning writer and native Tar Heel. A passionate student of North Carolina history, Bower seeks to document the lesser-known people, places, and events of her state's past. She is the author of four books: North Carolina Aviatrix Viola Gentry: The Flying Cashier; Animal Adventures in North Carolina; Winston & Salem: Tales of Murder, Mystery, and Mayhem; andMoravians in North Carolina.
Dead and Gone was the first book I purchased with my own “earned” money. I was ten years old when I saw the book on display in a North Carolina bookshop. The book’s cover was orange and featured an illustration of the grim reaper in a top hat and coat. Needless to say, it grabbed my attention. Inside, Wellman’s words did not disappoint as he brought ten (pre-1914) North Carolina murders vividly to life. In fact, his words were so vivid, that I could not put the book down and finished reading it in a day. Wellman’s book sparked my interest in North Carolina’s not-so-happy past and I am sure it will spark your interest too.
Violent dealth is amazingly apt to remind us of vigorous life; these ten stories of classic North Carolina murders which occurred between 1808 and 1914 represent a much neglected part of the exciting history of the state. Victims include a Confederate general, a lovely orphan girl, a pathetic little boy, and a highly offensive political boss. The motives are the usual ones -- gain, revenge, ""elimination,"" and jealousy. The plaintive history and untimely death of Naomi Wise -- ""poor 'Omi"" they called her in Randolph County over five generations ago -- strikingly counterparts Dreiser's An American Tragedy ; Ida Bell…
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
This is another book about death that will also make you laugh.
I appreciate how direct this book is while still managing to be tender and sensitive. And the artwork matches the tone of the text well. Death looks both friendly and a little creepy.
It may not be for every family, but I love how oddly funny and heartbreaking this book is.
From award-winning author and illustrator, Wolf Erlbruch, comes one of the world’s best children’s books about grief and loss.
In a curiously heart-warming and elegantly illustrated story, a duck strikes up an unlikely friendship with Death. Duck and Death play together and discuss big questions. Death, dressed in a dressing gown and slippers, is sympathetic and kind and will be duck’s companion until the end.
“I’m cold,” she said one evening. “Will you warm me a little?” Snowflakes drifted down. Something had happened. Death looked at the duck. She’d stopped breathing. She lay quite still.
I have an amazing daughter in my life, and I want there to be more books for her to read that feature strong, admirable, and good women in leading roles. That’s one of the things I keep an eye out for in the books I read as well as the books I write.
This one is a long, very long, fantasy epic, so be warned! Despite the length of the work, it ended up being an incredible read. Trin is one of the main characters the story follows. She’s a young woman who ‘accidentally’ unleashed a curse that has doomed the world to a future of death and destruction, and she’s desperately seeking a way to break this curse. In so doing, she gets caught up in an ancient blood feud between gods and full-blown war between mighty empires.
1200 Pages of Epic Fantasy that reviewers are comparing to Malazan and Wheel of Time.
War between gods. Mortals are pawns. Fate lays a curse to bring Death to the world. A boy makes a list of people to kill. What could go wrong?
Jem just killed his father. He should have done it five years ago, but kids don't always make good decisions. Next on Jem's list is a military tyrant. Maybe the whole Legion. With so many people to kill, Jem hopes to satisfy his hunger for vengeance... and obtain redemption too.
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
This case has a spoiler, but a famous one: we wait halfway through the book before we’re suddenly hanging out with Death herself. For the first half, there is an epidemic of life. As the new year rings in, suddenly, nobody can die, no matter what happens to them.
Celebrations slowly turn into existential dread and bafflement that sweep the globe, and the whole novel could have been like that. But in Saramago’s novel, we pivot to meeting Death and learning why she’s unwilling to go to work today and what things are preoccupying her more than upholding the natural order. Maybe it’s the dating scene. When Death can’t get someone out of her thoughts, it has ramifications.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
This book is so very weird in the best possible way. It’s also gritty, unglamorous, tender, and impossibly beautiful.
Death isn’t some grand, scary figure, but rather a bit of a hapless rube. And his love interest Molly is doing the best she can under very trying circumstances. Seeing them come together and carve out a life is both heartbreaking and heart-healing.
Azrael--Grim Reaper, Destroyer, Angel of Death--has messed up. Instead of taking Molly Molloy's soul, he accidentally saves her from death by chicken wing. Now this utterly unexceptional waitress at a New York City breastaurant can see him.
Touch him.
Talk to him.
Question him.
Make him doubt.
The Powers that Be are waiting for Death to fix his mistake. But before he can, he makes one more...
I’ve adored fantasy adventures for as long as I could read. A good story is a mirror of life, and sometimes life can feel hard, cold, and impersonal. Yet life can also be an adventure, and like fictional heroes, the way in which we overcome our challenges is what makes us truly human. And sometimes it’s the actions of fantastical or inhuman creatures that show us true humanity.
When a hero overcomes their challenges in a way that shows humanity, I stand up and cheer. When they do it in a way that’s creative or funny, I laugh. When an author can do both, I treasure it.
While it’s hard to pick a single favorite among the Discworld series, Mort stands out for me as a mix of a bizarre concept, quirky characters you can cheer for, and unexpected plot twists.
It’s hard to imagine a book about death being so funny, but the outlandish premise sets a stage rife with opportunities for humor. And yet, it’s the characters that really carry the story. Characters of this world have a wide spectrum of moralities, and yet despite their flaws and mistakes, you find yourself cheering for them.
'Cracking dialogue, compelling illogic and unchained whimsy' Sunday Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
Death comes to us all. When he came to Mort, he offered him a job.
Death is the Grim Reaper of the Discworld, a black-robed skeleton carrying a scythe who must collect a minimum number of souls in order to keep the momentum of dying, well . . . alive.
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
The older sister of Dream, Death of the Endless manifests as a perky goth girl, a fan of Mary Poppins.
The most powerful of the Endless, she is also the warmest and most caring. For one day out of every century, Death consigns herself to take on the form of a mortal fated to die in order to remember the value of the gift she is taking. This is the setting of The High Cost of Living, my favorite of the Sandman comics featuring Death. "It always ends," Death says when her day is over. "That's what gives it meaning."
Written by Neil Gaiman; Art by Chris Bachalo, Mark Buckingham, and Dave McKean From the pages of Neil Gaiman's SANDMAN comes the young, pale, perky, and genuinely likable Death. One day in every century, Death walks the Earth to better understand those to whom she will be the final visitor. Today is that day. As a young mortal girl named Didi, Death befriends a teenager and helps a 250-year old homeless woman find her missing heart. What follows is a sincere musing on love, life and (of course) death.
