Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden,I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful, fending for herself onThe Island of the Blue Dolphins,I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing.
As a little girl reading Heidi, I was wholeheartedly convinced that invigorating mountain air, wildflower meadows, laughter, and alpine cheese made from the fresh milk of goats grazed on lush Swiss grass was the cure-all for what ailed humanity. Even now, you would be hard-pressed to convince me otherwise. If ever there was a story that could feed the hungry spirit of a city child and inspire dreams of back-to-the-land living, Spyri’s enchanting classic is it.
Heidi has captivated and enthralled readers since it was first published. Heidi, an orphan, has to move in with her stern, demanding grandfather in the Swiss Alps, and just as she begins to feel at home she finds herself back in a city caring for a sick relative. This classic coming of age story explores the balance between freedom and family responsibilities. The joyously triumphant resolution will stays with the reader for a long time.
I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.
Yes, another novel set largely in a hotel. This time it’s in Switzerland and overlooks Lake Geneva, spreading, in the wonderful words of Anita Brookner, "like an anaesthetic towards the invisible further shore." Edith Hope is a writer of romantic fiction. She arrives at the "stolid and dignified" Hotel du Lac in late autumn. This is not a holiday for Edith. Her friends and family have insisted she go away for a few weeks to ponder a ‘social indiscretion’. She was due to marry Geoffrey, a boring man she didn’t love, and deserted him on the day of the wedding. Her heart had gone out to David, a married man.
Brookner had an enviable gift for describing people and their peculiarities. Those whom Edith Hope meets at the hotel are largely from the aristocracy, and each and every one is eccentric in the extreme. Edith describes her fellow guests to…
BOOKER PRIZE WINNER • When romance writer Edith Hope’s life begins to resemble the plots of her own novels, she flees to Switzerland, where the quiet luxury of the Hotel du Lac promises to restore her to her senses.
But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive.
Family history has always fascinated me. I didn’t want mine to be buried with my loved ones. So, out of curiosity, I asked relatives lots of questions. If unsatisfied, I sought answers elsewhere. I traveled as far as Celle San Vito, Italy, where my grandfather was born, to solve a one-hundred-year-old mystery, and I filmed it for others to enjoy. I’ve memorialized momentous family events in poems, handmade greeting cards, memory books, screenplays, a documentary, and now, in my memoir A Cup of Tea on the Commode. The books on my list are about “family.” I’ve been moved by each, and I hope they move you as well.
Amy’s story is filled with many welcome laughs to break up the many dramatic moments. And I thank her for that.
It’s a beautiful yet tragic love story. After a terminal diagnosis, her husband chose to leave this world with dignity. Amy supports his decision, knowing she’ll spend the rest of her days alone. It raises many questions. “What would I do in this situation?” Could I make the same sacrifice? Could I support my spouse if she chose the same?
I love that we are with them every step of the way. In our country, why can’t we decide how and when to leave this world when faced with a terminal diagnosis? We do this with our pets. I don’t know why we can’t do this for our loved ones instead of draining them of their dignity and the family of their finances.
A poignant love letter to Bloom's husband and a passionate outpouring of grief, In Love reaffirms the power and value of human relationships.
In January 2020, Amy Bloom travelled with her husband Brian to Switzerland, where he was helped by Dignitas to end his life while Amy sat with him and held his hand. Brian was terminally ill and for the last year of his life Amy had struggled to find a way to support his wish to take control of his death, to not submerge 'into the darkness of an expiring existence'.
As the author of comedy cosy mystery novels, including a series set in an eccentric boarding school for girls, I’m always attracted by the notion of closed, clearly-defined worlds as colourful settings for stories of crimes and misdemeanours. Having worked for 13 years in a girls’ boarding school, where I loved being part of its lively and spirited community, I am very familiar with the quirks and foibles, as well as the practicalities, of boarding school life, and I really enjoy reading other people’s impressions and interpretations of boarding schools of all kinds.
Moving on now to something more serious, this is the start of a very long and very popular saga set at a girls’ boarding school, founded in the 1920s, by a pair of sisters without any apparent qualifications, in a Swiss chalet, as a means of supporting themselves. It’s a children’s book but has a huge following among adults, with its many adventures featuring an ever-changing range of pupils and teachers from all over the world. They’re now very dated (not least for their cavalier attitude to health and safety and indeed towards education), but they have a timeless charm.
Madge Bettany's plan to start a school in the mountains of the Austrian Tyrol is very exciting for her younger sister Joey - because Joey will be the first pupil.
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.
There were so many things that I loved about this book, starting with its riveting first scene. When I teach classes about great beginnings, I stress the need to hook a reader in the first three pages. Goyer and Yorkey did that and more. They kept me hooked until the surprising denouement. Make no mistake. I would not have wanted to live in Europe during World War II, but Goyer and Yorkey’s collaboration is filled with so many fascinating details of life during that tumultuous and dangerous time along with an introduction to the fine art of safe cracking that I couldn’t put it down.
It is August 1944 and the Gestapo is mercilessly rounding up suspected enemies of the Third Reich. When Joseph Engel, a German physicist working on the atomic bomb, finds that he is actually a Jew, adopted by Christian parents, he must flee for his life to neutral Switzerland. Gabi Mueller is a young Swiss-American woman working for the newly formed American Office of Strategic Services (the forerunner to the CIA) close to Nazi Germany. When she is asked to risk her life to safely "courier" Engel out of Germany, the fate of the world rests in her hands. If she…
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Immediately after the war, a bereaved woman returns alone to her family’s summer home in the Swiss Alps. It is a beautiful place, but she’s terrified of the memories it stirs, and haunted by the ghosts of those she’s lost. When a couple of lost English widows happen upon her house, she seizes eagerly on their company and the distraction they provide. She invites them to stay, and quickly forms an intense and rather desperate attachment to them. This novel gives a fine evocation of a time when so many felt displaced, when it was as if the tectonic plates of civilised existence had shifted the safe ground from beneath their feet. We see the journey of (eventually) a quartet of bereaved and war-shattered people towards a sort of healing, wholeness, and peace – as well as a new tolerance towards the differences of others.
In the Mountains is a book by Elizabeth von Arnim. An English woman eludes confusing personal troubles in London and seeks shelter at her lodge amongst the Swiss Alps.
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
The monster of the Bernese Alps, the north face of the Eiger (“the Ogre”), a sheer face of rock taunting and tempting intrepid Alpinists, resisted all attempts to climb it until 1938. Prior to that, climbers fell to their deaths with distressing frequency, made even more macabre by an accident of touristic geography that provided a luxury hotel on a nearby hillock with an unobstructed view of the serial catastrophes. The Austrian Herrer at last summited the face in this white-knuckle tale of determination, grit and luck.
A classic of mountaineering literature, this is the story of the harrowing first ascent of the North Face of the Eiger, the most legendary and terrifying climb in history.
Heinrich Harrer, author of 'Seven Years in Tibet' and one of the twentieth century's greatest mountaineers, was part of the team that finally conquered the Eiger's fearsome North Face in 1938. It was a landmark expedition that pitted the explorers against treacherous conditions and the limits of human endurance, and which many have since tried - and failed - to emulate.
Armed with an intimate knowledge that comes only from first-hand…
Mike Thorn is the author ofShelter for the Damned,Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien,Dark Moon Digest, andThe NoSleep Podcast. His books have earned praise from Jamie Blanks (director ofUrban LegendandValentine), Jeffrey Reddick (creator ofFinal Destination), and Daniel Goldhaber (director ofCam). His essays and articles have been published inAmerican Twilight: The Cinema of Tobe Hooper(University of Texas Press),Beyond Empowertainment: Exploring Feminist Horror(Seventh Row),The Film Stage, and elsewhere. He is currently pursuing his PhD in Creative Writing at the University of New Brunswick.
Anna Kavan’s Asylum Piecepresents exciting stylistic possibilities for the world of “personal fiction.”The book defies easy genre categorization, but one might describe it as an experimental, thematically connected collection of autofiction. Drawing on her own experiences in a Swiss sanitarium (from which she was dispatched in 1938), Kavan excavates her psychological traumas and filters them through sequences of vignettes and short stories, conveying states of extreme emotional distress through a restrained, intensely lucid form. An unblinking study of alienation, mental disarray, and feelings of helplessness under bureaucratic control, Asylum Piecetakes up a lot of space in my mind.
This collection of stories, mostly interlinked and largely autobiographical, chart the descent of the narrator from the onset of neurosis to final incarceration in a Swiss clinic. The sense of paranoia, of persecution by a foe or force that is never given a name, evokes The Trial by Kafka, a writer with whom Kavan is often compared, although her deeply personal, restrained, and almost foreign —accented style has no true model. The same characters who recur throughout—the protagonist's unhelpful "adviser," the friend and lover who abandons her at the clinic, and an assortment of deluded companions—are sketched without a trace…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
My favorite of Hemingway’s books, this great anti-war novel about a passionate love affair between a young, wounded soldier and the beautiful nurse who cares for him, never loses its power for me despite repeated readings.
I admire not only the book’s lyrical writing, exquisite observations and heartbreaking story, but also how the horror of what men are experiencing on the battlefield is mirrored in the tragedy of Catherine’s death in childbirth.
Ernest Hemingway's classic novel of love during wartime.
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield, this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Hemingway famously rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. A…
