Peter Guralnick has been called "a national resource" by critic Nat Hentoff for work that has argued passionately and persuasively for the vitality of this country’s intertwined black and white musical traditions. His books include the prize-winning two-volume biography of Elvis Presley, Last Train to Memphis and Careless Love; Searching for Robert Johnson; Sweet Soul Music; and Dream Boogie: The Triumph of Sam Cooke. His 2015 biography, Sam Phillips: The Man Who Invented Rock ‘n’ Roll, was a finalist for the Plutarch Award for Best Biography of the Year, awarded by the Biographers International Organization. His most recent book is Looking to Get Lost: Adventures in Music and Writing.
It was Hemingway’s Boat, with its discursive Shandean style, that set the tone for my book. It was the only way I knew to tell a story that was so uniquely decentralized, so rollickingly exploratory, but I couldn’t begin to rival Paul Hendrickson, who remains the master of the tangential truth, digging deeper into the soul of the man than any Hemingway biography I have ever read – by focusing on his boat. At one point in my Phillips biography, after wandering off-course for 60 pages and finally coming back to the narrative moment I had abandoned, I wrote, “For all of my faith in extended digression I hope I haven’t stretched the limits of reader patience too much by now. Let me just pick up the thread.” But this is nothing compared to Paul Hendrickson’s masterful command of seemingly structureless story-telling, the non-fiction equivalent of some of Alice…
"A man who let who let his own insides get eaten out by the diseases of fame had dreamed new books on this boat. He'd taught his sons to reel in something that feels like Moby Dick on this boat. He'd accidentally shot himself in both legs on this boat. He'd fallen drunk from the flying bridge on this boat. He'd written achy, generous, uplifting, poetic letters on this boat. He'd propositioned women on this boat. He'd hunted German subs on this boat. He'd saved guests and family members from shark attack on this boat. He'd acted like a bully…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
Surprisingly little has been written about the postwar Occupation of Germany by the US, UK, France, and USSR. Yet it was a crucial and colorful, one might say lurid, interval in recent history. Berlin, which is the setting of my novel, The Living and the Lost, was a latter day Wild West where drunken soldiers brawled; the desperate preyed on the unsuspecting; spies plied their trade; werewolves, as unrepentant Nazis were called, schemed to rise again; black markets peddled everything from drugs to sex; and forbidden fraternization between American G.Is and Frauleins was rampant. I did a great deal of research on the period and place. Here are five books that bring the world stunningly to life.
The Last of the Conquerors by William Gardner Smith, a Black G.I. who served in Germany after the war, is a beautifully written, with a Hemingwayesque flair, look at the Occupation from someone who was there. This clear indictment of the segregated U.S. Army pretending to spread democracy and equality in a defeated nation that treats Blacks perhaps not well, but better than America does, is honest, painful, and especially relevant to our moment. An interesting footnote to the book is the difficulty of obtaining a copy these days. The one I read came from the New York Public Library, but a quick check of used books online reveals an old paperback that was originally 75 cents now selling for $35 and a hardcover for $475.
'Last of the Conquerors' handles the explosive theme of Negro GI's in Occupied Germany--their experiences with the men, women and girls of that defeated country. From inside Front Cover: "Now I know what it is to walk into any place, any place, without worrying about whether the serve colored. You ain't been here long enough to feel that like I do. You know what the hell I learned? That a nigger ain't no different from nobody else....They don't teach that stuff back in the land of the free." In Occupied Berlin, Negro soldiers were treated in a way that they…
I am a painter and a writer from Myanmar. The former profession is what I chose when I was 15 and began at 21, featured in a group exhibition of modern art and the only woman among several men. Since then I have exhibited in several group shows and have had seven solos.
In the early 2000s by chance - and financial need - I became the Contributing Editor for the Myanmar Times weekly and a travel magazine until they closed down. Since then I have written around 20 books on food, culture, and travels and it kept me so busy that my art was put on hoId, but I hope to resume one day soon.
This book is, in my opinion, the best travelouge ever. She has been my hero since I read her For Richer or Poorer and saw what she said about my fellow countrymen: ''They were stronger in their defencelessness than the various khaki-clad people who overrun them'. She got straight to the core of the matter. And how true about being overrun: happening, again, right now, early 2021.
Her Travels with Myself and Another is my favorite among her works. It is full of powerful insight and absolutely great writing whatever she was describing, be it meeting Chiang Kai-shek (she was not impressed) or Zhou Enlai (she was) or people in the street
Out of a lifetime of travelling, Martha Gellhorn has selected her "best horror journeys". She bumps through rain-sodden, war-torn China to meet Chiang Kai-Shek, floats listlessly in search of u-boats in the wartime Caribbean and visits a dissident writer in the Soviet Union against her better judgement. Written with the eye of a novelist and an ironic black humour, what makes these tales irresistible are Gellhorn's explosive and often surprising reactions. Indignant, but never righteous and not always right, through the crucible of hell on earth emerges a woman who makes you laugh with her at life, while thanking God…
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a café terrace in Paris watching the world go by.
If I tell you I'm coming from Roaring Twenties and I have fascinating conversations with great characters who lived in Paris in 1920s, you will maybe think I'm a bit weird. And you will be right.
That's my Parisian life. In front of a café crème at La Rotonde café in Montparnasse, I fight with Picasso and I flirt with the young Hemingway.
And my best friend is called Kiki de Montparnasse. I know how to choose my best friend. Kiki was friendly with a strong temper and beautiful. She posed for painters and sculpters whose art now costs a fortune.
And of course Kiki was elected queen of Montparnasse, the place where modern art was created and the navel of the world, according Henry Miller. And like Miller, Kiki's book was censured in USA because it was too spicy.
She even has an introduction written by Ernest Hemingway—a rare…
In the bohemian and brilliant Montparnasse of the 1920s, Kiki managed to escape poverty to become one of the most charismatic figures of the avant-garde years between the wars. Partner to Man Ray - whose most legendary photos she inspired - she would be immortalised by Kisling, Foujita, Per Krohg, Calder, Utrillo and Leger. Kiki was the muse of a generation that seeks to escape the hangover of the Great War, but she was above all one of the first emancipated women of the 20th century.
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
Paul Preston needs no introduction to readers of contemporary Spanish history. He embodies the term ‘Hispanist’ and has been writing about the country for decades, with a focus on the Spanish Civil War. Preston tells the gripping tale of those who fought to tell the story, often at risk to their own lives, namely the foreign correspondents who, in reporting the war, made every effort to reveal the truth. Preston catches this column-inch internationalism with brilliance in his survey of such notables as Ernest Hemingway and Henry Buckley. The book is absorbing, frequently moving, and sprinkled with humour. It fills a crucial gap in the historiography of the Spanish Civil War.
The war in Spain and those who wrote at first hand of its horrors.
From 1936 to 1939 the eyes of the world were fixed on the devastating Spanish conflict that drew both professional war correspondents and great writers. Ernest Hemingway, John Dos Passos, Josephine Herbst, Martha Gellhorn, W. H. Auden, Stephen Spender, Kim Philby, George Orwell, Arthur Koestler, Cyril Connolly, Andre Malraux, Antoine de Saint Exupery and others wrote eloquently about the horrors they saw at first hand.
Together with many great and now largely forgotten journalists, they put their lives on the line, discarding professionally dispassionate approaches and…
I am a Minnesota writer of cozy mysteries and contemporary fiction. I love the magical and care deeply about nature, the environment, and what is happening due to climate change. My novel was a chance to combine both interests. I wrote the first draft of Up There during the pandemic. While we were locked down, I spent time with a character who could fly. But while she was free, I discovered she was still lost. I spent so much of that year walking in the woods—thinking about how our world is changing, how confusing it is, and how we all are a little lost in these times.
On a quiet street in Dublin, a lost bookshop is waiting to be found… Who could resist that?
I was glad I found this book and its author Evie Woods. She seduced me with her lovely writing and compelling characters. I loved the magical moments when a tree takes over a bedroom just to supply the occupant with books the tree thinks will help her.
I like the idea that no matter what baggage we carry—betrayal, abuse, lost love—we can grow, face our personal truth, and step into a wondrous world.
The Echo of Old Books meets The Lost Apothecary in this evocative and charming novel full of mystery and secrets.
'The thing about books,' she said 'is that they help you to imagine a life bigger and better than you could ever dream of.'
On a quiet street in Dublin, a lost bookshop is waiting to be found...
For too long, Opaline, Martha and Henry have been the side characters in their own lives.
But when a vanishing bookshop casts its spell, these three unsuspecting strangers will discover that their own stories are every bit as extraordinary as the ones…
Growing up in a Kentucky coal-mining community, I enjoyed reading about the lives of other people and how their experiences differed from mine. I read biographies of famous people, such as Paul Revere or Stephen Foster, and an occasional memoir, such as Harlan Ellison writing about infiltrating a juvenile gang or David Gerrold revealing how he came to write forStar Trek. Fiction also took me to places that I had never seen. But something about a coming-of-age tale especially resonated with me and I hope these recommendations will help you make that same connection with how others have navigated the magic and miseries of childhood.
My only fiction pick, this classic novel set in Florida in the 1870s is about 12-year-old Jody Baxter and his friendship with a fawn. I became familiar with this coming-of-age tale in an unusual way. In seventh grade, I was on a school speech team, and one of the other kids competed in the storytelling competition using an excerpt fromThe Yearling. That excerpt included the moment when Jody’s father talks to him about becoming a man: “What’s he to do when he gits knocked down? Why, take it for his share and go on.” That phrase stuck with me, and was even more powerful years later when I read the novel in its entirety and learned all that Jody had gone through by the time he and his father reached that moment.
The Yearling is a novel by Marjorie Kinnan Rawlings published in March 1938. It has been translated into Spanish, Chinese, French, Japanese, German, Italian, Russian and 22 other languages. It won the 1939 Pulitzer Prize for the Novel. Rawlings's editor was Maxwell Perkins, who also worked with F. Scott Fitzgerald, Ernest Hemingway, and other literary luminaries. She had submitted several projects to Perkins for his review, and he rejected them all. He advised her to write about what she knew from her own life, and The Yearling was the result.
The Boulevardis a weird historical fiction in a supernatural frame. What’s not to like?
Satan has presumptuously had Vincent Van Gogh brighten up the main street of his gloomy, corporeal Hell. God would definitely not approve.
So when God decides to pay the dark realm an unprecedented visit, Satan sadly realizes he’ll have to tear it all down. On a train ride to break the news to the reclusive artist, he regales drinking companion Ernest Hemingway with the history of how the project came about, including a well-researched and wonderfully shaped walk-through of Western art history.
Known for his Saint John-based novels, Jerrod Edson enters the world of speculative literature with The Boulevard, an ambitious novel featuring Ernest Hemingway, Vincent van Gogh, Satan, and a train ride through Hell.
For the first time since Satan's banishment, God plans a visit to the lower world, and Satan is in a bind. In defiance, he has built Hell in the image of Heaven, but now he must destroy its beauty or face God's wrath. Singed with dark humour, packed with historical detail and written in Edson's straightforward style, with themes that include the search for happiness and the…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
My favorite of Hemingway’s books, this great anti-war novel about a passionate love affair between a young, wounded soldier and the beautiful nurse who cares for him, never loses its power for me despite repeated readings.
I admire not only the book’s lyrical writing, exquisite observations and heartbreaking story, but also how the horror of what men are experiencing on the battlefield is mirrored in the tragedy of Catherine’s death in childbirth.
Ernest Hemingway's classic novel of love during wartime.
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield, this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Hemingway famously rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. A…
