Here are 100 books that White Lies fans have personally recommended if you like
White Lies.
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I grew up in a large family that initially didn’t include my mother or father. My mother made the sacrifice of leaving our island of Trinidad to make a home for us in Canada. She was separated from us for years while my grandparents raised me and my brothers. I think that type of upbringing triggered my curiosity about what a family can be. When I became a father at 18, the question of what kind of family I would build became the central theme of my life. It still is today, which is why stories that revolve around family are so captivating for me.
I loved this book because it shows generations of family sacrifice and how the decisions we make in our lifetime can live on for decades after we pass.
I rushed to read this book every evening and had to pull myself away. It was so amazing to me that this author could weave through years and years of family history in a clear, coherent, and powerful way.
* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club *
'This is a captivating book... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.
Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja…
I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I picked it up because it had Nothing in the title, but I discovered a powerful story about the Cultural Revolution in China and how that traumatic event has been remembered across generations in a diaspora.
I was drawn in by the characters, their quirks, and their tragedies. While the story is about a family of classical musicians, there are so many beautiful Nothings woven in, like the meaning of zero or how the daily experience of encountering propaganda shapes people’s lives even when it means Nothing to them personally. Do not say we have Nothing in common with them today.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers…
I grew up in a large family that initially didn’t include my mother or father. My mother made the sacrifice of leaving our island of Trinidad to make a home for us in Canada. She was separated from us for years while my grandparents raised me and my brothers. I think that type of upbringing triggered my curiosity about what a family can be. When I became a father at 18, the question of what kind of family I would build became the central theme of my life. It still is today, which is why stories that revolve around family are so captivating for me.
The mother. The mother, the mother, the mother. I just couldn’t get over the decisions the mother made in this story. They were right for her but completely wrong at the same time.
Even thinking back on this novel now, I feel so conflicted. Like, do I even like this character? But that’s the thing, isn’t it? You get so caught up in a novel and feel like it’s somehow a reflection of your personal life and values.
To be completely honest, so much of this novel mimicked what I was going through in my real life. It resonated in ways I can’t even explain.
SHORTLISTED FOR THE MAN BOOKER PRIZE 2013.
From Subhash's earliest memories, at every point, his brother was there. In the suburban streets of Calcutta where they wandered before dusk and in the hyacinth-strewn ponds where they played for hours on end, Udayan was always in his older brother's sight.
So close in age, they were inseparable in childhood and yet, as the years pass - as U.S tanks roll into Vietnam and riots sweep across India - their brotherly bond can do nothing to forestall the tragedy that will upend their lives. Udayan - charismatic and impulsive - finds himself…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
I think Jamaica Kincaid’s novel is one of the great books of the 20th century. Though it barely breaks 160 pages, it is packed with more voice, personal and national history, political critique, style, humor, and heart than many novels five times its size.
I am a fan of all of Kincaid’s books, but there’s something truly special about this one. It’s a quantum leap forward from her (also very good!) debut novel, Annie John. In addition to re-reading for pleasure, I also reread Lucy every time I teach it, and it never fails to delight and surprise and inspire me as much as it did the first time.
The coming-of-age story of one of Jamaica Kincaid's most admired creations--available now in an e-book edition.
Lucy, a teenage girl from the West Indies, comes to America to work as an au pair for a wealthy couple. She begins to notice cracks in their beautiful façade at the same time that the mysteries of own sexuality begin to unravel. Jamaica Kincaid has created a startling new heroine who is destined to win a place of honor in contemporary fiction.
In middle school, I wrote my first novel calledChildren of the House. It pulled inspiration from the likes of Shirley Jackson, Stephen King, William Shakespeare, and Leo Tolstoy. I was attempting to explore family dynamics while also describing bloody stains on the hallway carpet that would never quite go away. When I read, I would travel from literary fiction to horror with ease until I began to realize the distinction was unimportant. Horror reflects the struggles of the every day in a heightened fashion. Books of this genre often have more freedom to explore the deepest issues that plague us and to do so in a way that will reach a wider audience.
Ghost Eaters is a deep dive into the horrors of addiction. While the focus is largely on substance abuse, the book also explores love addiction and grief in fresh ways. Erin, the protagonist, loses her graduate school friend and love to an overdose. As she tries to explore the details of Silas’ final days, she finds herself mixed up in a new drug—one that allows the user to communicate with the dead. Discovering what happened to Silas, leads Erin to learn far more about herself and her own addictive personality than it does about Silas or his final days.
A Gothic-punk graveyard tale about what haunts history and what haunts the human soul. An addicting read that draws you into its descent from the first page. Chuck Wendig, New York Times best-selling author of The Book of Accidents. From the acclaimed author of The Remaking and Whisper Down the Lane, this terrifying supernatural page-turner will make you think twice about opening doors to the unknown. Erin hasn t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab again she knows she needs to…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
I guess that this book doesn’t really count, as Duras was born and grew up in Vietnam; a Frenchwoman in Indochina, she wasn’t living abroad.
Her portrayal of her own coming of age and sexual awakening (still rather controversial to many) illuminates not only the way colonial society was structured but also larger themes of love and loss.
It was one of the first things I read before moving to Laos, and her voice, singular and astonishing, has never left me.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
I love studying the ins/outs of humanity and our interactions, but especially, EI (emotional intelligence). A lot of emphasis is put on being “smart” and analytical (think IQ), but EI is largely ignored.
Relationships thrive (and die) on EI! In the novels I write, I explore the emotional side of relationships and how, if we pay attention to this other side of intelligence, beautiful interactions happen.
Typically, I don’t find riveting EI in books—and so when I do, I gobble the book up once, then twice, and possibly a third time, then tell everyone I know to GO READ THAT BOOK!
The sole survivor of a train wreck, Autumn Manning lives crippled with guilt. When she meets the husband of one of the women who died in the wreck, sparks fly, and Autumn’s guilt only increases. And, while very likely the saddest book I’ve recommended thus far, Life After paints a beautiful, cathartic picture of grief that few authors have. Grief is part of life, but people don’t like to talk about what happens to our hearts/psyches when it descends. While Life After may elicit a few tears, it is a stunning, beautiful book that I highly recommend.
Snow whirls around an elevated train platform in Chicago. A distracted woman boards the train, takes her seat, and moments later a fiery explosion rips through the frigid air, tearing the car apart in a horrific attack on the city’s transit system. One life is spared. Twenty-two are lost.
A year later, Autumn Manning can’t remember the day of the bombing and she is tormented by grief—by guilt. Twelve months of the question constantly echoing. Why? Why? Why? Searching for answers, she haunts the lives of the victims, unable to rest.
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
I love books where magic infuses the everyday world.
Ava Lavender is born with wings. That’s only one thing that sets her apart and makes her life difficult. She is the third generation of women in her family who are doomed in love. Like most that I love, this story asks what it means to be human, how we can protect those we love, and how we balance the need for freedom with safety.
No, neat conclusion at the end. Beautiful prose and unexpected metaphors fill this book. I’m a sucker for a good metaphor.
A mesmerizing, lyrical tale of the bright and dark sides of love and desire. First-time author Leslye Walton has constructed a layered and unforgettable mythology that "follows Ava Lavender's discovery of her one-of-a-kind self" (Teen Vogue).
Shortlisted for the 2015 Waterstone's Children's Book Prize, Leslye Walton's stunning debut novel is "rich with lyrical and whimsical writing" (Kiera Cass, New York Times bestselling author of the Selection series). Magical realism is woven through this generational saga, creating a narrative reminiscent of Gabriel Garcia Marquez, with a taste of Chocolat by Joanne Harris.
Foolish love appears to be a Roux family birthright.…
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
I can’t talk Mythic Fiction without a shout-out to the man who penned the phrase. It’s beyond Urban Fantasy—mythic archetypes, mystery, magic, and toe-curling mayhem. When Celtic fiddler, Lizzie Mahone, gets stranded on a lonely country road at midnight, she has no idea how her life will change. Widdershins is a dark dip into the faerie realm that brings us face-to-face with freakish Bogans—nasty-pants faeries with sewer-mouths—faerie courts in shopping malls, and gripping psychological terror when Jilly Coppercorn gets trapped in a sinister world with her childhood abuser. Politics is rampant. At its core is the conflict between the settler fae and the Indigenous animal people. Behind it lurks love and hope.
In Widdershins, fantasy author Charles de Lint has delivered one of his most accessible and moving works of his career.
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea…
I’m a writer of relatable misfits, and a misfit myself. My outsides and insides have never matched, and my accent has always been wrong. I’ve lived all over the United States, and no matter what, I’m always from somewhere else, no matter how long I’ve lived there. I usually end up good friends with other interesting folx who are the same as me: a little different, a little crafty, and a hell of a lot of fun.
This is the book that made me want to write a historical romance. The protagonist, Miss Jane Fairfield, is outlandishly rich. But she can’t get married and leave her younger sister, who has epilepsy, to the well-meaning but cruel treatments recommended by their uncle, who is also their guardian. Since her money makes her an appealing target for many an impoverished rake, Jane has to work extra to become unappealing while still seeming like she’s trying to attract a man. She wears obnoxiously bright clothing, insults people with the kindest tone, and—in one desperate attempt to make a man be mean to her—takes the food right off his plate. This is a book about people trying to put you in your place and keep you small. And let me give you a hint: it’s a romance, so there’s definitely a Happily Ever After, and that includes small-minded people getting their…
Miss Jane Fairfield has made a career of social disaster. She wears outrageous gowns and says even more outrageous things. The only reason she's invited anywhere is because of her immense dowry--which is all part of her plan to avoid marriage and keep the fortune-hunters at bay. Mr. Oliver Marshall is the illegitimate son of a duke. His acceptance in society is tenuous as it is. If he wants any kind of career at all, he must do everything right. He doesn't need to come to the rescue of the wrong woman. He certainly doesn't need to fall in love…
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