During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrimtells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.
Myra MacPherson is an acclaimed author of five books and a journalist. She was hired by Ben Bradlee for the Washington Post where she spent twenty years and specialized in politics, in-depth human interest stories, profiles, and covered five presidential campaigns. During four decades of reporting she interviewed famous figures such as Fidel Castro, Helen Keller, and the mother of serial killer, Ted Bundy, as well as several Presidents. Of all the milestone political moments MacPherson covered nothing impressed friends and family more than the 1964 landmark and legendary first American live concert of the Beatles (in the Nation’s Capital), which propelled them into international fame. MacPherson has continued her long career as a journalist, with articles in national magazines on the internet. Her most current -- Forgotten Father of the Abortion Movement, in The New Republic -- tackles abortion rights, which remains a highly controversial politicized battle nearly a half-century since abortion was declared legal in 1973.
This brilliant classic of military history and human folly, first published in 1961, should have been read by America’s “best and brightest” architects of America’s 10-year fiasco. French Journalist and historian Bernard Fall vividly captured the sights, sounds, and smells of the brutal conflict between the French and the Communist-led Vietnamese nationalists. I get angry every time I think of the arrogance of America’s leaders who never examined Fall’s insightful warnings of the futility of jungle fighting that would defeat the United States in the bloody years to follow. Fall’s blueprint for disaster graphically shows that even with lethal modern military force, the French could not defeat the hit-and-run tactics, ambushes, booby traps, and nighttime raids that would become drastically familiar to American troops. The final French downfall ended at Dien Bien Phu in 1954. Street Without Joyhas remained in print for half a century and I stress…
First published in 1961 by Stackpole Books, Street without Joy is a classic of military history. Journalist and scholar Bernard Fall vividly captured the sights, sounds, and smells of the brutal-- and politically complicated--conflict between the French and the Communist-led Vietnamese nationalists in Indochina. The French fought to the bitter end, but even with the lethal advantages of a modern military, they could not stave off the Viet Minh insurgency of hit-and-run tactics, ambushes, booby traps, and nighttime raids. The final French defeat came at Dien Bien Phu in 1954, setting the stage for American involvement and a far bloodier…
As a historian and someone who grew up in Cold War Berlin, I am constantly inspired by efforts to curb the devastating effects of industrialised warfare. I love learning about people who had the courage to speak up, and how their historical understanding of the military abuse of power enables us to think differently about present-day warfare. So much of my research has been inspired by social movements and their difficult efforts to improve the world. While I am no expert on Vietnamese history, I have been fortunate to have learned a lot about how ingenious the Vietnamese revolutionaries were in actively pedalling the global emergence of Vietnam War protest.
This 1967 collection of essays and speeches by the British philosopher Bertrand Russell fascinates me because it seeks to reveal inconvenient truths while not shying away from a highly partisan intervention.
Russell discusses why he was making a global appeal to protest the US war effort in Vietnam. His book and the subsequent Russell-Sartre War Crimes Tribunal have often been dismissed as biased and uncritical of communist propaganda, but rereading this primary source illuminates an important chapter in the emergence of a global intellectual critique of US imperialism that “millions of Europeans, Asians, Latin Americans” came to share as it was debunking the official position of the Johnson administration and its allies in Vietnam.
In this harsh and unsparing book, Bertrand Russell presents the unvarnished truth about the war in Vietnam. He argues that "To understand the war, we must understand America"-and, in doing so, we must understand that racism in the United States created a climate in which it was difficult for Americans to understand what they were doing in Vietnam. According to Russell, it was this same racism that provoked "a barbarous, chauvinist outcry when American pilots who have bombed hospitals, schools, dykes, and civilian centres are accused of committing war crimes." Even today, more than forty years later, this chauvinist moral…
I’m working on a novel which includes a couple of
chapters of what it was like to be a Marine Corps CAP (Combined Action Program)
member, and The Village chronicles the very first CAP unit and the enemy they
faced.
It begins almost as a mystery
novel but moves quickly into the friendly relations the CAPs had with the
hamlet they were stationed in and the enemy that was omnipresent and personal
in its hatred of the Americans.
I could
not have written these chapters as well without this nonfiction account of how
fifteen men established themselves in a village and how eight men walked out.
The true story of seventeen months in the life of a Vietnamese village where a handful of American Marines and Vietnamese militia lived and died together attempting to defend it.
In Black Hawk Down, the fight went on for a day. In We Were Soldiers Once & Young, the fighting lasted three days. In The Village, one Marine squad fought for 495 days—half of them died.
Few American battles have been so extended, savage and personal. A handful of Americans volunteered to live among six thousand Vietnamese, training farmers to defend their village. Such “Combined Action Platoons” (CAPs) are now…
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.
The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
The older I get, the more fascinated I am with family history and the way certain traits or talents get passed down – or not. Unfortunately, we don’t always know much about our own ancestors. Maybe that’s why I appreciate a multigenerational story that shows all the forms a young person’s “inheritance” can take, whether money, looks, a special skill or talent, or even a disease. And because I’ve always loved a good mystery, I enjoy books where a young person seeks to uncover a family secret. Finally, now that I’m on the older side of the generations, I appreciate a book that portrays older family members realistically and with respect.
By jetting a privileged California tween of Vietnamese descent into her extended family in Hanoi, Thanhhà Lai creates all kinds of expectations and then delightfully subverts them, educating and entertaining readers at the same time.
Although most of the book is about Mai’s culture shock and gradual adjustment, her frail grandmother Bà remains the emotional center of the story. Bà’s loss of her husband during the Vietnam War and her journey to reclaim his secret last message build the story into a dramatic climax unlike any I’ve ever encountered.
This remarkable and bestselling novel from Thanhha Lai, author of the National Book Award–winning and Newbery Honor Book Inside Out & Back Again, follows a young girl as she learns the true meaning of family.
Listen, Slowly is a New York Times Book Review Notable Book and a Publishers Weekly Best Book of the Year!
A California girl born and raised, Mai can’t wait to spend her vacation at the beach. Instead, she has to travel to Vietnam with her grandmother, who is going back to find out what really happened to her husband during the Vietnam War.
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
I guess that this book doesn’t really count, as Duras was born and grew up in Vietnam; a Frenchwoman in Indochina, she wasn’t living abroad.
Her portrayal of her own coming of age and sexual awakening (still rather controversial to many) illuminates not only the way colonial society was structured but also larger themes of love and loss.
It was one of the first things I read before moving to Laos, and her voice, singular and astonishing, has never left me.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
My father, John Bradley, was a veteran and fought on Iwo Jima in World War 2 in 1945. Later I walked in the sands of Iwo Jima and eventually wrote four books about war. I am a New York Times best-selling author and Steven Spielberg and Clint Eastwood made my first book into a movie, Flags of Our Fathers. I've been traveling in and learning about Asia since 1974, when I attended Sophia University in Tokyo. I am also the host of a podcast called Untold Pacific that mines 40 years of my life to create historical travelogues about the American experience on the other side of the Pacific.
This book is about the art of war, the artistry of war, and the thinking behind war. In The Best And The Brightest David Halberstam documents how the people running the Vietnam War had no grasp of what war was. And, they were going up against Ho Chi Minh who translated this book from Chinese to Vietnamese and ingrained the concepts into his soldiers.
The Americans had all the technology and industry that was possible during this era. They had machine guns, bombs, aircraft, and helicopters. They were building ports, warehouses, flying over ping pong tables, ice-cold Coca Cola machines, whatever they wanted. And, nobody was thinking about war. They were thinking logically and that all these mechanical things were going to win the war. On the other side, the Vietnamese had this book. They studied this book and they lived this book. I was interviewing a 67-year-old member of…
A new edition of the trusted Lionel Giles translation of the Ancient Chinese treatise on warfare. It has defined the tactics and strategies on the battlefield and more recently the business world, for the last 2500 years.
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
Never in my life have I read a book that so closely echoed my heart and mind as an Iraq War veteran, unsettled wayfarer, and conscientious objector. It was a true reflection of my soul as I was searching for meaning within my own life and a fractured America.
"Baron Wormser has done something important with TOM O' VIETNAM in the way that he has identified and precisely embraced a stunningly particular historical moment we casually refer to as 'Viet Nam,' as if the name was not a country but a dark shroud of moral collapse that hangs over us still. More remarkably, he has constructed this narrative from the point of view of a combat soldier, fighting in the American War in Viet Nam. Somehow there is a deep legitimacy to this soldier's story because Wormser has been excruciatingly precise in his consideration and use of details—what Hemingway…
I discovered Gayne C. Young through the Severed Press catalog, taking notice of him as a fellow writer in the genre world. However, it wasn't until I began reading his essays and articles in various publications that I realized how much I enjoyed his work.
He is a writer with a love of good scotch and fine cigars, an outdoorsman, travel writer, and journalist, on top of being a novelist. All of that shines through in this book especially.
He captures the Vietnam era very well, from the characters to the setting, and blends that with the Bigfoot creature feature-type story in a way that doesn't feel at all typical. If Ernest Hemingway wrote a Bigfoot novel, it would besomething like this.
