Here are 100 books that Tribes of Decay fans have personally recommended if you like
Tribes of Decay.
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I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!
Hold on tight for a New-Adult Sci-Fi Adventure that’s caught in the crossfire between Westworld and Cormac McCarthy’s The Road!
Idyll is a rugged planet—a new, simpler start for some 10,000 settlers who have fled Mother Earth. But a strange ‘plague’ of contagious sleep has devastated their Settlement, sparked by a mysterious mantra called the Lullaby.
After a three-year quarantine, Walt and Samuel Starboard set out from their ranch on a mission to cure their comatose mother and find their missing father. For days they ride through a blighted landscape: deserted cabins and gravestones and the ruins of towns destroyed…
I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
Some dystopian books show futures that aren’t relatable or believable at all. The whole story is a great mix of genres – not just dystopian but also sci-fi, thriller, and it reads like a crime novel with mobsters. The reachers themselves are telepathic/telekinetic and add a unique dimension to a story that otherwise could fit in with a non-fantasy setting. The world-building in this book is so effective exactly because it feels real. I was sucked in and sympathetic toward the reachers because you can easily put many different peoples in their place today, and the political and social aspects of the story feel frighteningly possible.
Rachel’s father called it the running game. Count the exits, calculate the routes, and always be ready to run. She is a Reacher, wanted by the government and the criminal underworld for her psionic powers.
Charlie and his brother John have a reputation for accomplishing the impossible. But after losing his family, Charlie is a broken mess and John is barely keeping him afloat. In desperation, they take a job from a ruthless crime lord, only to discover the girl they are hunting is a Reacher. One of their own kind.
With the help of dangerous and dubious allies, can…
During my childhood summers, my dad bought thrift-store paperbacks by the bagful, and fantastical stories filled my shady hammock days. Now as an author, writing and reading go hand in hand. There’s no better way to improve my prose and hone my personal style than to read books I love. My trusty highlighter immortalizes the lyrical passages that I swoon over, those luscious words that slip from the tongue, make music in my ears, and paint scenes behind my eyes. I’m swept away by gorgeous language despite the genre, though fantasy books usher in summer memories and a lovely time of idleness when there was nothing to do but read.
The Crown of Stone series is an undiscovered gem in grim-dark fantasy, and Magic-Price is the book that kicked it off. Grim-dark fantasy isn’t often associated with lyrical writing, which made this book a rare find. It’s violent, contains profanity and a few scenes of erotica, and has a great anti-hero, but it’s also beautifully written with rich imagery, vivid descriptions, and a wrenching emotional fullness that stuck with me for days after closing the last page. I loved the flow and how all this luscious writing contrasted with the brutality of the characters and story. All that and a fabulous ending to the series too.
Born of a fallen race, forced into combat at an early age, Ian Troy knew little but the brutality of war. A hope for more was born when, on the brink of defeat, an instrument of victory fell into his hands. Unaware of its true nature, Ian wielded the Crown of Stones, an ancient relic of untold power. He cast, wanting only an end to the conflict tearing the lands apart. Fate had other plans.
A decade later, Ian is still haunted by that tragic day. Running from the blood in his veins and on his hands, he struggles to…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Nick should be considered royalty when it comes to the post-apocalypse. He has numerous series with vastly different settings, but all of them are a masterclass in characterisation and story craft. His books draw me in with slick action and characters I care about from the get-go. He tackles the real issues without rubbing it in the reader’s face, and his work makes you question what you would do if the world went sideways.
The New York Times and USA Today bestselling series
They dive so humanity survives …
More than two centuries after World War III poisoned the planet, the final bastion of humanity lives on massive airships circling the globe in search of a habitable area to call home. Aging and outdated, most of the ships plummeted back to earth long ago. The only thing keeping the two surviving lifeboats in the sky are Hell Divers -- men and women who risk their lives by skydiving to the surface to scavenge for parts the ships desperately need.
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
Boneshaker is set in an alternate Seattle where a rampant machine unearthed toxic gas that turns people into zombies, and the only way to contain this disaster was to wall off the city. What I love about Boneshaker is how people remain defiantly close to the city and move on with their lives despite the toxic rain, the zombies clawing on the walls, and, even more so, the people who take it further and travel through the ruins of the once great city in an airship, or, if they’re daring, on foot.
Better pack your guns and your wits when exploring this cityscape!
At the start of the Civil War, a Russian mining company commissions a great machine to pave the way from Seattle to Alaska and speed up the gold rush that is beating a path to the frozen north. Inventor Leviticus Blue creates the machine, but on its first test run it malfunctions, decimating Seattle's banking district and uncovering a vein of Blight Gas that turns everyone who breathes it into the living dead. Sixteen years later Briar, Blue's widow, lives in the poor neighborhood outside the wall that's been built around the uninhabitable city. Life is tough with a ruined…
While Dune, Star Wars, Battlestar Galactica (1980s), and other SF staples laid the foundation for my love of SFF, I was also reading about the universe from a young age. Along came Star Trek: The Next Generation in the ‘90s and the stage was set. Completing Bachelor’s Degrees in Ancient History & Archaeology; Religions & Theology; and a PhD in Near and Middle Eastern Studies copper-fastened my passion for the ancient world and the history of religion, and along with reading historical fiction and fantasy, everything merged into the almost allegorical universe you’ll find in Kiranis. Lovers of all the above will find something here.
I discovered the Pearl Saga (a trilogy) via Van Lustbader taking up the reins on Robert Ludlum’s Bourne novels. While I was reading these books, I was waiting to hear from Voyager (Harper Collins) regarding an epic fantasy novel I wrote, which featured in its climactic scenes a girl using crystals to trap a dragon in a cage-like device inside a mountain. There was a delay in the publication of the third book of the Pearl Saga, and when it came out, it featured a girl holding a ‘crystal’ before a dragon, and it was called The Cage of Nine Banestones. My heart sank, but it turned out that the delay was related to the death of Van Lustbader’s father.
The trilogy begun in ‘Ring’ is for some brooding and self-indulgent, but for me it was a triumph of worldbuilding and alien realia, with technology and sorcery vying…
The opening volume in a huge epic fantasy in the tradition of Frank Herbert's DUNE series.
Struggling to survive an existence of enforced slavery on their home planet, the people of Kundala are slowly dying. Their oppressors, the V'ornn, a technologically advanced, alien race, have reigned over the Kundalans with unyielding power for more than one hundred years.
Only through the power of the lost, god-given Pearl can the Kundalans be saved from extinction, for within it lies a secret so potent it could tear the entire planet apart.
However, only one man is destined to find and wield the…
I am an author and avid reader of romance, especially those full of conflict in a world heavy with magic, shifters, vampires, and others. My dad was a great storyteller and sparked my interest in the paranormal. When I was a kid, he’d tell me stories about growing up in the mountains of Puerto Rico. The evil that lived there. My imagination took it from there. I wish I would’ve written down those stories. I can’t get him to talk about them anymore. It might be the reason why The Nine: Zane had started out as a contemporary romance story until Zane took over with all his paranormal drama.
A shifter and a human come together to rescue the human’s kidnapped daughter.
The human was married to the woman who had been promised to the shifter which makes for lots of conflict between them. This is the first book in the series.
I love the worldbuilding and the questionable morality of the shifters.
Two men haunted by the same ghost… Falling for “the other man” in my marriage was never part of the plan. Then again, according to Nicolae Ursache, I am the other man, and human wedding vows don’t apply. Not to werewolves. Nicolae is a smug, arrogant alpha male stereotype--and I do mean alpha in the literal sense--but when the same people who killed my wife kidnap my teenage daughter, he’s my only chance at getting her back. The fact that Nicolae was my wife’s rightful mate means that we share a mutual interest in bringing Ellie home, but I never…
I’m one of those odd people who always needs to know why. Why do computers work, why do societies break down? Why do humans kill? Why are cat videos so irresistible? All of those questions explore what it means to be human, but science fiction takes those questions to the extreme, pitting people against the most extreme environments and situations in order to see how they’ll react. To me, that never grows old, and the books I love the most are the ones that do it the best. In my humble opinion, of course.
Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites.
In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep.
The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.
The saga of two young friends trapped in an endless nightmare of suspicion and surveillance, of cyber-programmed servants and a ruling class with century-long lives - and the enigmatic woman who dominates them all. Narrators Jonathan Davis and Gabra Zackman skillfully split up this sweeping sci-fi epic that is "at once a psychological novel, a murder mystery, and an examination of power on a grand scale." (Locus)
I’m a writer. I also teach plot through non-credit university workshops and writer groups, and the one thing I stress is that storytelling is about reader experience. Worlds are a huge part of that experience. A degree in social anthropology makes me very conscious of the way my characters interact with their worlds. My fictional cowboys currently reside in Montana. But what if I wanted to move my cowboys to Manhattan? That requires a whole different story world—one my characters may or may not be comfortable in. My readers would now have to buy into the change in location. See the effect the world has on the story?
Madeline Hunter is the pseudonym of an art historian who teaches at the university level, and that expert knowledge translates well in her books.
The little bits and pieces of art detail she adds to her story worlds really bring them to life. There’s also an element of mystery that deepens the plot. The Seducer is the first book in The Seducer series, and while it’s not the first of her books that I’ve read, the story of Diane Albret and Daniel St. John is the one that made me a fan.
The heroine is a recent boarding school graduate, and the hero is her far more experienced guardian. In the modern-day world, this premise is all kinds of creepy. The power dynamics between this couple were so far off, I wasn’t sure how Hunter could make this a romance.
But based on the historical details built into the world,…
From the moment he arrived to rescue her, Diane Albret saw more in the darkly handsome Daniel St. John than just a guardian. Since then he had become the most dangerously irresistible man she had ever imagined - and Diane herself had changed from a bewildered orphan to a determined young woman of alluring charm and beauty. Now, she's returning from the cloistered life of school to Daniel's home with dreams of her own. But the legendary seducer seems to have other plans for Diane . . .
I believe worldbuilding is as important as realistic dialogue, engaging characters, and a well-paced plot. Worldbuilding is a key component of stories that take place in a contemporary high school, in the court of Henry VIII, or in some far-off land that only exists in the author’s imagination. I worldbuild in layers: 1. What happens in the characters’ daily lives; 2. Environment: religion, culture, social hierarchies, setting; and 3. Relevant historical events/figures/details. Worlds should be so well thought out that there’s no room for the reader to be distracted or confused. When the worldbuilding is good, you’ll be so engrossed that the only distraction you’ll have is wondering what happens next.
If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.
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