I have always been interested in cultural history. In my early 30s, I realized that Greek mythology was a late, patriarchal revision of the earlier Goddess-centric myths. After much research, I reconstructed several pre-Olympian myths in my book Lost Goddesses of Early Greece. This was one of the first books of the Women’s Spirituality movement, which began in the 1970s and is still going strong. A few years later, I edited an anthology of 50 voices, The Politics of Women’s Spirituality. Thus I am a foremother of that movement, which is a bountiful exploration of authentic spiritual experience in women’s lives.
Christianity is a syncretic religion, incorporating elements from earlier religious traditions, not only in the eastern Mediterranean basin but also in the lands where it spread. In each of the national shrines to the Virgin Mary in Europe, for instance, she is depicted with indigenous symbols or elements. Nowhere is the presence of the preChristian, indigenous sacred female stronger in such syncretic blendings than in Mexico with the Virgin of Guadalupe. The editor of this anthology refers to her as Guadalupe-Tonantzin, one of the variations of her name in the indigenous Nahautl language. These essays are scholarly, cultural, and engagingly personal. Don’t miss the brilliant essay by the late Gloria Anzaldua, as well as other memorable pieces by several well-known Mexican-American authors. This is lived religion.
In a series of original essays, historical writings, fiction, drama, and poetry, a variety of writers--including Octavio Paz, Sandra Cisneros, and others--examines the impact of the Virgin of Guadalupe on the history of Mexico and beyond.
As a history and travel writer, I had always heard the siren song of the Alps. Deciding to try (unsuccessfully) to ignore my fear of heights, I take a hair-raising tour across most of the highest passes of the Alps, through France, Italy, Switzerland, Liechtenstein, Austria, Germany and Slovenia. So many boundaries crossed: linguistic, religious, historical, political, even culinary. I learned the Alps are not a monolith, they are a polyphony.
In a travelogue which spends much of its time in the Alps, Twain delivers anecdotes of haplessness that will make readers smile, if not laugh out loud. Twain portrays himself as an American naif who thinks he understands everything while actually understanding nothing at all.
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As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
This book weaves together two strikingly different stories about slavery that are separated by centuries and hundreds of miles. Ballard's powerful and riveting book not only demonstrates how exploitation in the Americas transcends time and space, it also offers evidence of good deeds by everyday people to combat such lingering evil.
In the 1800s American South, Harriet Jacobs is enslaved and tormented by a cruel master. He relentlessly attempts to force her into a sexual union, and, when rebuffed, he separates her from her children and spends a lifetime trying to coerce her and then recapture her when she escapes to freedom. Jacobs outwits her tormentor and eventually reunites with her children, works in the cause of abolition and reform, and helps newly freed slaves with education and aftercare.
In 2012, Timothy Ballard encounters a grieving father in Haiti whose three-year-old son has been kidnapped and sold into slavery, along with…
This is and will remain the example of historical research made by one of the leading authorities in the field of Atlantic history. Elliott’s book set the agenda by investigating and assessing the complex array of causes and consequences which brought England and Spain to have an ever-lasting cultural, economic, political, and religious influence on the history of North America and Latin America.
This remains so far, the best documented investigation of the earlier contacts between England and the North Atlantic world from the late fifteenth century to the early seventeenth century. Superbly researched and written, it permits to unveil the complexity and the mystery behind the “new world” with which England entered contact.
V/G. Excellent condition with dust jacket. Crisp, clean pages w/o underlining, marginalia, or highlighting. Tight spine. No significant nicks or tears but some shelf wear. Has embossed "Ex Libris" stamp and mylar cover.
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
Many archaeological site reports from South America are published in non -English languages and are often hard to locate. Where the South Wind Blows is an English language collected edition with chapters authored by South American archaeologists. Chapters included numerous discussions of archaeological sites throughout South America that pre-date Clovis sites.
The early prehistory of South America is poorly known by the English speaking world. This edited volume, translated from Spanish, contains twenty-one short papers documenting some of the most important recently investigated early archaeological sites from South America. These papers report Paleoamerican complexes and excavations of sites older than eleven thousand radiocarbon years before present, as well as cover issues in geoarchaeology, geochronology, Pleistocene extinction, and paleoecology. Numerous graphics are used to Illustrate site locations, excavations, and artifacts.
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
As a printmaker and student of the history and techniques of printmaking, this is my “desert island” volume, the most comprehensive, literate, knowledgeable, and articulate statement on this influential, historically significant, and often overlooked art form. Eichenberg, himself a brilliant and trenchant wood engraver, book illustrator, and political commentator, shows himself to be an eloquent historian, scholar, and interpreter of various printmaking media, not only in Europe and the Americas, but throughout the world, in its long history.
I am a social historian of the African Diaspora. I am passionate about writing stories that have never been told. The stories I uncover detail the lives, struggles, and resistance of enslaved people. I am interested in and have written about such overlooked topics as African resistance to the transatlantic slave trade; Maroons in the American South; the experience of African Muslims enslaved throughout the Americas; and the lives of the people deported on the Clotilda, the last slave ship to the US. Much still needs to be unearthed to help form a more comprehensive history of the people who, in countless and remarkable ways, fought against their subjugation.
I first became acquainted with the continental magnitude of marronage with the 1979 edition of this classic book. Richard Price, the expert on Maroon communities in Surinam, presents 21 texts on marronage in Spanish America, the French Caribbean, the United States, Brazil, Jamaica, Surinam, and French Guiana.
Sixteen pioneering historical studies were written by various scholars between the 1960s and 1970s. Five texts or testimonies by contemporaries, including Maroons themselves, were produced in the 18th and 19th centuries. Taken together, these studies and testimonies are essential to understanding the reach and significance of the maroon phenomenon in the history of Black people in the Americas.
Now in its twenty-fifth anniversary edition, Maroon Societies is a systematic study of the communities formed by escaped slaves in the Caribbean, Latin America, and the United States. These societies ranged from small bands that survived less than a year to powerful states encompassing thousands of members and surviving for generations and even centuries. The volume includes eyewitness accounts written by escaped slaves and their pursuers, as well as modern historical and anthropological studies of the maroon experience. From the recipient of the J. I. Staley Prize in Anthropology
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Migration from Eastern Europe has played a defining role in US history and in the history of the region itself. It is all the more surprising that there was no comprehensive book on this “great departure” of tens of millions of people since the end of the 19th century until Tara Zahra wrote this magnificent monograph.
It covers more than a century of emigration, immigration, and return migration across the Atlantic, straddling the end of empires, wars, expulsion, the Cold War, and the end of communism in 1989. It always combines micro- and macro-levels, weaving individual stories in with great narratives of a "long twentieth century."
Between 1846 and 1940, more than 50 million Europeans moved to the Americas, irrevocably changing both their new lands and the ones they left behind. Their immigration fostered an idea of the "land of the free" and yet more than a third returned home again. In a ground-breaking study, Tara Zahra explores the deeper story of this movement of people.
As villages emptied, some blamed traffickers in human labour. Others saw opportunity: to seed colonies like the Polish community in Argentina or to reshape their populations by encouraging the emigration of minorities. These precedents would shape the Holocaust, the closing…
I’m a science researcher and writer living in London. My research field is astrobiology and the possibility of life on other planets – it brings together lots of different areas of science with engineering and space exploration and so is deeply ‘interdisciplinary’. And as a science writer, I try to bring this same broad perspective and unifying approach to other profound questions. My fascination with understanding our own origins was sparked by my childhood growing up in East Africa, the cradle of humanity. In Origins I explored different ways that planet Earth has influenced our human story across the millennia - it’s an example of ‘Big History’.
Guns. Germs and Steel is an absolutely thrilling ride through world history in pursuit of the deepest answers to the question: why was it that European powers came to dominate those of the Americas from the sixteenth century, and not vice versa. The book was awarded the Pulitzer Prize and is a cracking example of what has come to be known as ‘Big History’.
I've taught Latin American literature for many years and in many different ways, but there's one thing that has never changed. I always combine our study of literature with relevant works of visual arts, and particularly with paintings and photographs. Don’t we all move naturally among different media—different forms of expression, different ways of seeing—to understand our world? An interdisciplinary approach allows us to explore the many ways that we imagine and represent reality. Photography is a wide-ranging way to know Latin America. For this reason, I recommend that you pay close attention to the rich traditions of Latin American photography. Mix and match media, and you’ll understand the world in new and different ways.
Photographs pretend to replicate the real, as do literary fictions, and yet both media also create their own “realities”.
This book explores how photographs, placed in fictional narratives, can distort and deceive characters (and the reader) or, to the contrary, illustrate and illuminate the story. Photographs in the hands of writers can create alternative “realities” within the fictional world or reveal the truth!
A primary example of the use of photography in fiction is the Argentine writer Julio Cortázar’s famous story “Blow up,” which was made into a movie—now a classic—directed by Michelangelo Antonioni. In Dan Russek’s book, we see a number of such “mixed media” fictions.
I love Latin American photography, and I love seeing how Latin American novelists engage this powerful medium for their own literary purposes.
Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photography's powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies,…
