Here are 75 books that The Woman in White fans have personally recommended if you like
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I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Tangled canals. Crooked alleyways. Slumping palazzi 500-hundred years old. Venice is Italy’s most atmospheric city, right? Maybe. Genoa runs a close second. Both are misunderstood and misrepresented in literature. Outsiders don’t dip below the theme-park surface. Except for the late, great Michael Dibden. Dead Lagoon features Commissario Aurelio Zen, a flawlessly drawn Italian detective. What makes me so sure? Genetics, experience, passion. My mother’s family is Venetian (via Rome). I’ve spent decades diving deep into the Lagoon City. I even did a year of college there. When I follow Zen into those crumbling palaces to unnail their intrigues, or watch him dart down bleak alleys stinking of fish and corruption, I know the writing rings true. Dibden “gets” Italy, unlike other, better-known novelists using Venice as a soft-boiled backdrop.
Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
A double homicide in Sicily. Innocent, eccentric, small-town characters. The Mafia, the church, and a stifling, frightening nightmare world portrayed with humor, humanity, and a diamond-tipped eye for detail: that’s Leonardo Sciascia’s 1960s detective novel classic, To Each His Own (A ciascuno il suo). The writing is clean, clear, nervy, and seductive—some of the best crime writing, period. It even survives translation. This book is at least as good as The Godfather and better than anything by Andrea Camilleri. As you turn the pages, you’re not only transported to off-the-beaten-track, real-deal Sicily. You feel the grit. You smell it. You enter the heads and hearts of Sicilians. Written over 50 years ago, To Each His Own needs no refreshing. That world never changes.
This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks…
I've always been drawn to stories in which all that glitters isn't gold, and all three of my novels contain this theme. They are, at the bottom, tales of hubris, which is why I like them. A character strives to obtain some glittery thing, confident it will be better than what they have. Yet, ultimately, their confidence is misplaced, and their ambition brings about their downfall. Perhaps because I'm someone who's naturally quite risk-averse but also believes little good comes in life without taking chances, stories like this attract me. They allow me to safely hunt for the Aristotelian mean between being overly sensible and irrationally ambitious.
Daphne Du Maurier has made a permanent mark on my soul. Whether it was Hitchcock's adaptation of The Birds, which I watched when I was far too young, or the wrecked ships of Jamaica Inn, her imagery and ideas are unforgettable.
And like the titular character of Rebecca, part of me still roams the halls and grounds of Manderley. I first encountered the story at a transitional moment in early adulthood. Having been a child drawn to spooky stories about ghouls and spectres, this book marked the moment I came to understand that not every haunted house has a ghost.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I grew up in the ‘60s and ‘70s watching Alfred Hitchcock movies and reading Dashiell Hammett—I’m from San Francisco. Then opera got hold of me. So, I dropped out of my PhD program, left Dante’s Inferno behind, and moved to Paris to live a modern-day La Bohème. Because I’m half-Italian, I decided I had to divide my life between Paris and Italy. Mystery, murder, romance, longing, and betrayal were what fueled my passions and still do. To earn a living, I became a travel, food, and arts reporter. These interests and the locales of my life come together in my own crime and mystery novels.
Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.
Beginning with a visceral description of the society and politics of Paris, The Girl with the Golden Eyes considers the sex life of the upper class by its raw depiction of the underside of Parisian life. Henri de Marsay is a young, rich man who is nearly devoid of morals and virtue. After he meets Paquita Valdes, a mysterious and beautiful woman, he becomes infested with a deviant lust for her. When his plan to seduce her succeeds, Henri and Paquita maintain an intensely sexual relationship. However, when Henri starts to suspect Paquita is involved with another lover, he becomes…
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I don’t think any top 5 thrillers list would be complete without a Gillian Flynn title. In all her books, I love how Flynn combines twisty, edge-of-your-seat plotting with deep psychological observations about her characters, but I think Gone Girl does this the best.
I was shocked by the big reveal on a first read, but that’s only one of many pleasures I keep finding in this novel as I return to it repeatedly. Nick and Amy are the ultimate dysfunctional couple and, in many ways, completely unlikable characters–yet I secretly love them both!
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
I have been a writer for almost as long as I have been a reader, and I have always been attracted to the darker side of ordinary life. I write psychological suspense thrillers, always featuring a family in crisis. I am fascinated by what happens behind closed doors and what the headlines do not tell you about a situation. Most people love a good secret exposed, and I am no different. I look at those around me and wonder, ‘What are you hiding?’ because everyone is hiding something. And I want to know what it is.
I love this book because a sense of unease fills this novel from page one. Camille returns to her hometown to cover the unsolved murder of a preteen girl. It’s not an assignment she wants, preferring to avoid her family and her memories. Her recollections of her disturbing, abusive childhood and the death of her sister make this a compulsive read.
Her own fragile mental state and self-harm force the reader to question her even as she questions herself. I loved this book because it made me so uncomfortable while I was reading it that I just had to know the truth about a fractured childhood.
NOW AN HBO® LIMITED SERIES STARRING AMY ADAMS, NOMINATED FOR EIGHT EMMY AWARDS, INCLUDING OUTSTANDING LIMITED SERIES
FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds…
I have always had a fondness for the quirky heroine because I find her so relatable! As a child, I was overly sensitive and obsessed with animals. I liked to read and draw, but was dreadful at organized sports, and for the most part I didn't feel as if I fit in with the expected social norms of my peers. The quirky heroines in books and literature comforted me, and showed me that first, I wasn't alone, and second, that I could find love and acceptance in a world with which I often felt out-of-step.
One of the wonderful things about Young Adult books is that many authors understand the longing that young female readers have for heroines with real personality who overcome the challenges of their times or particular situations. Such stories move to the pinnacle of my “oh-my-gosh-I-loved-this!” list when they include a romance and by the end, the heroine is acknowledged as an equal to her partner. While L.M. Montgomery is known best for her unforgettable Anne of Green Gables (who could have been on this list), my particular favorite quirky heroine of hers is Valancy Stirling in The Blue Castle.
The romance in this book is just as unconventional as Valancy herself, there’s a marriage of convenience, a beautiful setting for introverts, an island cabin and cats. What’s not to love?
From L.M. Montgomery, author of Anne of Green Gables, comes another beloved classic and an unforgettable story of courage and romance.
Valancy Stirling is 29 and has never been in love. She's spent her entire life on a quiet little street in an ugly little house and never dared to contradict her domineering mother and her unforgiving aunt. But one day she receives a shocking, life-altering letter―and decides then and there that everything needs to change. For the first time in her life, she does exactly what she wants to and says exactly what she feels.
I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.
This was a book that I picked up because my Mom recommended it. And she struck gold with this one. The book is set in a British retirement community, where a group of old-timers spend their time trying to solve cold cases. But over the course of the book, they get themselves caught up in one very hot case.
The POV shifts between different characters, who all have interesting voices and skill sets.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.
One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.
William Makepeace Thackeray's Vanity Fair depicts the anarchic anti-heroine Beky Sharpe cutting a swathe through the eligible young men of Europe, set against a lucid backdrop of war and international chaos. This Penguin Classics edition is edited with an introduction and notes by John Carey.
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia Sedley, however, longs only for the caddish soldier George. As the two heroines make their way through the tawdry glamour…
I’m obsessed with the exploration of what it means to be a human being. We’re coming into an era where we see more characters who aren’t good or evil but both—they possess the potential to save someone from jumping off a bridge one day and beating someone the next. We’re all capable of the greatest acts of kindness and the most abominable atrocities imaginable. I believe we need to be reminded of that fact so that when there comes a time when we can decide whether to hurt or to help someone, we become the better version of ourselves and make the right decision.
Michael Faber is one of my favorite writers of all time, and the same author of Under the Skin, another wonderful book with a female protagonist you’ll hate yourself for loving. Faber’s range as a storyteller is incredible, and along with his mastery of horror and science fiction, he shows that he can put together a Victorian epic that is gorgeously written, with a main character, Sugar, who is a complicated character—a sex worker by trade who sometimes makes bad choices but is admirable in how she has to navigate the world of pompous, detestable men to survive.
'Watch your step. Keep your wits about you; you will need them . . .'
So begins this irresistible voyage into the dark side of Victorian London. Amongst an unforgettable cast of low-lifes, physicians, businessmen and prostitutes, meet our heroine Sugar, a young woman trying to drag herself up from the gutter any way she can. Be prepared for a mesmerising tale of passion, intrigue, ambition and revenge.
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