For as long as I can remember, I’ve been an artist at heart. As a child, I loved to draw and to make all kinds of crafts with my mother. Now, I make a living creating and teaching art. From presenting at conferences and workshops around the country to doing segments on lifestyle shows like Hallmark Home & Family, Good Day PA, Great Day Live Tampa, and more, my favorite things to do are those that allow me to share crafty projects. I have also written five hand lettering books and a guided journal, all with the hope of helping others to discover, explore, and express their own creativity.
There’s no way you won’t be inspired by this autobiography of Jenny Doan, creator of the Missouri Star Quilt Company. Filled with tales of family and faith, it tells about Jenny’s creative journey and the way a quilting company revitalized the small town of Hamilton, Missouri. Not only will you find yourself wanting to sit down and have lunch with Jenny, you just may be inspired to try your hand at quilting too!
Faith, family, hard work, and second chances are at the core of every great American story, and Jenny Doan's story is just that.
In her new memoir, How to Stitch an American Dream, readers will discover the behind-the-scenes success story of the Missouri Star Quilt Company and Jenny's remarkable journey to overcome hardship, claim the abundance of family, and ignite the power of giving-all while revitalizing a small town along the way.
Over the last decade, the Doan family business, the Missouri Star Quilt Company in tiny Hamilton, Missouri, has grown from Jenny's corner shop--with one quilting machine and two…
I loved Liesl, the main character, who wouldn’t give up trying to find out why her aunt died. I also love the little town of Mexico, Missouri.
We jump back sixty years to something that happened to Aunt Suzanne when she was a teenager, and learn that, like Liesl, she had tried to solve a murder. Are the two deaths connected? You can bet Liesl will ferret out the truth, no matter what! I can’t wait for the next book in this series to release.
Two deaths occur decades apart. Is it possible these deaths are related? What motivates a killer, who got away with murder sixty years ago, to kill again? Was it uncontrollable rage or the hope of silencing someone who fit all the puzzle pieces together and deduced who committed the crime?
Set in the picturesque town of Mexico, Missouri, Show Me Betrayal takes flight in words and emotions of rich characters woven together into a story you won’t want to put down.
Historian Doug Hocking grew up on the Jicarilla Apache Reservation of New Mexico. He knows her peoples, towns, and trails. He has completed advanced studies in history, his first love, anthropology, and historical archaeology. Since retiring as an armored cavalry officer, Doug has owned his own business. With this background he has insight into America’s great commercial road, the Santa Fe Trail, and into battles and soldiering. He understands Apache lives as few others do.
Dary set out to tell the whole story in easily accessible language introducing the student to a wide range of excitement on this trail that built America and made it great. From 1830 until the Civil War, the United States had no national bank and relied on the silver dollars brought from Mexico over the trail as its currency. Fortunes were made and lost and Missouri, the terminus of the trail, became powerful.
A prize-winning historian of the Old West brings to life the people who laid down the Santa Fe Trail and opened commerce with Spanish America. He uses first-hand accounts and contemporary records to give us a vivid recreation of a time and place crucial to America's westward expansion.
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time—a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
Then, the banker makes an alternative proposition—marry his unwanted daughter, Sara Beth, in exchange for a two-year extension. Out of options, money, and time, Layken agrees to the bargain.
Now, he has two years to make a living off the land while he shares his life with a stranger. If he fails at either, he’ll lose it all.
Desperate to honor his father's dying wish, Layken Martin vows to do whatever it takes to save the family farm.
Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time-a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
I am a historian based in Louisville, Kentucky. When I moved here two decades ago, I could tell the vibe was different than other places I had been. Southern—but not like Tennessee. Midwestern—but not like Illinois. So I started reading, and eventually writing, about the state’s history. I have a Ph.D. in United States history so I lean toward academic books. I like authors who dig into the primary sources of history and then come out and make an argument about the evidence that they uncovered. I also lean toward social and cultural history—rather than military history—of the Civil War.
This book reminded me of the deep parallels in the histories of Missouri and Kentucky. I don’t tend to associate Kentucky with Missouri, but Astor’s book really drives home why that is wrongheaded. Both were border states and, during the war, both suffered guerrilla insurgencies, had divided populations, and ended up supporting the pro-Confederate Lost Cause vision of the war. And when so much writing on Kentucky’s history is focused on its white inhabitants, Astor restores agency to its African American residents, showing how they resisted slavery and then, after emancipation, created their own institutions to contest for racial equality in the face of fierce opposition.
Rebels on the Border offers a remarkably compelling and significant study of the Civil War South's highly contested and bloodiest border states: Kentucky and Missouri. By far the most complex examination to date, the book sharply focuses on the ""borderland"" between the free North and the Confederate South. As a result, Rebels on the Border deepens and enhances understanding of the sectional conflict, the Civil War, and Reconstruction.
After slaves in central Kentucky and Missouri gained their emancipation, author Aaron Astor contends, they transformed informal kin and social networks of resistance against slavery into more formalized processes of electoral participation…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I love Lidie Newton. She is a newlywed who accompanies her abolitionist husband from Illinois to Kansas Territory, at a time when the territory is mired in partisan rage and violence. Lidie narrates the story, and her straightforward, often insightful accounts pulled me in immediately. I was right there with her as she forged her way through numerous exploits, some humorous, others heart-breaking. The story is populated with characters who are both colorful and believable, and I came away with a heightened understanding of the role played by events in Kansas and Missouri during the frightening months leading up to the Civil War.
Lidie joins the pioneering Westward migration into America's heartland. It is harsher, more violent and more disorientating then Lidie could ever have imagined. They find themselves on a faultline - forces crash against each other, soon to erupt into the he American Civil War.
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I’d never read a novel like this. The chapters are similar to diary entries, telling the fictional story of a middle-aged white woman who moves into her childhood home. Over the years, due to “city planning,” East of Troost (an actual neighborhood in Kansas City, Missouri) has become nearly all-black. Readers will wonder: Why the heck did the narrator decide to move back there? How will she be treated? Will she have any friends? You’ll enjoy finding out.
Under the guise of a starting-over story, this novel deals with subtle racism today, overt racism in the past, and soul-searching about what to do about it in everyday living.
East of Troost's fictional narrator has moved back to her childhood home in a neighborhood that is now mostly Black and vastly changed by an expressway that displaced hundreds of families. It is the area located east of Troost Avenue, an invisible barrier created in the early 1900s to keep the west side of Kansas City white, "safely" cordoned off from the Black families on the east side.
Jill Leovy, author of Ghettoside, is a journalist and independent researcher who covered the Los Angeles Police Department and homicide for fifteen years, and who is currently working on a book dealing with murder and feud in human history. She has covered hundreds of street homicides and shadowed patrol cops, and she spent several years embedded in homicide detective units. More recently, she has been a Harvard sociology fellow and a featured speaker on Homer and violence at St. John's College, New Mexico. She is a senior fellow at the USC Center on Communication Leadership and Policy.
Street Justice is a terrific ethnography on an issue too seldom talked about in criminal justice textbooks, namely, payback in the context of drug dealing.
Jacobs and Wright did not set out here for any new philosophical insights about revenge. Instead, they are interested in its reality. What emerges from this study is a stark catalog of how retaliation actually works, among real people, in a real American city, and what a chilling picture it is.
Based on interviews with actual St. Louis offenders who related their personal experiences with loss, pain, humiliation, and anger, Street Justice is an eye-opener even for those of us who thought we knew something about this topic.
Read this book if you a cop. If you are just interested in law and violence, as I am, read this one alongside Miller, Gould, and a few of the Icelandic Sagas, and I guarantee you will…
Street criminals live in a dangerous world, but they cannot realistically rely on the criminal justice system to protect them from predation by fellow lawbreakers; they are on their own when it comes to dealing with crimes perpetrated against them and often use retaliation as a mechanism for deterring and responding to victimization. Although retaliation lies at the heart of much of the violence that plagues many inner-city neighborhoods across the United States, it has received scant attention from criminologists. As a result, the structure, process, and forms of retaliation in the real world setting of urban America remain poorly…
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
I’ve been fascinated by how ordinary people can change the course of their own lives since I was a child. However, I had no idea until later in life that there were entire fields of study devoted to understanding how this process works historically. When I discovered “new labor history” many years ago, I knew I wanted to be part of it. It was the privilege of a lifetime to study under some of the best labor historians in the world at the University of Chicago. And I can’t describe how I felt when my dissertation won the Herbert Gutman Prize in Labor History. I hope these books spark your interest!
Let’s face it. Christianity has been used to support slavery, encourage white people to be racist, and send women back to the 1950s.
That’s why I found Jarod Roll’s Spirit of Rebellion refreshing and important. It was a good reminder that faith can also provide the moral courage necessary for change. It can unite people instead of dividing them.
I can’t imagine a place and time more disposed to racist divisions than rural Missouri in the late 19th century. Yet, poor white and Black farmers there found common ground as rebels against the emerging capitalist order. How? Through the Pentecostal revivals that swept the region in this same period. If that’s not a message of hope in these trying times, then I don’t know what is.
Winner of the Herbert G. Gutman Prize from the Labor and Working-Class History Association
In Spirit of Rebellion, Jarod Roll documents an alternative tradition of American protest by linking working-class political movements to grassroots religious revivals. He reveals how ordinary rural citizens in the south used available resources and their shared faith to defend their agrarian livelihoods amid the political and economic upheaval of the first half of the twentieth century.
On the frontier of the New Cotton South in Missouri's Bootheel, the relationships between black and white farmers were complicated by racial tensions and bitter competition. Despite these divisions,…
I’m the author of the Peter Pike private eye series. Pike regularly tangles with psychos; you can’t have crime novels without them. Why? People love psychos. Psychos horrify and fascinate us. Do we wish we
could be them? Maybe. The best psychos are outwardly lovable and charming and get whatever they want, making you laugh and shudder at the same time. Wish fulfillment? Fantasy? Subconscious longings? Again, maybe. I know such fiction lets you dive deeply into what’s now called transgressive territory without consequences. Does fiction get any better than that?
This isn't a novel but a true crime narrative, a depiction of a man named Ken McElroy gunned down on the main street of a small Missouri town in, well, broad daylight. No witnesses. No suspects. Well, the whole town, the whole county, are suspects. This guy raped very young girls then got them to marry him, shot people, stole cattle and equipment, burned down houses. This book was a jolt to me because my wife is from that area, an area I, a man who's spent most of my life in urban areas, had always thought bucolic, filled with amiable, honest, peaceful people. I started looking at the natives in a different light after this. And, not to freak anybody out here, chances are pretty good there’s been a terrible crime, if you’re lucky an unsolved one, committed not very far at all from where you are right now.
Ken Rex McElroy was an illiterate hog farmer who lived on the outskirts of a small town in Northwest Missouri. For over twenty years he raped, robbed and burned almost at will. Cops were scared to arrest him, prosecutors were scared to prosecute him, judges were scared to judge him, and juries were scared to convict him. Over the years, Skidmore and many other small communities became convinced that the law was incapable of protecting them from McElroy. They watched in awe as he walked away from one crime after another. Ken McElroy was shot to death on the main…
