100 books like The Second Shift

I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value. 

As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to. 

I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.

As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to. 

I was born in 1947, in the first wave of the baby boom, and was part of the first generation to grow up immersed in television, movies, and popular music. I have always felt the force of pop culture in my life.  But it was only at a certain point that it became something that I felt I could write about and be taken seriously. Writers like Pauline Kael made it possible for me because they obviously adored popular culture but they neither puffed it up nor dumbed it down. They wrote about it with intelligence, honesty, and curiosity and also as a barometer of where people were at and where society was going. That’s what I’ve aimed at in my own writing, from my books on the male and female body to those on politics and the media to my most recent exploration of the impact of television on our lives.

When writing fantasy and science fiction, I enjoy writing about strong female characters and strong female leads. I also like exploring fundamental questions such as what it means to be human. I grew up reading all the science fiction and fantasy I could get my hands on, and that vast landscape of stories has influenced my writing in many ways. I love to explore the limits of consciousness and darkness. I hope the books on this list inspire you and make you think. They have all influenced me in one way or another and made me a better writer.    

I’ve been reading almost exclusively memoirs and personal essays for over a decade. The women who generously wrote about their bodies—the bowels, the breasts, the bad sex—lit up the path for me when I was drowning in my own body shame and body confusion. Every year I read at least 50 memoirs, and the ones on this list are the ones I revisit over and over. I also study writing with Lidia Yuknavitch at Corporeal Writing, where I first heard six years ago that “the body has a point of view.” I love this as a writer and a reader. So much of women’s bodies and experiences has been hidden away or unstoried, but those days are coming to a close, and these writers are leading the way.

It took me far too long to realize that I, childhood absorber of all things fantastical, counted as an SFF fan; all the books I saw listed as “popular” or “classic” SFF were cis/het white dude parties. But SFF at its best uses the fantastical as metaphor for the mundane; imagines better (or worse) worlds; does something different, in screaming color! Who can do that better than the books lost on the fringes? To that end, I’ve organized this list based on rough reverse popularity, so if you don’t find something new by the beginning, you’ll almost certainly get it by the end. Happy reading!

When writing fantasy and science fiction, I enjoy writing about strong female characters and strong female leads. I also like exploring fundamental questions such as what it means to be human. I grew up reading all the science fiction and fantasy I could get my hands on, and that vast landscape of stories has influenced my writing in many ways. I love to explore the limits of consciousness and darkness. I hope the books on this list inspire you and make you think. They have all influenced me in one way or another and made me a better writer.    

After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.