I’ve been reading almost exclusively memoirs and personal essays for over a decade. The women who generously wrote about their bodies—the bowels, the breasts, the bad sex—lit up the path for me when I was drowning in my own body shame and body confusion. Every year I read at least 50 memoirs, and the ones on this list are the ones I revisit over and over. I also study writing with Lidia Yuknavitch at Corporeal Writing, where I first heard six years ago that “the body has a point of view.” I love this as a writer and a reader. So much of women’s bodies and experiences has been hidden away or unstoried, but those days are coming to a close, and these writers are leading the way.
Christie Tate has just been named the top student in her law school class and seems to finally have got her eating disorder under control. So why is she driving through Chicago fantasising about her own death?
Desperate, she joins Dr. Rosen’s psychotherapy group, and through his unconventional methods, he challenges everything she thought she knew, about herself and others. In group, secrets are not allowed. This means telling a group of strangers everything – about her struggle with bulimia, her failed sex life, her overwhelming sense of loneliness, and acute longing for a relationship. And as she keeps sharing her thoughts and feelings and listens to the others doing the same, her life slowly begins to change.
Yuknavitch’s memoir is a gloves-off gut-punch of stories about her life as a competitive swimmer, a daughter of a tyrannical father, and an artist-in-the-making. Best of all: The sex scenes are like nothing I’ve ever read. DO NOT MISS THIS ONE.
From the debris of her troubled early life, Lidia Yuknavitch weaves an astonishing tale of survival. A kind of memoir that is also a paean to the pursuit of beauty, self-expression, desire - for men and women - and the exhilaration of swimming, The Chronology of Water lays a life bare.
It is a life that navigates, and transcends, abuse, addiction, self-destruction and the crushing loss of a stillborn child. It is the life of a misfit, one that forges a fierce and untrodden path to creativity and comes together in the shape of love.
I’m a huge crier—when the birds over the Lake look beautiful, when my kids sing on key, when I imagine the passing of my favorite musician, Willie Nelson—so this meditation on tears and crying spoke straight to my soul. Christle expertly weaves her own struggles with the science, art, and cultural history of crying. This book is strangely perfect.
"A poignant and piercing examination of the phenomenon of tears—exhaustive, yes, but also open-ended. . . A deeply felt, and genuinely touching, book." —Esmé Weijun Wang, author of The Collected Schizophrenias
"Spellbinding and propulsive—the map of a luminous mind in conversation with books, songs, friends, scientific theories, literary histories, her own jagged joy, and despair. Heather Christle is a visionary writer." —Leni Zumas, author of Red Clocks
Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and…
Our culture treats girlhood as a time when young females are frivolous, catty, and obsessed with selfies. Not Febos. She takes seriously the formation of self that happens in girlhood as sexuality, cultural messages, desire, ambition, and abuse press on our bodies and psyches. Her exploration of her own girlhood helped me look back at my own and respect my scrappy self.
National Book Critics Circle Award Winner National Bestseller Lambda Literary Award Finalist
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME * NPR * The Washington Post * Kirkus Reviews * Washington Independent Review of Books * The Millions * Electric Literature * Ms Magazine * Entropy Magazine * Largehearted Boy * Passerbuys
“Irreverent and original.” –New York Times
“Magisterial.” –The New Yorker
“An intoxicating writer.” –The Atlantic
“A classic!” –Mary Karr
“A true light in the dark.” –Stephanie Danler
“An essential, heartbreaking project.” –Carmen Maria Machado
A gripping set of stories about the forces that shape girls…
Irby’s writing is hilarious and full of heart whether she’s talking about her twisted bowels or her difficult childhood. Her jokes always land, and they never feel cheap or hollow because she’s an expert storyteller who is not afraid of the truth about her awkward social skills or her body. Her essays are the BOMB!
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
Dederer’s book explores her sudden, mid-life yearning for carnal pleasure and compares them to her promiscuous youth. We see her sleeping with enough people in college to earn a recommendation on a park bench (“for a good time call Clare Dederer"), and also as a married mother and artist who longs for something more, but she’s not sure what it is. Punctuated with hilarious entries from her childhood journal, this book delivers on every level.
A hilarious, confrontational and moving story of one woman's attempts to navigate her way through the challenges of mid-life, for lovers of HOW TO BE A WOMAN and I'M NOT WITH THE BAND. 'Claire Dederer is not only a brilliant author, but an honest and brave one' Elizabeth Gilbert, author of EAT, PRAY, LOVE
Claire Dederer's youth was wild, an endless cascade of beer and rock and acid and sex that left her benumbed and adrift. But then, after two decades of disciplined transformation, she'd become a successful writer, a faithful wife, and a mother - a real adult. That…
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast into homes in the emerging West, sometimes providing loving new families, other times delivering kids into nightmares. Taken by a cruel New Mexico couple, William faced a terrible trial, but his strength and resilience carried him forward into unforgettable adventures.
Whether escaping his abusers, jumping freights as a preteen during the Great Depression, or infiltrating Japanese-held islands as a teenage Marine during WWII, William’s unique path paralleled the tumult of the twentieth century—and personified the American dream.
WINNER, DA VINCI EYE AWARD FOR COVER DESIGN, ERIC HOFFER BOOK AWARDS
HONORABLE MENTION, ERIC HOFFER BOOK AWARDS, E-BOOK NONFICTION
FINALIST, NEXT GENERATION INDIE BOOK AWARDS, E-BOOK NONFICTION
FINALIST, NEXT GENERATION INDIE BOOK AWARDS, MEMOIRS (Overcoming Adversity)
HONORABLE MENTION, READERS' FAVORITE BOOK AWARDS, GENERAL NONFICTION
From 1854 to the early 1930s, the American Orphan Trains transported 250,000 children from the streets and orphanages of the East Coast into homes in the emerging West. Unfortunately, families waiting for the trains weren’t always dreams come true—many times they were nightmares.
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