Here are 100 books that The Chronology of Water fans have personally recommended if you like
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I grew up in the shadow of my mother’s untreated and very damaging mental illness, and despite how much I loved her, I struggled with having few ways to articulate or even understand how it shaped our lives. I went on to study biology and writing, and I now often weave psychology and neuroscience into my literary essays and memoir. I write to fill the gaps between my own experiences and the ways I have seen mental illness represented—or more often, misrepresented—in our culture. I write to explore mental health as it exists in real families and communities, and to tell nuanced, loving stories that fight against stigma.
This lyrical, book-length essay is a meditation not so much on a diagnosis as on one of its most visible expressions—tears. Exploring depression through the lens of the phenomenon of crying, The Crying Book is loaded with facts both esoteric and banal. Yet it is also deeply personalized by author Heather Christle’s reflections on her own struggles with depressive episodes, as well as on the deaths of other poets to suicide, and the allure and danger of romanticizing such acts. Christle’s loose, fragmentary approach gives her the freedom to wander far and wide as she considers the art and act of crying, allowing depression to surface as an experience that is at once individual and deeply embedded in its cultural and historical contexts.
"A poignant and piercing examination of the phenomenon of tears—exhaustive, yes, but also open-ended. . . A deeply felt, and genuinely touching, book." —Esmé Weijun Wang, author of The Collected Schizophrenias
"Spellbinding and propulsive—the map of a luminous mind in conversation with books, songs, friends, scientific theories, literary histories, her own jagged joy, and despair. Heather Christle is a visionary writer." —Leni Zumas, author of Red Clocks
Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and…
I was raised in the Midwest by parents who told me I could have whatever kind of life I wanted. I took them at their word, never considering that my gender might come with limitations. It wasn’t until I had my first child and began investigating Paula’s case that the true complexity of womanhood began to dawn on me. I’ve since spent nine years reading and writing and thinking about the experience of being a woman in the modern world.
Girlhood was published while I was in edits and though I bought the book, I couldn’t risk reading it. The subject matter was too close to my own. What if I wanted to add or (gasp) rewrite? I’m glad I waited. Febos’ stunning essays perfectly encapsulate the confusion of adolescent girlhood, the mixed messages—from adults, from our own bodies—and the traps that lay in wait.My favorite, “The Mirror Test,” contains lines that crackle such as: “Before it carried any sexual connotation, the word slut was a term for a slovenly woman… A slut was a careless girl, hands sunk haphazardly into the dough…—eyes cast out the window, mouth humming a song, always thinking of something else. Oh was I ever a messy child. A real slut in the making.”
National Book Critics Circle Award Winner National Bestseller Lambda Literary Award Finalist
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME * NPR * The Washington Post * Kirkus Reviews * Washington Independent Review of Books * The Millions * Electric Literature * Ms Magazine * Entropy Magazine * Largehearted Boy * Passerbuys
“Irreverent and original.” –New York Times
“Magisterial.” –The New Yorker
“An intoxicating writer.” –The Atlantic
“A classic!” –Mary Karr
“A true light in the dark.” –Stephanie Danler
“An essential, heartbreaking project.” –Carmen Maria Machado
A gripping set of stories about the forces that shape girls…
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
This author always cracks me up, with her outrageously candid, sometimes bawdy confessions of awkward slips and romantic misalliances. She is so smart and insightful, yet so down to earth, that you just have to love her. I’m also a big fan of her collection Meaty.
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
I’ve been reading almost exclusively memoirs and personal essays for over a decade. The women who generously wrote about their bodies—the bowels, the breasts, the bad sex—lit up the path for me when I was drowning in my own body shame and body confusion. Every year I read at least 50 memoirs, and the ones on this list are the ones I revisit over and over. I also study writing with Lidia Yuknavitch at Corporeal Writing, where I first heard six years ago that “the body has a point of view.” I love this as a writer and a reader. So much of women’s bodies and experiences has been hidden away or unstoried, but those days are coming to a close, and these writers are leading the way.
Dederer’s book explores her sudden, mid-life yearning for carnal pleasure and compares them to her promiscuous youth. We see her sleeping with enough people in college to earn a recommendation on a park bench (“for a good time call Clare Dederer"), and also as a married mother and artist who longs for something more, but she’s not sure what it is. Punctuated with hilarious entries from her childhood journal, this book delivers on every level.
A hilarious, confrontational and moving story of one woman's attempts to navigate her way through the challenges of mid-life, for lovers of HOW TO BE A WOMAN and I'M NOT WITH THE BAND. 'Claire Dederer is not only a brilliant author, but an honest and brave one' Elizabeth Gilbert, author of EAT, PRAY, LOVE
Claire Dederer's youth was wild, an endless cascade of beer and rock and acid and sex that left her benumbed and adrift. But then, after two decades of disciplined transformation, she'd become a successful writer, a faithful wife, and a mother - a real adult. That…
As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.
I love the boldness of putting “comedy” right there in the subtitle, and Pyae Moe Thet War absolutely delivers. This memoir-in-essays, about being a millennial woman in Myanmar, has one of the strongest voices I’ve encountered in recent essay collections. She writes back against the expectation that racialized and minoritized writers perform their trauma for the reader, or must be restricted to certain topics and tones. You’ve Changedsets a precedent I know other writers will feel empowered to follow.
In this electric debut essay collection, a Myanmar millennial playfully challenges us to examine the knots and complications of immigration status, eating habits, Western feminism in an Asian home, and more, guiding us toward an expansive idea of what it means to be a Myanmar woman today
What does it mean to be a Myanmar person—a baker, swimmer, writer and woman—on your own terms rather than those of the colonizer? These irreverent yet vulnerable essays ask that question by tracing the journey of a woman who spent her young adulthood in the US and UK before returning to her hometown…
If you want to live your best life, you’ll need to face some fears. I’ve faced a lot of my fears: great white sharks, sky-diving, caves, spiders, meat sauces. I’m still scared, but what else can I do? Stay in bed my whole life? I love writing and illustrating for kids. It’s how I’ve spent the last twenty years. I’ve written and/or illustrated almost fifty books. The scariest part is figuring out how to start. Thinking of an ending is scary too. Then there’s all that stuff in the middle. Ugh! My first books about facing fears were Hippo and Rabbit. Now, Scaredy Cats. Fear gives me ideas!
I feel like I lived this story as a kid. I’ll bet a lot of kids do. A young boy overcomes his fear of the high dive.
Step by step, Gaia Cornwall takes us through Jabari’s jump. Jabari starts by telling his dad he’s not scared at all. He clearly is. He delays, makes excuses. Dad never pushes. He wants this to be Jabari’s decision, Jabari’s victory. It’s so relatable, the perspective even changes to first person once Jabari is high above the pool.
Everything rings true. It’s exactly what a scared kid would say and do. It’s exactly what I said and did when I was Jabari’s age trying to summon my own courage on the high dive. Except when I hit the water, my swim trunks fell off.
Working up the courage to take a big, important leap is hard, but Jabari is almost absolutely ready to make a giant splash.
In a sweet tale of overcoming your fears, debut author-illustrator Gaia Cornwall captures a moment at the swimming pool between a patient and encouraging father and a determined little boy you can't help but root for. Jabari is definitely ready to jump off the diving board. He's finished his swimming lessons and passed his swimming test, and he's a great jumper, so he's not scared at all. "Looks easy," says Jabari, watching the other kids take their…
I’m a travel writer, photographer, and lover of wilderness. I am the co-author of three travel guides about swimming: Places We Swim Australia, Places We Swim Sydney, and my new book, listed below. Together with my wife, we write about the connection between water, wilderness, and culture. I am fascinated with how people and nature interact and change one another. All of these books and authors on my list reveal how their experiences in nature have fuelled, anchored them, and inspired their craft.
My wife and I felt a kinship with Bonnie when we discovered her writing, or maybe she was just the person we wanted to be.
She is a New York Times journalist, a surfer, and a swimmer. Although she lives in San Francisco, she has spent some time living in Australia (Sydney, where we live), and she has experienced some of our local swimming spots, as well as many in California (her locals).
In this book, Bonnie artfully expresses the intangible feelings many of us feel about swimming and water and how we engage with it as humans. The best writers can articulate feelings and experiences in a way that makes you feel seen. This is one of those books for me.
“A fascinating and beautifully written love letter to water. I was enchanted by this book." —Rebecca Skloot, bestselling author of The Immortal Life of Henrietta Lacks
We swim in freezing Arctic waters and piranha-infested rivers to test our limits. We swim for pleasure, for exercise, for healing. But humans, unlike other animals that are drawn to water, are not naturalborn swimmers. We must be taught. Our evolutionary ancestors learned for survival; today, swimming is one of the most popular activities in the world. Why We Swim is propelled by stories of Olympic champions, a Baghdad swim club that meets in…
Dominique Antiglio is a Qualified Sophrologist, former Osteopath, and best-selling author based in London. Sophrology is a simple practice for mental well-being supporting everyone to tap into the unlimited resources of consciousness and become empowered in daily life. Having used Sophrology to overcome her own issues as a teenager, Dominique is passionate about how each one of us can find resilience and meaning through difficult times. She is a world-leading Sophrologist, founder of BeSophro, a leading Sophrology clinic in London and a Sophrology platform so everyone can learn to practice the method based on relaxation, breathing, visualisation and movement. Dominique gained her Master's in Caycedian Sophrology under Professor Caycedo.
I love this book. It's such an incredible story about conquering challenges that appear near-impossible. Diana Nyad was the first person in history to swim 103 miles non-stop from Cuba to Florida which she did successfully on her 5th attempt at 64 years old! What is fascinating is how she managed to separate herself from negative thinking - from doctors and the public, not to mention her own.
Winner of the Cross Sports International Autobiography of the Year award
In the 1970s, Diana Nyad was widely regarded as the greatest long-distance swimmer in the world and set many world records, such as circling Manhattan Island and crossing the 102.5 miles between the Bahamas and Florida. But one record continually eluded her: becoming the first woman to swim between Cuba and the Florida Keys without a shark cage. Finally, in September 2013, after four failed attempts and at the age of sixty-four, Diana completed the crossing after two days and two nights of continuous swimming - 53 consecutive hours,…
A century of prejudice is laid bare in these books, but within their pages are countless subtle and overt ways that gay Australian men have given homophobes the big middle finger. We may not always have thrived, but through resistance, migration, verbal agility, notoriety, and sheer resilience, collectively we have conquered. I stand on enormous shoulders at a time when queer writing is proliferating on an inevitable tide of equality that has risen across my lifetime in this country. My selections encompass first nations and migrant stories, some of the pioneers of our gay literature, and ‘outside’ voices bravely looking in to discern us with dignity.
Danny Kelly is a living, breathing gay Greek protagonist, and the choices this driven young competitive swimmer faces about loving relationships—while he’s in the pursuit of athletic prowess—are written with a resounding ring of truth. Tsiolkas’ visceral sex scenes, underpinned by gripping descriptions of the desires behind the mechanics, speak to much more than the act itself. They go to the heart of identity in a novel with so many layers of self-definition: the migrant, the working class hero, the quintessential male, the stereotypical gay, the success story, and the abject failure. That Danny escapes his ambition alive is a miracle, and it has everything to do with digging deep and staring down expectations.
From the international bestselling and Booker Prize nominated author of The Slap comes a blazingly brilliant new novel.
Longlisted for the 2014 IMPAC Dublin Literary Award
You lose everything. In front of everyone. Where do you go from here?
Daniel Kelly, a talented young swimmer, has one chance to escape his working-class upbringing. His astonishing ability in the pool should drive him to fame and fortune, as well as his revenge on the rich boys at the private school to which he has won a sports scholarship. Everything Danny has ever done, every sacrifice his family has ever made, has…
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
Lynne Cox is one of the world’s most extraordinary distance swimmers, and she’s also a remarkable writer. In this, her first book, she writes about her emotional connection to water, her spiritual need to swim, as well as recounting the many challenges she faced in her successful crossing of the Bering Strait – not the least of which was the 38F water temperature. I was truly honored when Lynne agreed to write a testimonial for my book.
NATIONAL BESTSELLER • In this extraordinary book, the world’s most extraordinary distance swimmer writes about her emotional and spiritual need to swim and about the almost mystical act of swimming itself.
Lynne Cox trained hard from age nine, working with an Olympic coach, swimming five to twelve miles each day in the Pacific. At age eleven, she swam even when hail made the water “like cold tapioca pudding” and was told she would one day swim the English Channel. Four years later—not yet out of high school—she broke the men’s and women’s world records for the Channel swim. In 1987,…
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