Here are 88 books that The Leftovers fans have personally recommended if you like
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In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I’ve long had an ambivalent relationship with airports. They have been the starting point for my adventures, but I have also known well the discomfort, boredom, stress, surveillance, bad food, and other unpleasantries that often define airport experiences. Despite my ambivalence, I’ve found airports to be fascinating places where differently situated people (travelers and workers) encounter one another. I’ve learned that those encounters, as well as airport operations and design, tell us something about the places where they are located and the broader societies in which we live. I’ve since become aware that reading (and writing) about airports are also great ways to gain such insights.
In addition to eerily anticipating the COVID-19 pandemic—thankfully, our pathogen was not nearly as virulent and lethal—this post-apocalyptic novel offers interesting commentary about airports as microcosms of society.
The airport that figures prominently here is the gateway to and manifestation of a “secure” society structured as much by those it excludes as by those it includes. It is also the archive of a society defined, for better and for worse, by its relationship to technology.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
I am the author of 5 (nearly 6) science-fantasy novels in my Sun Eater series, as well as the author of 2 novellas and nearly two dozen short stories, as well as an 8-year veteran of the publishing industry. For 7 of those years, I worked as an editor for Baen Books, a nearly 40-year-old publisher of science fiction and fantasy. On top of all that, I am a lifelong sci-fi and fantasy fan, and something of an amateur historian of the field.
Folks daunted at the prospect of jumping in to a longer series will be delighted to know that this is just a standalone novel. In fact, it was the only novel Walter M. Miller, Jr. wrote in his lifetime. There is a posthumously published sequel to this novel, but it was completed by another writer and is generally considered the lesser work, and at any rate, Canticle stands on its own. This is a post-apocalyptic novel, set after a nuclear war in the 1960s wiped out civilization. It takes place over the course of centuries, and follows a small Roman Catholic monastery in the American southwest as they struggle to preserve documents from before the bombs destroyed everything—scientific knowledge, mostly, knowledge the poor monks can’t even begin to understand.
This is one of the most beautifully written novels in the genre’s history, and one that—though I’ve only read it two…
In the depths of the Utah desert, long after the Flame Deluge has scoured the earth clean, a monk of the Order of Saint Leibowitz has made a miraculous discovery: holy relics from the life of the great saint himself, including the blessed blueprint, the sacred shopping list, and the hallowed shrine of the Fallout Shelter.
In a terrifying age of darkness and decay, these artifacts could be the keys to mankind's salvation. But as the mystery at the core of this groundbreaking novel unfolds, it is the search itself—for meaning, for truth, for love—that offers hope for humanity's rebirth…
I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.
This New York Times bestseller from Dennis Lehane is a gripping, unnerving psychological thriller about the effects of a savage killing on three former friends in a tightly knit, blue-collar Boston neighborhood.
When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened—something that ended their friendship and changed all three boys forever.
Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to…
I’m struck by the narrative elegance of a premise-based novel. Here’s the premise, now what happens? These stories succeed when the premise catches your attention and leads plausibly and compellingly to what the characters think, feel, and do next. Apocalyptic novels are premise-based (apocalypse!) but not all premise-based novels are apocalyptic, e.g., Elevation, Mystic River, and own Ghosts on the Red Line. My experience writing Ghosts on the Red Line has provided me with a good sense of how authors Perrotta, King, Lehane, Miller, and St. John Mandel went about building on their inspired premises to create their unforgettable stories.
Elevation grabbed me from its starting premise until its last memorable scene. A flabby protagonist reveals to a doctor friend that his weight, as shown on his scale, is steadily dropping despite his unchanged appearance. In effect, he is less and less affected by gravity. Because his muscles have adapted to manage his large size, as his gravitational weight decreases he gains disproportionate agility and stamina, to the extent that he becomes a formidable marathon runner which amazes everyone who sees him. He develops close bonds with two women with whom he previously conflicted and they and his doctor friend help him to deal with his situation which becomes perilous as his weight approaches zero.
From legendary master storyteller Stephen King, a riveting story about “an ordinary man in an extraordinary condition rising above hatred” (The Washington Post) and bringing the fictional town of Castle Rock, Maine together—a “joyful, uplifting” (Entertainment Weekly) tale about finding common ground despite deep-rooted differences, “the sign of a master elevating his own legendary game yet again” (USA TODAY).
Although Scott Carey doesn’t look any different, he’s been steadily losing weight. There are a couple of other odd things, too. He weighs the same in his clothes and out of them, no matter how heavy they are. Scott doesn’t want…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
This is one of the best collections I’ve ever read, and I’ve read it a few times now. These are emotionally intimate stories, bleak but beautiful. Dines really knows how to write convincing, troubled characters, people you will care about and suffer with as they struggle with the losses life forces upon them, and while each of the stories stands alone, there are connections between many of them which serves to build on your relationship with these characters. This is a debut collection, but every story has clearly been written by someone who has mastered their craft. Dines knows exactly what he’s doing, and what he’s doing is making you care, making you feel, and making you realise you are not alone. I love this book.
The past is never far behind. If we do not leave it, if we insist on carrying it with us to the end...that end is a monster.
This stunning debut collection of dark, literary fiction drowns the reader in its themes of grief, regret, love, and hope.
A family is torn apart by tragedy and misadventure, their future creaking under the weight of judgment. Old men play at being ghosts while a young boy sees real ones wherever he turns. A wandering immortal desperately seeks an end to his pain.
Intimate, unflinching, and poignant, these eleven tales of the broken…
I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
The ship in this book (a submarine, in this case) features in unsettling flashbacks.
Miri’s wife, Leah, is a marine biologist, and on a routine trip to the bottom of the ocean, a malfunction on the sub means she and the crew remain down there much longer than anticipated. When she returns, she’s not the same. Armfield’s writing is stunning, perfectly encapsulating the strangeness of life at the bottom of the ocean.
This is an eerie but incredibly moving book about relationships and grief.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
There’s so much to love about this book. Every story here is brilliant, and while sadness is the thread running through all of them, I’d say they also deal with issues of loss or the pain of losing, and the things we do to cope. I’ve loved Mauro’s writing from day one, and this collection gathers her best into a powerful volume that does indeed sing. It filled and then broke my heart. The book is worth buying for the award-winning story "Looking for Laika" alone, but there really isn’t a single story here that isn’t a masterclass in writing, and not a single one that doesn’t move the reader to feel the sadness and feel it deeply. I can’t wait for whatever Laura Mauro does next.
British Fantasy Award-winning author, and Shirley Jackson Award finalist Laura Mauro, a leading voice in contemporary dark fiction, delivers a remarkable debut collection of startling short fiction. Human and humane tales of beauty, strangeness, and transformation told in prose as precise and sparing as a surgeon’s knife. A major new talent!
Featuring "Looking for Laika," winner of the British Fantasy Award, and "Sun Dogs," a finalist for the Shirley Jackson Award.
I've never been anything but a writer, despite growing up and spending my first 50 years in Alaska. Alaska has been my major topic—what else could it be in that overwhelmingly powerful place?—but it has also been my frustration, because Alaska is a real place that exists in most readers’ minds only as a romantic vision, and they resist any other version. Like the real Eskimos in my book, whose world is melting from climate change as they pump millions of barrels of crude oil from their homeland. The writers I chose are all Alaskans, like me, who tell those stories about the magical, terrifying place that lies behind the Disney version you already know.
Kizzia’s prose and reporting are unequaled, but this dark, Gothic tale is hard to read because of the real-life horror it exposes. The Pilgrim family came to Alaska in 2002, wrapping themselves in fundamentalist Christianity and fighting with the federal government like true pioneers in the wilderness—they became a cause for the right because of how they seemed to fulfill Alaska’s frontier myth. But it turned out the patriarch of the family had created a weird prison of rape and abuse for his uneducated children, which Kizzia was able to get inside with vividly told scenes. And that truth tells us even more about Alaska, which has the worst rate of rape in the nation and a shocking level of child abuse.
Into the Wild meets Helter Skelter in this riveting true story of a modern-day homesteading family in the deepest reaches of the Alaskan wilderness—and of the chilling secrets of its maniacal, spellbinding patriarch.
When Papa Pilgrim, his wife, and their fifteen children appeared in the Alaska frontier outpost of McCarthy, their new neighbors saw them as a shining example of the homespun Christian ideal. But behind the family's proud piety and beautiful old-timey music lay Pilgrim's dark past: his strange connection to the Kennedy assassination and a trail of chaos and anguish that followed him from Dallas and New Mexico.…
I’m a YA writer who likes to tackle difficult subject matter. My books cover things like euthanasia, drug abuse, coming out, and accessing sex as someone with a disability. If my books are found by even just one person who needs to see themselves in a story, then I feel like my job is done.
Minnow is a fascinating character having narrowly escaped the cult she’s been living in for twelve years. They took her hands, but she’s alive and away from the daily cruelties the cult subjected her to. The authorities want her to tell them everything, but Minnow wants her freedom and won’t give up her secrets for anything less. So she’s stuck in a detention center with too much time to remember the events that led to her escape and the carnage she left behind.
Brought to the Community at age five, the cult has taken so much from Minnow: her childhood, her family, her ability to trust. And when she rebelled, they took her hands, too. Now their Prophet has been murdered and their camp set aflame, and it's clear that Minnow knows something -but she's not talking. Sent to juvie, Minnow must learn how to survive in a new situation, and she struggles to make sense of the events that have landed her there
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