I’ve been passionate about Edward Abbey since I read Desert Solitaire in 1994.By 2010, I decided to write a biography on Abbey,Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave, which allowed me to research and explore Abbey. I interviewed his great friends, including Jack Loeffler, Doug Peacock, Ken Sleight, and David Petersen. I visited Abbey’s special collections library and read his master’s thesis on anarchism and an unpublished novel. I visited his first home in Pennsylvania and many of his Desert Southwest homes. Along the way, I found the spirit of Abbey and the American Southwest.Finding Abbeywon the National Outdoor Book Award.
Abbey wrote twenty-one books. While others considered him a “nature writer,” he roiled at that idea.
Instead, he considered himself a novelist, and he spent his entire career trying to write “the great American novel.” Published in 1988, a year before his death, Abbey called The Fool’s Progress his “fat masterpiece.” And I agree.
This might be his most intimate and emotional book. To me, this book aches with heart. This semi-autobiographical novel is about Henry Holyoak Lightcap’s journey home from the Desert Southwest to die in West Virginia.
The book is filled with reflection on death, which was what Abbey was experiencing in his own life.
Henry Lightcap, a man facing a terminal illness, sets out on a trip across America accompanied only by his dog, Solstice, and discovers the beauty and majesty of the Southwest
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
As it is often said, “history is written by the winners.”
The Hispanic population had very little voice in the outcome of the Lincoln County War, but it is they who had the deepest insight into who Billy was, for they were his friends and he their champion. Mills has mined that forgotten voice to publish a more thorough understanding of who the Kid was.
The result is a greater appreciation for Billy as a human being. This is a long overdue perspective that better defines Billy Bonney’s admirable traits.
In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett's revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns's book, The Saga of Billy the Kid.
Jonah, who’d been married for 12 years, decides to leave California and head back home on the open road to Albuquerque with his sister Nell. As Nell and Jonah cross the American West, is there an
underlying message that happiness can be found anywhere, even for those who’ve
left home in search of greater things?
As siblings, Nell and Jonah’s rocky
relationship is the centerpiece of the story. It showcases a mythological and
supernatural element fans of dark fantasy will relish. As the novel climaxes,
we find Nell possessed by an ancient spirit, and the deeper this mysterious
possession latches onto her, the desolation of the Nevada desert cannot save
them from the ghastly violence that unexpectedly finds them.
For horror fans, this is an intense
story of blood, gore, action, and phantasmagoria.
One of Tor Nightfire's "Horror Books We're Excited About in 2022"!
"Lyons
burnishes his reputation as a rising horror star . . . [and] keeps the pages
flying with fast-paced chills." -Publishers Weekly (starred review)
From the author of The Night Will Find Us comes a white-knuckled horror-thriller set across the American Southwest.
Road trips can be hell.
Siblings Jonah and Nell Talbot used to be inseparable, but ever since Jonah suddenly blew town twelve years ago, they couldn't be more distant. Now, in the wake of Jonah's divorce, they embark on a cross-country road trip back to their hometown…
Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.
Out of the feminist movement in American archaeology came this thick testament to the number and importance of women archaeologists and ethnographers who worked in the American Southwest before the U.S. Civil Rights Act made discrimination illegal. As a woman who had been ignored and even brutally put down by men archaeologists, reading of these hardworking, persistent, and some of them brilliant women thrilled me. Over and above the revelations of great researchers who often collaborated with First Nations people, the book is a treasure of stories about pioneer conditions in the Southwest, discoveries of famous ruins, and early anthropologists breaking through into native communities.
Women scholars, writers, curators, and philanthropists have played important roles in the study of Native American cultures of the Southwest. For much of the twentieth century, however, their work has been overlooked. The essays in this book, which grew out of the landmark conference known as Daughters of the Desert, help to rectify the appropriation, erasure, disparagement, and invisibility that many women anthropologists have suffered. A number of essays are biographical or intellectual histories, such as Parezo on Matilda Coxe Stevenson, Hieb on Elsie Clews Parsons, Babcock on Ruth Benedict, Lamphere on Gladys Reichard, and Lange on Esther Goldfrank. Others…
Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.
Read this book along with the other handsomely published book, Hidden Scholars, and we have a pair that opens up the idealized Southwest and the ideology of White Supremacy behind it. Schemes and sufferings, deals and derring-do abounded in the territory that now boasts our U.S. Secretary of the Interior, Laguna Pueblo citizen Deb Haaland. Don Fowler and his wife Catherine Fowler are themselves archaeologists/ethnographers in the Southwest borderland, my longtime good friends and colleagues, with an eye for arresting details and a story-telling style that make this book a gripping account of how the Romantic Ruins and fascinating Pueblos were created out in America's desert.
Initially published in 2000, this beautiful paperback reprint of respected archaeologist Don Fowler's A Laboratory for Anthropology tells the sweeping history tells of an idea, "The Southwest," through the development of American anthropology and archaeology.
For eighty years following the end of the Mexican-American War, anthropologists described the people, culture, and land of the American Southwest to cultural tastemakers and consumers on the East Coast. Digging deeply into public and private historical records, the author uses biographical vignettes to recreate the men and women who pioneered American anthropology and archaeology in the Southwest. He explores institutions such as the Smithsonian,…
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
While several other books describe uranium’s effects on the Navajos and other Native American peoples from individual effects of exposure and death, Wastelanding is strongest in building a strong case that all of these individual efforts constitute a clear case that environmental racism, as well as colonization, and gender discrimination, combine with the United States’ hunger for uranium in a new atomic age to make victims of people who had lived in the areas for millennia while leaving the uranium in the ground, which is exactly where the people decided it should stay.
Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike.
Since my earliest memories, I have been fascinated with rocks, landscapes, and the movement of time. It was perhaps only fitting then, that I should have landed in the bottom of the Grand Canyon in the 1970s working as a backcountry ranger where I discovered GEOLOGY! Since then, my world view has been shaped by the record of earth history that is held in sedimentary rocks, mountain belts, and the colorful and varied landscapes of the Desert Southwest and Colorado Plateau. I am in love with these landscapes and know them well. This love affair causes me to visit other landscapes around the world and ponder their development.
I used to teach Topics in Regional Geology at Yavapai College (Prescott) and when preparing for field trips in the Santa Catalina and Tucson Mountains, I leaned heavily on this clearly written and engaging book with a fascinating storyline. Dr. Kring brings readers of all levels on a wondrous journey through time in the desert southwest. I think one of the most amazing aspects of the book is that none of the main parts of the story are readily obvious to anyone. Only geologic sleuthing has unearthed them.
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.
Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region…
People have called the mountains, rolling hills, wide valleys, and broad desert plains of southwestern New Mexico home for at least ten thousand years. When they began to farm a little over two thousand years ago, they settled near the rich soils in the river floodplains. Then, around 900, the people of this region burned all of their kivas and started gathering in large villages with small ritual spaces and open plazas. Between 900 and about 1100, they also made the intricately painted geometric and figurative bowls today called Mimbres, their best-known legacy. Then, in the 1130s, they stopped making…
Deserts are inherently mysterious places. This likely explains why so many good mystery novels have been set in them. We spent better than forty years doing field work in the American Southwest, and we have found mystery novels based in this region among the very best. All good mystery novels must have strong plots and memorable characters, but to us an equally important component is setting. Jane is a botanist with expertise in the use of plant evidence in solving murder cases. Carl is a vertebrate zoologist and conservation biologist. Upon retirement we began writing mysteries. Some are set in the desert grasslands of Arizona, and all are inspired by the southwestern authors we have selected as our favorites.
Bill Gastner is the sort of detective you’d expect to find working the mean streets of an inner city: a rumpled overweight insomniac addicted to coffee and cigarettes. Instead his beat is the Chihuahan Desert of a fictitious county on the border between New and Old Mexico. In Heartshot, Undersheriff Gastner must solve multiple murders related to the illegal drug trade, including the loss of a fellow officer. The killer turns out to be somebody nearly as surprising and dangerous as the place where Gastner finds him. In his first book in the Posadas County series, author Havill skillfully brings to life both the rewards and challenges of life in a harsh yet beautiful place, where the people of two cultures are trying to figure out ways to live with one another.
First book in the Posadas County Mystery Series When a series of crimes disrupts the tranquil community in Posadas County, New Mexico, a group of small-town cops will have to fight for their lives to keep the county safe Posadas County, New Mexico, has very few mean streets and no city-slick cop shop. But it has an earnest, elected County Sheriff and his aging Undersheriff-William C. Gastner. Pushing sixty, widower Bill has no other life than in law enforcement-and doesn't want one, even if he's being nudged gently toward retirement. Then big time trouble strikes. A car full of teens,…
The American Southwest never gets old. Exploring any of the Ancestral Pueblo sites is like walking back in time. Anasazi Medium takes the reader there. I love the land and the culture that has brought us to the present. My character, Santa Fe reporter Rachel Blackstone, reflects this. She is sarcastic at times, can be funny, and has her poignant moments as she copes with a “talent” she never wanted. In Anasazi Medium, I concocted a mixture of mystery, Hopi traditions and a journalist’s eye to entertain and inform. What resulted is a climate mystery in the most water-challenged state in the U.S. and a high adventure read.
Jann Arrington Wolcott’s Brujo: Seduced by Evil features Lee Lindsay as the intrepid reporter. The action takes place in Santa Fe, New Mexico. After a co-worker is killed in a suspicious car crash, Lee is sent to complete his assignment. The man she meets in a remote village casts a spell over her. Flashbacks to a former life begin to haunt her as the brujo (male witch) stalks her and her family. As someone who knows Santa Fe well, I liked how Wolcott used Santa Fe locations and local color to enhance the narrative. Lee’s friendship with the artist who knew something about brujos was the best part for me; a true friend who risked it all.
